Paw patrol cake ideas

Ever since I got my female Torrie from a shelter as a kitten, she has used her paws to eat wet food. She makes a huge mess!! It ends up on the floor, the wall, etc. It doesn't matter what bowls I use or where I place the food. She does this every time with wet food. No matter the type, brand, etc. I have bowls with rubber mats everywhere and doesnt help much. Any ideas as to what i can do to stop this or minimize the mess? She is now 6 and this still happens.

I drink maybe 12 beers per night right now. That's cut back from 5 or 6 strong, and I mean strong, rum drinks on week nights. Usually all day drinking on similar pours on the weekends. Switching to beer helped sorta, but when I would run out I'd drive to get more. I've stopped that since.
I always liked the sauce and my tolerance has always been high. Went back to college late in the game and that didn't help.
Candles on the cake, my fiance cheated on me with a friend of ours, this well before it became a problem. Left with him that night and I basically never heard from her again. Told me she got cold feet. She claimed my favorite bar so I couldn't even go there or they would walk in at random. Rather avoid it.
Spent the next six months high and hammered 24/7. Happened to start my first real job right about then too. No idea how I didn't get fired. Spent 8 months hammered there and even got a promotion. Got a job offer making about 45% more in Florida and took it. Job was shit, paid more but not enough for how much hair I lost to stress. Drank occasionally, but probably not problematically.
Christmas Eve this year my ma got the news that she had cancer. Started at stage one and progressed to stage 3a within 3 months. I picked up bills and the bottle again. She is now at 3c.
I got another new job making another 40% bump that allows me to work from home so I can take care of my ma. It's a dream job for a space agency too. High level position that I always wanted and never thought I'd get. Terrified that I am going to fuck this up and destroy my life and squander my luck.
Anyways AMA
tldr: pretty sure I'm an alcoholic that leans on booze during stressful times and I have a feeling it's going to ruin my life.

Long time lurker with an HOA headache.
I'm currently 7 months pregnant and planning a home birth. I attempted a home birth two years ago, but I hemorrhaged after having a placental abruption at 36 weeks. My husband had to promptly take me to the hospital where I had my preterm daughter.
I moved into my community August 2019 - it's apparently been in our CC&R's that overnight street parking is never allowed without exception from midnight to 6am. However, it hasn't been enforced up until March 2023. The towing company patrols our community every night.
I emailed our HOA about an exception for my midwifery team - especially as my pregnancy has been high risk. There would likely be at minimum 4 vehicles that would need to attend my birth -- we could fit one in our driveway next to our car. They stated they would speak with their lawyer. They emailed me back today informing me that it would be unlikely that they will grant any exceptions for this. They stated they will only consider us having an accommodation (which they note is still unlikely) if we park both cars in the garage. It sounded by the email that even if I confirmed we would do this, that they would likely still deny this accommodation request and tow my birth team. I feel they are just being difficult.
Honestly, our garage has storage in it. We could move things to make room for one car - no issue. We could even make room for two cars. However, time adds up if there is a life or death emergency from getting into the garage, opening it, having people back up and then leaving. Our garage space is extremely tight for two cars, and somehow my fat, pregnant, laboring ass is supposed to make it over to the passenger side of the car? I have symphysis pubic dysfunction, which makes walking even more insufferable - so navigating those small garage spots would be difficult.
Even if I'm in active labor, my husband is not going to be shuffling cars around at 2 in the morning to make extra space for a car to park in our driveway. Why would it matter if two cars park in front of our house, or four? There's space on our street. There's no other cars on the street. Emergency vehicles would be able to get by. Fuck, if anyone is going to possibly need the emergency vehicle that day, it's me.
My husband is a registered nurse, and I'm a nurse practitioner. I'm really frustrated and disappointed at three non-medical people on our committee having the power to decide if my medical team are allowed to park at my house during my labor to provide me care. They have no idea of the possible complications of repercussions if there are complications.
I've researched, but can't find any similar cases or situations.
Is there anything that would protect me to have reasonable accommodations provided for this? Would I have a case if I retained a lawyer? Is this just hopeless?
​
Edit: location is in good ol' fashioned pro-life arizona

Part Six
We’d made it back through the maze of downtown to the side opposite from the gym, but it didn’t matter. Not only were the ones from the gym still after us, along with a few more dreamers they’d picked up along the way, but up ahead was another group of fifteen or so men and women were running towards us with impromptu tools and manic grins that both flashed murder with each bouncing step closer. They were practically skipping towards us as they guffawed and giggled, and it might have been funny if not for the dead ice in their eyes.
“Jesus. We…In here!” I’d spotted the garage door of an old-fashioned service station across the street—it was propped open a foot by a cinder block, and while it might have been a trap set to lure us in, I didn’t really think the people of Braxton had had the time or the sense to arrange it so quickly. These people…they didn’t move or look right, and not just because they were crazy and trying to kill us. They all looked off somehow. Maybe it was the way they moved, or the loose way the skin hung on their cheeks, even when pulled back with their fishhook smiles. They were becoming something different, though whether it was less or more, I couldn’t say.
All of those thoughts were in the back of my mind as we rushed over to the door and I tried to pull it up further for Mrs. Graves and Mr. Holliman to crawl under. The door only budged a few more inches before it let out a protesting rusty squeal and would go no further. Graves had already rolled through the gap, leaving a smear of blood in her wake, and Holliman was grunting as he sucked in his stomach and pulled himself past the door. Gasping with exhaustion and terror, I looked over my shoulder to see how far away the crowds were. The one cutting us off was still some distance away, though they were moving fast, but the ones behind us since the gym were thirty yards at most. I dropped to my belly and rolled through the gap, kicking the cinder block free as I went.
It all happened in a few harried seconds, but as I was getting to my knees I already realized the problem. The block had been so easy to kick away because the door hadn’t dropped back down when I let go to scoot under it. It was stuck, and as I stood up and started pulling on the other side, it immediately became clear that neither me nor Holliman’s frenzied yanks and kicks were doing much good.
“Back here! There are tires! Wedge them under!”
Mrs. Graves’ voice was soft but strident, cutting through my panic as I followed her words to the back wall of the garage. There were several stacks of old tires back there, including several truck tires big enough to block the door gap if put end to end. Holliman ran with me to the back, yanking tires down and sliding them across the concrete floor to jam them into the space between the ground and the edge of the door. They were on the other side, clawing and pounding and laughing their heads off as they told us to let them in, but either they didn’t catch on that we were plugging the hole they could crawl through or they just didn’t care. A couple of minutes later we had five tires jammed across the opening, with the last bit of space partially blocked by a heavy-duty hand truck we stuffed into the corner and ran through with chain to the last tire so it wouldn’t be easily removed.
Yet for all that, I knew it would only take a few minutes for the mob to dismantle our defenses, and that’s assuming they couldn’t force the door up themselves. I looked over and saw the same worries on the faces of Holliman and Graves.
She looked past me and nodded towards the far corner. “There’s a door back there. You better go close it in case they come in that way.”
Turning fast, I saw what she meant—an open door that seemed to lead to the store part of the gas station. Heart in my throat, I went to the door and peered through it. The store itself still seemed empty and intact, but I could see more and more people gathering outside. I jerked backward, afraid they might see me through the glass despite the darkness inside the store, but peeking back out a few moments later, there was no sign that they had. Still, they’d seen us go in here, right? Why weren’t they coming in after us?
Stepping back through the door and closing it behind me, I quietly slid over a mechanic’s creeper and propped it under the knob before turning back to my employers. Holliman had managed to tourniquet Mrs. Graves’ upper arm with her belt and bandage her forearm with a strip from his shirt, and while the strip of cloth was already turning red with blood, it was definitely an improvement from how she’d looked a few minutes earlier. Other, of course, from the fact that she looked as terrified as I felt.
I walked back over to them, keeping my voice low. “Why aren’t they coming in? There’s more around on the store side, but they weren’t even really looking in through the windows. It’s like they forgot we’re in here.”
Holliman grimaced and gave a nod. “That’s probably exactly what has happened. We need to be very careful to not make noise or let them see us.”
I frowned at him. “But how does that work? Are they like so crazy or brain-damaged that they don’t remember chasing us in here just now?”
Graves shook her head. “No, I don’t think so. Based on what we’ve seen and what we know, they may be insane, but they retain a large degree of sophistication. I think this is just…well, a measure of protection we’re being provided by our service, even here.”
I felt a flare of anger at her carefully chosen words. “Oh, so more magic from ‘our service’? And what exactly do we serve again? Because I seem to always miss out on that part.”
Holliman started turning red. “Clint, now is not…”
I raised my hand and cut him off. “Fuck it. Just save your bullshit. You’re actually right. We’re about to die, and I’d rather focus on that not happening. Any ideas?” I glanced between the two of them. “Either of you?”
A look passed between them and then Holliman glanced toward the shadowy back corner of the garage. “I don’t think there’s another way out of here, but even if there was, they’d just be after us again as soon as we ran. But if they’re that discombobulated…Clint, how many do you think are out there right now?”
I shook my head. “Shit, I don’t know. There were probably thirty or forty following us, right? And another twelve or fifteen trying to cut us off.” I glanced back toward the store side of the gas station. But when I was closing the door I could see out the windows pretty good and…yeah, there are still more coming.”
Holliman fluttered his hand in frustration. “Yes, I understand. But how many? By your best guess?”
Scowling, I gave a shrug. “I don’t know. Probably a hundred or more if none of them are leaving again.”
He gave me a grim smile. “Good. That may be enough.”
“Enough for what?”
Wiping his forehead, he gestured up at the fluorescent light sullenly illuminating the dingy garage we were in. “Have you wondered about the electricity? Not every place has power it seems, but some do. And where is that coming from? Is there an active power plant within the bubble of this place, filled with giggling electricians and engineers that are keeping the lights on? Or are there power lines running outside the bubble to where time and nature move differently? Some kind of life line to the world outside this…” he waved around at the garage, his face contorted with disgust. “This insane hell?” He waggled a finger. “No. Neither. The thing that has taken this place and its people is keeping the lights on. Keeping the people asleep until now, feeding on their dreams and using a bit of that power to maintain certain things for whatever reasons. Perhaps to more easily lure in the occasional traveler, though that’s just a guess. And it doesn’t matter. What does matter is that it takes resources, and the more dreamers we take from it, the weaker it will become.”
I rolled my eyes. “Well, no shit. But I don’t think these fuckers are going to let us get near them with the eyedropper. And they don’t look too sleepy either.”
Holliman started to give an angry reply when Mrs. Graves put a hand on his arm and my own. “When they were in that dream state, the Elixir was the only way to end that connection. If we had simply gone around and killed them, their deaths would have provided a powerful boost to this thing, perhaps more than just letting it feed on them until they could no longer be sustained. It would have been akin to a ritual sacrifice.”
I felt my stomach twist as I saw where this was heading. “And now?”
She let out a long, tired sigh. “Now? Now it has had to wake up part of them. Sacrificing the power of their dreams to create a standing army to eliminate a threat—us. Unless and until they sleep again, that power is lost.”
Holliman cut in. “And if you’re right, and there are a hundred or more out there, and given those we’ve already dosed, we could move past the breaking point in one fell swoop.”
I stared at her. “You’re talking about killing them, aren’t you? Murdering a hundred people.”
Graves shook her head. “No. Not murder. Self-defense. They will kill us eventually, and in horrible ways. This place…we’re trapped here. Hard as it may be to hear, it’s going to be either them or us.”
Holliman snorted. “Enough of this. We can moralize after we’re no longer in danger.” He pointed to the abandoned sedan sitting in the far corner of the garage. “Clint, go look for gas and oil. If you can’t find much, see if you can syphon some from that car. I’d guess we’ll need at least twenty gallons to spray them all down.”
I backed up a step. “What’re you talking about? You’re going to walk out there and what? Spray them down with oil and gas and set them on fire?”
He chuckled. “No. That’d be suicide. Don’t be an idiot.” He pointed to a skylight above the sedan. “I’m going to have you pry that open and we’ll go onto the roof and spray it down on them. If we’re careful and they don’t see us, they may just let us do it until it’s too late. But first you need to find something liquid that will burn.”
I looked back at Graves. “And you’re okay with this?”
She looked on the edge of tears. “I’m not okay with any of this, but we don’t have a choice. We have a job to do, and they will kill us otherwise. Please Clint.”
Holliman looked ready to argue further, but I cut him off. “Save it. I’m doing this because you’re both right, but that doesn’t mean I like it.”
He nodded. “I appreciate that. I feel the same way. Will you please go find us some flammables while I stay with Gracie?”
“Sure…I…yeah, sure.”
The garage was big enough to hold two cars at a time, but with only the one slot occupied, I didn’t think there’d be much to really search. Most of the walls were lined with tools, and there were miscellaneous pieces of equipment along the perimeter, but it wasn’t until I started around the car that I saw something of interest.
It was a pair of feet.
I let out a gasp and started to back away, but something stopped me. This…wasn’t right. The feet were laying at a weird angle and looked…lifeless. Taking a couple of steps forward, I could see more of the man’s body.
He had clearly been dead awhile, though it was to tell how long in this place, and it wasn’t hard to see how he’d died. A box cutter still lay clasped in his withered hand, stained from the gash he’d put in his own neck at the end. I thought about the cinder block at the door and wondered if he was the one that had put that there, maybe hoping someone else would come along and rescue him for a time before he gave up hope.
Tears springing to my eyes, I looked over at his other hand. It was a plastic grocery bag, and inside were the dried ruins of what had probably once been half an ice cream cake, along with plastic plates, candles, and other party supplies. Jesus. This looks like he was going to his kid’s birthday party.
I stumbled back a step before my eyes caught on a large metal drum in the corner. Black painted letters were stenciled along the side, with the first line saying “50 gal”. Below that, was a longer line. “Waste Oil.” Stepping cautionly by the poor dead man, I gingerly rocked it. It felt most of the way full. Sighing, I looked back down at the birthday bag.
When I came back around, Graves and Holliman were looking at me with expectant desperation. I nodded. “I found a drum back here. I think it has like thirty or forty gallons of old oil in there.” I threw a small plastic bag at Holliman’s chest. Flinching, he fumblingly grabbed it and looked at it before giving me a sullen stare.
“Party balloons?” His face split into a grin as he began to laugh softly. “Oh, I see. Yes. That should work well. Yes, yes.”
“Yeah. Let’s just…let’s hurry and get this done. Come help me get the barrel out.”
Easing up from his spot next to Mrs. Graves, he bustled over past me, still chuckling. “Sure thing, chief. Time for a fire tonight!”
Frowning at him, I turned to look back at Graves, her eyes wide and more fearful than when we’d barely escaped the mob outside. She was mouthing something to me, lips trembling as she tried to enunciate each word clearly across the shadowy space.
"We’re…losing…him."

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First/Previous/Next
Memory Transcription Subject: Chief Kafny of Tribe Baylrn, Sivkit Grand Herd.
The thumping in my chest felt like it could break my ribs open as I crawled across the floor, backing myself into a corner when I hit the wall. There was nowhere to go, the windows are far to small to escape through and the demonic offspring stood in the way of my only exit.
I was trapped, but it wouldn’t have mattered anyway as terror gripped my body and paralysing fear fixing me on the spot. All I could do was just stare at the menacing figure looming in the shadows. My body shivering at the sight of those glowing yellow eyes, darting side to side studying my form.
It feels impossible, but despite their constant presence in this horrible place, somehow I managed to lull myself into letting my guard down. This sudden ambush is the price I pay. The grown beasts almost made themselves look docile, but these cubs never showed a sign of restraint amongst themselves, what hope is there for prey?
Some primal part of my brain forced my arms to cling with desperation around the jar, jealously guarding the only source of food I’ve seen for days. But this only served to further pin me to the ground as the small demon made slow calculated steps in my pursuit.
It’s tail whipped around aggressively and the head twisted side to side, sizing me up from every angle. Those slit pupils turned to massive black orbs, consuming any colour in it’s eyes and leaving only dark soulless voids.
I couldn’t bare to look at it’s horrific face, my head burying itself against my arm while tears soaked through my fur. Even to save my life I couldn’t look up. Breaking eye contact with the predator meant I was showing vulnerability. The demon’s instincts compelling it to strike with murderous intent.
Not a moment later it pounced, landing directly on my stomach.
Through the force of the impact all the air escaped my lungs, forcing a pathetic whimper as the beast now immobilized me completely. My arms were still locked around the jar but my legs were free. Summoning the last ounces of strength left it my body they struck out in my last stand.
Franticly kicking at the beast as tears and snot leaked of my face. But no matter how desperate the effort my weak paws never made connect with it’s form as the beast just sat on top, pinning me down and waiting for the futile effort to end as I tire myself out.
It didn’t take long for my nutrient deprived muscles to fail under the stress. I wanted to keep going, to fight for my life just a little bit longer. But no more could effort would will my legs to move, it’s... it’s all over.
The kicking stopped and all went quite.
The only noise coming from my sporadic quivered panting as my body meekly shivered under the demon’s weight. It’s paw stretch out slowly towards my head as I braced myself for it’s claws to grip my neck.
Eyes closing on their own in resignation to my fate.
When all went dark two familiar faces appeared in my mind. An old memory of the day I was sworn in as Chief. I was consumed by terror on that day, almost causing me to collapse on stage. But Jallif and Dayfrin stood by my side, their faces plastered with nothing but pride and joy respectively.
They were always there when I needed them and after we survived the Greys those two were the only real family I had left.
My fear became secondary to regret as I remembered my last words towards Dayfrin. Things now I’ll never be able to take back. Heartache forced my eyes shut tighter, creating a steady stream of tear with the realization I will never be able to say sorry.
It wasn’t lost on me that if I had only listened, none of this would have ever happened. With the appearance of Humanity we at least had the strength of numbers. These demons were a complete unknown.
The dizzying swirl of emotions pain made me realize something. The killing blow never happened. Confusion distracting me enough to never notice the sensation of a fuzzy finger running across my cheeks, wiping away the tears.
“Why are you crying?” A creepy whining voice spoke from the predator’s direction. My brain couldn’t grasp at what is happening right now, why isn’t it eating me?
After a few quivering breaths I managed to open my eyes just slightly, enough to see the monster sitting still without any sudden movements. The tail still swiping side to side but it’s head was tilted with ears pinned back.
The predator was still staring into my soul though missing the snarling teeth I was expecting, it’s gaze broke away a moment later and slit pupils shifted towards the jar, my arms tightened instinctively to protect my prize.
“Why were you trying to open this?” The small beast grabbed the jar with intent to snatch it away. My paws held on for dear life but my weak arms offered no resistance to the monstrous strength of a predator.
I mourned my last chance of quenching hunger before hearing a pop. A familiar smells flooded the room, infecting my starving mind. The muddy vegetables offered no aroma of herbs or any additives but the sour smells worked like a spell over my brain regardless.
Nostalgic memories flooded over me, ones I have almost forgotten when they became to painful to remember. Old memories of my mother teaching me ancient ways of prepare food.
The smell was too much to bare and starvation compelled my body to dive for the food like an animal concern for nothing but ridding myself of the pain. A creature is often most vulnerable when eating, but all I could do was occasionally glance back at the little monster.
The smell seemingly had the opposite effect on the predator. It’s face contorted and ears pinned back as the monster masked it’s nose.
“Argh nasty! Why are you eating the animal feed... are you like the cattle?”
“I-I’m not cattle!” My voice tried to shriek but it came out as a quivering whimper at the verge of tears. Spirits, why did I do that?
The predator looked taking aback by my sudden outburst of defiance. It’s eyes widened and ears perked up as it’s head leaned back. The maw hung wide agape, getting ready to finish me off for my insolence.
“You can talk! Kersh said you couldn’t!” The small demon leaped towards me once again, this time landing short of my face. My eyes shut closed as I flinched away anticipating the coming attack. But instead of gutting my throat it’s paws wrapped around my cheeks as it pulled at and inspected my face.
“Are you really from the stars?!” I couldn’t move or even process what is going on. The little monster jammed it’s thumps inside my mouth and pulled my lips all the way back until my cheeks strung.
“Your teeth are so weird and your eyes are really ugly, but your fur is nice!” I couldn’t bare the talk of my fur while those dead pelts still sat on the bed in my line of sight.
Maybe I was emboldened by surviving my first outburst or maybe I have gone completely mad but somehow my body got the strength to stand up and yell back at the demon.
“S-st-Stop!!!”
The cubs eyes widened with what must have been fear and the little beast took several steps back. I was taken aback that the demon actually followed my command. Something wrong inside me compelled unwelcome emotions, guilt over a creature that would never feel them for me.
How broken can I be falling for a predator pretending to be hurt? The little beast sat down and crossed it’s legs while putting paws on it’s lap. With it’s head down the predator almost looked submissive.
“I-I’m sorry... I just wanted to play with you.” The creature took a bow and sat there for a minute while I processed everything. Play?! Was it daft, did it not know it’s meant to eat me!? Dumbfounded I didn’t know how to reply.
“I-I, I don’t want to play with you in here, get out!” I winced away after realizing my choice of words but kept an open eye for it’s next move.
The beast pinned it’s ears back further and quivered it’s lip. Pity, fucking pity that I couldn’t suppress conflicted with my horror. This wasn’t at all how predators are meant to function... I, I can’t let myself fall for it, it’s lying... It has to be.
The demon’s ears perked back up.
“In here? That’s okay we can play outside!” The beast bounced of the floor peaked out several windows with suspicion.
“Kersh doesn’t know I’m here and everyone else is busy preparing the wool for trade. If you can stay quite I can sneak us out of here!”
Realization dawned on me that this could be my only chance for escape. It was insane and I would be putting myself at risk to the whims of this carnivorous monster, but it won’t be worst then being surrounded by the hundreds of these demons within the village.
At this point I’m willing to gamble with my life. “S-s-sure!... I-I’d love to play outside... H-how do we play?”
The predator cub burst from the ground into the air with eerie energy. All while squinting it’s monstrous eyes at me, strangely blinking and struggling to keep it’s eyes open.
“Hmmm, we can play hide and seek in the woods! You hide in the forest and I’ll hunt you down!”
“Ahh what!? Absolutely not!...Ah, I-I mean... h-how about you hide and I h-h-hunt y-you down!?”
This is my only ticket out of here alive. If it doesn’t work I have no idea how I’m going to get away from this beast once we’re outside. The thought of grabbing a rock and smashing it over it’s skull crossed my mind.
Some part of me felt horrible imagining that type scenario. This is a predator cub, it’s going to grow up into a horrendous flesh eating monster. Why are you feeling bad for it?
The creature gave me a quizzical look before hopping close to me. I tried to lean away but it grabbed my arms and squeezed my paws together “That sounds fun, I’m Khirr... do aliens have names?”
It just stood there, with it’s ear up high and eyes barely open. Did it really not realize it’s suppose to treat me like prey?
“I’m K-Ka-Kafny...”
It’s eyes closed completely and the predator head bowed while still holding my paws. “It’s an honour to meet you Kafny. Come! Kersh would rip me to shreds if she caught me playing in the woods after sunset and it’s almost dark so we godda hurry.”
“W-wait! my arm’s still broken I can’t r-run.”
"I'll carry you come on!"
The little demon spared no time hoisting me over it’s shoulders while stumbling over my weight. Physical contact with the predator sent shudders through my skin though I had to suppress such feelings if this had any hope to work.
I took the opportunity to snatch the biggest plant from the jar before the little beast steadied it’s knees. Chewing on the root was the only way to steer my thoughts away from the predator’s treat.
It didn’t surprise me that a sapient predator would kill it’s offspring for disobeying an order, to think this thing would risk it’s life just to play. Though I couldn’t imagine the mother’s wrath if it saw me with it’s cub.
First/Previous/Next
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Note: Next chapter is almost finished, just needs some rewrites and it's out tomorrow.

“Just going for a walk Em. I’ll be back soon!” I hollered down the hallway as I stood on the edge of the doorway, leaning on the front door with my keys in my hand.
“Alright, I’ll get started on dinner. How’s salmon sound?” My wife called back from the lounge room.
“Sounds delicious love!” I said, swinging on my jacket and walking out the front door and shutting it. I strolled down my driveway and onto the footpath. Turning around the corner to make my way to the walking track near my house, I inhaled a big breath of fresh night air. The sky was clear, and I had a stellar view of the stars. I felt so calm and the neighbourhood felt so serene. Ambling down the road, I nodded hello to anyone passing by me.
A couple blocks away from my home and only 50 metres from the walking track, I saw a guy who looked to be in his early-mid 30s dressed up in the most vibrant and flashy activewear I’ve ever seen. Even though it was mostly dark at this point, I was able to make out every detail simply due to how gaudy it was. It was like someone had taken a picture of normal sports clothes and turned the saturation up by 100%.
As I was ruminating on how in the actual hell this guy had bought clothes this bright, he almost walked head-on into me. I did an awkward shuffle to my left to let him pass by me, raising my hand in greeting.
He barrels past me, almost knocking me over. I stumble and regain my balance, straightening up and swiftly turning around, only to see him turn the corner. Slightly surprised by how fast he was walking, I try to push the rude encounter out of my mind, brushing imaginary dirt off my jacket. My hand caught on something, and I dug around in my jacket’s pocket only to pull out a crumpled piece of paper.
I unfolded it to reveal what looked like a rule set. Uneasiness crept into my stomach and I got a strange sense of deja vu. For the life of me though, I couldn’t imagine what could even make me feel deja vu like this. And then I remembered the creepy swimming pool rules and that Reddit post. I’d managed to forget them, but it looked like the rules weren’t done with me yet.
How’d this even get in my pocket anyway? The man in impossibly bright active wear who’d brushed past me earlier had barely touched me for more than a second. There was no way he’d managed to put that in my pocket, but there was no other explanation.
I honestly don’t know. I have no idea why this piece of paper immediately filled me with dread and why I was reacting so strongly to it. I’m normally a pretty level-headed person. I sank down onto the curbside, my legs feeling unsteady. I started to read it.
Hey, to whoever’s reading this. I’m sorry I can’t explain this in person, but I can’t take the chance that you may be someone who means me harm in disguise. That’s why I thought up this (genius, if I do say so myself) system where I write the rules down and print them out to hand around to anyone I see walking. Copy the rules if you get home and make as many duplicates as you can to hand out to other people. Of course, keep one for yourself, remembering these off by heart isn’t ideal.

1. Wear the brightest and most colourful clothes you can, it hurts their eyes to look at you. (Yes, that’s why I look like a parrot.)
2. Try not to walk alone (unless you’re experienced like me), you seem like less of a target that way. And if they do attack, it’s 50/50 whether they go for you or your friend. I like those odds a lot more than death, don’t you?
3. Keep your walks of a medium length. Don’t stay out for too long, and don’t be too short. Try to find that sweet spot in between. Making it too short makes them act desperately, they think their meal’s getting away which makes them more likely to attack and thus, it is more probable for you to die. Too long, and they get bored. Plus, who has time for a long walk?
4. Don’t run at any point. This turns your walk into a run, which has a different ruleset. I can’t help you there, sorry. I’ve never run (for a hobby) before.
5. Have a shower before walking. If you’re sweaty, you smell more appetizing.
6. Walking to your car, or across the street to visit your neighbour isn’t considered a ‘walk’. In my experience, it seems to be that walking for 300m or longer starts the ‘walk’.
7. You may run if you are within 100m of your home (and something is chasing you. No use starting up a ‘run’ for no reason). Any further and your walk turns into a run as I said before.
8. Learn to speedwalk. There are times when you need to get away fast, but can’t run. Watch some professional walkers on YT or something. There’s also the Olympic event, I find it more entertaining to watch than some rando on YouTube. But definitely watch how to get the proper form first for speedwalking, though.
9. Trust your gut. Good advice for life, really, but goes doubly for walking. If you feel like something’s off, it probably is. And best you end your walk early than face the consequences of seriously misjudging a deadly situation. Better safe than sorry, as I always say.
10. Don’t listen to music or podcasts. You need to be attentive at all times.
11. Try not to seem nervous. They read body language very well and this just makes them itch to hunt. They’re predators and any skittish behaviour immediately makes them classify you in their head as prey.
12. Don’t mistake them for dumb, big predators. They are very intelligent, for one and are much, much more than some stupid carnivore. Thinking like that’s just underestimating them, and misjudging them is such a dumb way to go.

Hope this helps you out and I wish you an awesome life stranger. Stay safe.
The paper shook in my hands and my vision blurred. I buried my head in my hands and felt my fear begin to overwhelm me.
“Why?” I murmured. “Why me? Why’d this have to happen to me? Why is this even happening?’’
Shaking my head to clear my mind, I tried to focus. Breaking down wouldn’t help me. I needed to figure out how to get home safely. The rules had probably kicked in by now - I’d definitely walked far enough - and walking home would probably be a death sentence in my state. I wasn’t focused, and I knew I could never follow the rules properly like this. I was only a couple blocks from home though, so maybe I could make a break for it? I could probably maintain a sprint that long. And if I couldn’t, I was sure adrenaline would be able to pick up my slack.
A stupid idea in retrospect.
Taking a few deep, calming breaths, I managed to compose myself. Forming my fists into a tight ball, I rubbed my eyes to clear them. I inhaled one more time and sprung to my feet, ready to run. Dancing on the balls of my feet with nervous energy, I realised that however anxious I was, I couldn’t let it show. Forcing my tense shoulders to relax, I spun on my heel to face back towards my house. Out of the corner of my eye, I caught a glimpse of two eerie glowing orbs, just observing me. How long had that thing been there? Had it been there from the start? Or had it only just appeared?
Had it always been there and I’d just driven past it on my way to work every day without the slightest clue?
These thoughts managed to shatter any semblance of composure I once had. It wasn’t hard, honestly, I was so tense and wired that even breaking a twig could’ve caused me to snap and lose my cool.
I ran. I ran for all I was worth, and then some. I flew home, absolute terror fueling each step I took. I’ve never run that fast in my life, and I doubt I will again. I was tiring fast, after all, I’ve barely run since high school, when I heard frantic stomping behind me that was almost like human footsteps but way too heavy for it to be that. I definitely could have been imagining them, but somehow I don’t think I did. I increased my speed, finding an extra reserve of energy deep within my body and pumped my arms even harder, my legs working overtime. It seemed to work for a bit. The footsteps faltered but then doubled in speed. Despite my best efforts, the plodding footsteps behind me seemed to be gaining. Whatever it was seemed to realise that too, and it slowed minutely, matching my pace so neither of us was gaining on the other. It was toying with me. It knew I couldn’t keep this pace up for much longer and that it had all the time in the world. I swore those footsteps sounded almost predatory.
I almost lost hope then. I almost stopped running and just gave myself up to it. But I didn’t. I couldn’t. I won’t do that to Em. I resolved to keep running until my inevitable end.
Somehow, someway, I made it to my street. I skidded around the corner and almost fell over when I saw what greeted me. Construction workers. Shit.
In my ignorance and desperation to get away, I’d ignored the rules for running. And in doing so, I’ve cornered myself between death and… death. I was completely screwed. I needed to run past the construction workers (that had definitely not been there when I’d left so they were 100% of the supernatural kind) to get home.
My shoulders slumped. I dropped to the ground in absolute despair. This was it. I’d never see my wife again, never see her smile or laugh or groan in familiar exasperation at one of my puns. Never get to eat that piece of cake I was saving for later. Never experience the rest of my life, or even return to my monotonous office job.
I lay on the ground, all the fight sucked out of me. I waited for whoever would get me first, the thing chasing me or the construction workers, whatever they really were. I kept waiting. At one point, I wished that one of them would just hurry up and get it over with. I hated the suspense. After a while, I just lost all sense of time, wallowing in a pool of self-pity, laid out on the ground. At some point, I think I came to the realisation that at least, the thing that had been chasing me earlier was gone. Maybe it was afraid of the construction workers and didn’t dare approach closer than I already so stupidly had. I didn’t really care, as long as it was gone.
And as I came to my senses, an ominous clanking and rattle of hammers, drills and various other tools filled my ears and drowned out any other sound. I realised that this had been playing in the back of my head the whole time I’d been on the ground and I’d just been tuning it out. Now, all I could hear was the clang of metal on metal. No matter how hard I tried, I couldn’t tune it out as I’d previously been able to do. And now that I was aware of it, it had some kind of hold over me. I couldn’t ignore it to the slightest degree.
I stumbled away, cradling my head and blocking my ears, wishing desperately that the sound would just. Go. Away.
I felt unsteady, almost like I was drunk. I stumbled about walking in a random direction, not caring where I ended up. I don’t know for how long or how far I walked, only that I wanted those godawful sounds to stop. My head spun and I collapsed on the ground, the sounds of a hammer striking a nail still ringing throughout my head.

So I'm pretty sure this will get downvoted to oblivion right before it's deleted for some reason or another, but perhaps if I get this off my chest it won't bother me near as much.
I've been a Destiny player since the very beginning. I lived through Dinklebot, "I don't have time to explain...;" the lows of The Dark Below and House of Wolves, of static rolls, the menace of MIDA, Lord of Wolves and Laser Pointers...the highs of Taken King and Forsaken, of weapon crafting, and the absolute pinnacle of the game that was The Witch Queen.
And I feel like, after spending $100 on Lightfall and the Season Passes, that everything that was RIGHT about Witch Queen was reversed in Lightfall.
In short, it's not fun. At all. Legendary Campaign in Witch Queen was great. It made me swear profusely on the regular, but it was GREAT. It was manageable. It felt TIGHT, like the game was MEANT for it. The difficulty balance was absolutely perfect. You KNEW if you died in a Darkness Zone it was YOUR fault (I'm looking at YOU, Temple of Savathun!). Enemies were tough but not sponges. There was...BALANCE.
And Lightfall has taken that away, because somehow Bungie got the idea that players WANTED the game to be harder. That the Space-God-Killing Player Fantasy wasn't acceptable (and I will acknowledge RIGHT NOW that in certain cases that's right, but not overall) and EVERYTHING had to be more difficult. Neomuna patrol zones at +15 (or your player capped at -15, however it works). Legendary Lost Sectors now at +20 instead of at cap (and honestly, +10 would be fine for an LLS, but +20?), and most importantly, the Legendary Campaign which I would absolutely swear under oath has a broken scalar.
It's just not fun. At all. It all feels just a bit...OFF. Controls aren't as tight. Abilities are tuned too far down. Survivability is garbage. A Tormentor being able to vault ALL the way across the map to grab you with his scythe and instakill you with it JUST when you get his health to a sliver, and that's AFTER chasing you around the arena and spamming the suppressor attack so you can't get a super off. Or you do and he just EATS it. Meanwhile, redbars are EVERYWHERE causing little plinks of damage that not even 100 RES (which was NERFED) can stop. And that's EVERYWHERE Lightfall touches. At least Sniper Alley in Halo 2 had a pattern. A way to figure it out and get through it. Even Witch Queen did. This...DOESN'T. Spawns are predicable, but enemy density is absurd, and that's BEFORE the Tormentors show up. The Heist Battelgrounds in Seraph were frustrating but not unreasonably so. The Defiance Battlegrounds are just piles of bulls**t waiting to piss you off.
And beyond that, it's the general idea that the Power Grind is STILL supposed to MEAN something. It's supposed to get you somewhere. But it DOESN'T. I could grind out every Pinnacle and get to where I could do an LLS at -20, but if I'm going to do that it needs to be FUN. And I'm sorry but it just ISN'T.
That's the problem, really. Of COURSE I know I'm likely in the minority, and I'm reasonably certain, based on the amount of s**t I get on Twitter for sharing this opinion, that it'll be similar here. But I dunno, I had to vent. Maybe I should have read the TWABs more closely and paid closer attention to the ViDocs, then maybe I wouldn't have spent the money for this one and avoided the feeling I was snookered. Because that's really part of it. After Witch Queen's high, the changes they've made have Lightfall feeling like I've been taken for a ride. Is this potentially part of the game's narrative? If so, it's bad form. Because this is a game I've played, with a few exceptions, for HOURS every week. It was my hobby, my stress-relief, my focus-on-this-and-let-everything-else-go ME time. Now, for me, that's gone. It's stupid, and it's going to get me bagged on relentlessly I'm sure, but even for my old ass the current state of the game for me is just a bit heartbreaking. I don't know who the game is more geared toward now, but I'm sure you're out there. But it's not me, and that sucks. Because I spent the same $100 that everyone else did and I'm not going to lie I feel, for lack of a better phrase, mildly betrayed that the game I have been playing, and enjoying, is now geared toward a more specific, and somewhat exclusive, type of player.

9:40AM EST - 9:55AM EST
4.21.2020

 THE MAIN LESSON I LEARNED IN MY TWENTIES WAS SOCIAL DISTANCING. BASICALLY. THEN, AS SOON AS I HIT MY THIRTIES, IN THE 2020'S, BOOM. SOCIAL DISTANCING IS NOW THE NEW NORM RIGHT? THIS IS WHAT THEY ARE SAYING. THEY HAVE BEEN SAYING MANY THINGS FOR DECADES NOW. SEVEN DECADES. IF NOT MORE. BRENDAN ASKED ME TODAY, VIA TEXT MESSAGE, WHAT I PLAN TO DO ABOUT THE MARKETING AND PROMOTION OF THIS ART PORTFOLIO? NOT THINKING ABOUT IT ALL REALLY. IN ALL ACTUALITY. IT WILL SERVE AS NOTHING MORE THAN A SERIOUS ROADBLOCK. AS A CREATIVE ARTIST, MY ONLY JOB IS TO MAKE THE FREE THROW. WHATEVER THE SHOT IS, MAKE IT. THE PROJECT IS THE SHOT. MAKE THE SHOT. ONLY THE SHOT MATTERS. THE SHOT, THE ONLY MATTERING FACTOR. AS AN ARTIST, I ONLY HAVE ONE JOB. MANY RESPONSIBILITIES I MUST HANDLED CONCERNING THE CRAFT. ALL RESPONSIBILITIES ACTUALLY. ANY OTHERS MUST BE DELEGATED TO THOSE ON THE PAYROLL. THE RIDDLE WASN'T HOW I WOULD GO ABOUT THE MARKETING. i WOULD GO ABOUT THE MARKETING BY HIRING MARKETERS. PUT THE SPECIALIST TEAM YOU NEED AROUND YOU ON THE PAYROLL. THIS SIMPLE. AT 25 YEARS OLD I WAS AT SUCH THOUGHT LEVELS. ONCE I WROTE "CFK" I WAS ABLE TO REALIZE I WAS GOING TO HAVE TO FUND THE PROJECTS MYSELF. HENCE THE FINANCIAL WORLD OF INVESTING I NOW FIND MYSELF EXPLORING. I AM SO GRATEFUL I AM STILL ALIVE. I THANK GOD FOR MY LIFE. I DON'T THINK ABOUT THE HOO RAH OF IT ALL. THE FLASHING LIGHTS. THE MEDIA. THE OSCARS. THE HOLLYWOOD WALK OF FAME. I FOUND A WAY TO SKIP THE LIGHTS AND THE MEDIA. STRAIGHT OSCAR STATUETTES AND THE STAR WALK POSITION. 

​
7:18 AM EST - 7:54AM EST
THURSDAY APRIL 23RD, 2020
4.23.2020 -
4.24.2020 -
11:23PM EST - 11:55PM EST
FRIDAY APRIL 24TH, 2020
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​
CHAPTER SEVEN: THE DEPRESS IS MY BEST FRIEND

 I STARTED A NEW FILM SCRIPT YESTERDAY MORNING. "FROM THE GET GO" "NAIJAH FOURLEAF CLOVER" IS THE PEN NAME. THE PEN NAME IS CREATED IN HONOR OF NAIJAH GROVER SR. R.I.P. TO NAIJAH GROVER SR. THIS IS THE BEST I CAN DO. TO HONOR MY FALLEN COMRADES WITH MY ART. GIVING THEIR NAME THE CREDIT. MY NAME NEED NOT BE ON THE BOOK PENNED BY MY OWN. I GAVE AWAY THE CREDIT. THE SPOTLIGHT. I DON'T WANT THE SPOTLIGHT. I WOULD PREFER TO SHADOW OPERATE. THE SHADOW GOVEY DOESN'T REAR IT'S UGLY FACE...SO WHY SHOULD I? THE GOAL IS TO WIN. WHAT'S THE BEST WAY TO WIN? CREATE AS MUCH AS YOU CAN. CREATE AS MUCH AS YOU CAN FOR THE REST OF YOUR LIFE. SEEK NO SPOTLIGHT. UNDERPLAY ALL ACCOMPLISHMENTS IN ANY SPOTLIGHT. GIVE ALL SPOTLIGHT AWAY. SHARE ALL SPOTLIGHT. TOTALLY IGNORE THE QUESTION YOU CAN'T ANSWER WITH TALK OF SOMEONE DEAR TO YOU. PUT OTHERS ON WITH YOUR SPOTLIGHT. OTHER THAN THAT, DENY EVERYTHING. A MAN LIKE YOU CAN'T GO ON THE BREAKFAST CLUB. IF I GO TO ANGELA YE SHE'S GOING TO LOVE ME. I WILL GO TO INTERVIEWS AS AN ACTOR WITH SCRIPT. I WILL BRING AN ACTOR IN A SUIT, TO PLAY MY LAWYER. EVERY QUESTION I CAN'T ANSWER, I'LL THROW A SIGN. THEN HE WILL WHISPER IN MY EAR. THEN I WILL REPEAT HIS WORDS. "COUNSEL HAS ADVISED I DON'T VERBALLY ENTER SUCH TERRITORY." I ENJOY MY LIFE. I JUST WANT TO KEEP IT SIMPLE. I WAS WILLING TO SACRIFICE ANY SUCCESS FROM THE CRAFT I GAVE MY LIFE TO. I GAVE MY LIFE TO LITERARY HISTORY. I GAVE UP MY PERSONAL LIFE TO ATTAIN INCLUSION. LITERARY HISTORY INCLUSION. I GAVE UP EVERYTHING. I HAVE NOTHING ELSE. I ONLY HAVE TEN THOUSAND FILES. MAYBE 5000 HOURS. YOU CAN'T CONTROL ANOTHER PERSON. YOU CAN ONLY CONTROL YOURSELF. YOU CAN ONLY CONTROL YOUR FOCUS. YOU CAN ONLY CONTROL YOUR ATTENTION. YOU CAN ONLY CONTROL YOUR AMBITION. I CAN CONTROL MY INTELLECTUAL PROPERTY. SPENDING YEARS PUBLISHING BOOKS, I WILL NEVER REGRET. I CAN NOT RISK LOSING MOMENTUM WHILE INSIDE A DOOMED RELATIONSHIP. I AM MORE CURIOUS OF OTHER IDEAS THAN OTHER PEOPLE. I AM A MAN OF IDEAS. I AM DRAWN TO IDEAS. I WANT TO HEAR SOME IDEAS. WE AS PEOPLE ARE IDEA CREATORS. SO IF YOU HAVE NO IDEAS, WHY HAVE A BRAIN? 4.24.2020 - 11:23PM EST - 11:55PM EST THE DEPRESSION IS MY BEST FRIEND. IT IS ALL I HAVE. THE PAIN INSIDE, IS NOT REAL. IT'S REAL. BUT IT'S NOT REAL. IT'S INSIDE. THE INSIDE CREATES THE OUTSIDE. THE OUTSIDE AFFECTS THE INSIDE. THE INSIDE AFFECTS THE OUTSIDE. DO YOU KNOW WHAT I SAY? EXTERNAL EVENTS CAUSE MENTAL AND EMOTIONAL EVENTS. EMOTIONAL THOUGHTS FOCUSED AND DIRECTED, CREATE REALITIES. THE DEPRESSING THOUGHTS ATTACK ME. ONE PERSPECTIVE. PERSPECTIVE NUMBER TWO: THE DEPRESSING THOUGHTS CHASE ME TO THE PATH OF PROLIFIC ART PORTFOLIOS. IT ALL STARTED WITH THE DESIRE FOR THE LEGENDARY ARTISTIC PORTFOLIO. FROM 20 YEARS ON TO NOW. AT 30, THE FIRST PORTFOLIO IS DONE. THE CREATIVE PORTFOLIO IS DONE. THE NEXT PORTFOLIO, PORTFOLIO NUMBER TWO, IS THE NEXT DESIRE. THE ECONOMIC PORTFOLIO. THE NEST EGG. THE FINANCING OF CHADXZAVIERFILMS. DAVIDXCRICHTON PUBLISHING. VANESSA B. STALLONE PRODUCTIONS. CLOVER MEDIA. ROCKMAN INC. THERE WAS NOTHING ELSE TO DO. THE DEPRESSION MADE IT SO EASY. THIS MAKES EVERYTHING SO EASY. I FEEL SO MUCH PAIN, I CAN CREATE MY OWN REALITY. I PAY THE PRICE. EVERY DAY. EVERY SINGLE DAY. THE PAIN KEEPS ME HUMBLE. THE EGO'S AT BAY. THE EGO CAN ONLY THINK. EGO CAN NOT ACT WITHOUT MY PERMISSION. THE DEPRESSIONS MAKE THE EGO LESS APPEALING TO HUMOR. NEVER HUMOR THE EGO. BE AS NICE TO AS MANY PEOPLE AS YOU FUCKING CAN. YOUR LIFE IS ON THE LINE. I AM GLAD I CAN LOOK AT SUCH A THING IN SUCH A WAY. ON SUCH A DAY. IT IS THE FEELING OF FEELINGS YOU WOULDN'T ALWAYS WANT TO ADMIT TO. HOW CAN I BEAR YOU TO CONTINUE TO LOOK AT ME, WHEN I ADMITTED HOW I TRULY FEEL ON THE INSIDE? DID IT AFFECT HOW YOU SEE ME NOW? I'M NOT ASHAMED OF HOW I FEEL BC I FEEL IT. IT'S ALREADY HERE. I AM ASHAMED IT EVEN CAME AT ALL. I AM ASHAMED OF WHAT TRANSPIRED EMOTIONALLY. IN EXCHANGE, MY BUCKET LIST WAS MY LIFE. I LIVED MY BUCKET LIST. I HAVE NO ANGER TOWARDS THE COSMOS. THE UNIVERSE. I AM AN ADMIRAL IN THE UNIVERSAL SPACE NAVY. IT'S JUST A HARD PILL SOMETIMES. I'VE BEEN AT THIS SO LONG, IT IS STARTING TO FEEL LIKE A MOVIE ROLE ITSELF. I AM PLAYING ME. I AM CHASING THIS ONE GOAL. THIS ONE FILM. ALL ABOUT THIS ONE MAN CHASING THIS ONE DREAM, IS IN ONE FILM. WHAT GENRE? DRAMEDY. YOU FEEL SO NOT APPRECIATED IN YOUR PERSONAL LIFE. YOUR FAMILY LIFE. BEING 30. NO CREATED FAMILY OF YOUR OWN. YOU CAN LNLY SEEK APPRECIATION FROM YOUR EFFORTS IN YOUR CHOSEN INDUSTRY. I FEEL AS IF I CHOSE WRITING AND FILMMAKING. I CHOSE FILMMAKING. NOVELIST. FILM EDITING. DIRECTING. SCREEN WRITE. I WAS CHOSEN TO WRITE. I CHOSE THE FILM DIRECTION. PUNNING? PUNNING! I WAS THE BORN WRITER. MAYBE BORN FILMMAKER I DO NOT KNOW. I CHOSE FILMMAKING MYSELF. MAYBE IT WAS CHOSEN FOR ME TO CHOOSE IT. I APPRECIATE MY LIFE. THIS FILM ENTRY, SYRACUSE FILM FESTIVAL 2020 ENTRY, THE FIRST EVER FESTIVAL ENTRY. I HAVE MADE NO ACTS TO GET A DEAL. SPIRITUALLY I CAN ACCEPT NEVER SEEING RESULTS FROM THE INDUSTRY ITSELF. THE INDUSTRY CHOSEN FOR ME IS RUN BY THE DEVIL AND I AM A MAN OF GOD SO I HAD TO LET GO THE DESIRE FOR NOTICE. NO NOTICE. JUST ACTION. NO FLASHING LIGHTS. JUST TYPING A NEW BOOK FROM SCRATCH IN THE KITCHEN. SCRATCHING THE KITCHEN. CHICKEN SCRATCH IN THE KITCHEN. 

​
1:29AM EST - 1:52AM
5.1.2020
FRIDAY MAY 1ST, 2020
CHAPTER EIGHT: MY BEST FRIEND INDEED

 ALL I THINK ABOUT IS WORKING ON MY CRAFT. THE ONLY THOUGHT PRE DOMINANT WITHIN IS WORKING ON THE CRAFT. ENDLESSLY BEATING ON THE CRAFT. WRITING AND PUBLISHING AS MANY NOVELS AS I CAN PER YEAR. RECORDING AS MANY AUDIO FILES IMPROMPTU AS I CAN. READING AS MANY PROFESSIONAL HOLLYWOOD CLASSIC SCRIPTS ON TAPE AS I CAN PER YEAR. READING SHAKESPEARE ON TAPE. EDITING VIDEOS FOR MY TWO YOUTUBE CHANNELS. INVESTING $10 IN FOREX AND TRADING IT TO $1000 PER WEEK. INVESTING $1000 PER WEEK OR MONTH IN STOCKS AND CRYPTO. INVESTING IN REAL ESTATE WITH THE FOREIGN CURRENCY TRADING PROFITS. RESEARCHING FINANCE IS WHAT I THINK ABOUT AND DESIRE. WRITING NOVELS FROM THE RESEARCH ON FINANCE IS WHAT I WORK TOWARDS. WRITING HELPFUL MATERIAL AND PUBLISHING IT FOR POSTERITY AND LONGEVITY IS WHAT I DESIRE. WHAT I PURSUE? LITERARY HISTORY. A CINEMATIC LEGEND IN THE LITERATURE AND CINEMA INDUSTRY. I PUT ALL OF MY EFFORT IN MY SPARE TIME INTO THESE EFFORTS. THESE PROJECTS. THIS FILE CREATION PROCESS. THE DOCUMENTATION OF MY ADULT LIFE. MY PERSONAL TIME DIARIES. MY TIME CAPSULE LEFT TO THE WORLD TO WATCH ONE DAY. I USE THIS PROCESS TO SPEND MY TIME. TO INVEST ALL OF MY SPARE TIME INTO THE ACCELERATION OF THE MY SKILL SET. TO BEAT ON THE CRAFT. THE ART FORM. CINEMA AND LITERATURE. TWO CONNECTED INDUSTRIES. TWO CHALLENGES TO CONQUER. USING LITERATURE TO SOLIDIFY THE ENTRY ONE DAY INTO HOLLYWOOD. MY TEN YEAR OLD VIDEO FILE COLLECTION SHOWS MY DOCUMENTATION AND EDITING SKILLS. THE ABILITY TO CAPTURE INTERESTING FOOTAGE AND EDIT IT. THE PROCESS OF CREATING CONCEPTS FOR SKITS ND EPISODES OF NEW SERIES CREATED. THE FIVE YEAR DAVID X. CRICHTON LITERARY PORTFOLIO SHOWS THE ABILITY TO WRITE A PROFESSIONAL NOVEL AND FILM SCRIPT. THE FIVE YEAR AUDIO FILE AND AUDIO BOOK COLLECTION SHOWS THE IMPROMPTU SKILLS. FREESTYLING FILM SCRIPTS, IN FORMAT, ON AUDIO. FREESTYLING NOVELS, IN FORMAT, ON AUDIO. ON THE INSIDE, I AM JUST BROKEN INSIDE. I CAN'T DO ANYTHING TO KEEP THE DEPRESSION AT BAY BUT TO RELEASE ALL FRUSTRATION THRU THE PROCESS OF CONSTANT CREATION. NON STOP. TO PUNISH THE PAIN. TO PUNISH THE EGO. I SIT IN ONE SPOT AND FOCUS. I SHOW MY MIND WHO IS IN CHARGE. I HAVE TO STOP NOW TO SHOWER AND GET MY CLOTHES FROM THE DRYER DOWNSTAIRS. I HAVE TO WORK OVERTIME TOMORROW, CLOCKING IN EARLY. I HAVE TO WRAP THE CREATIVE SESSION UP EARLY TONIGHT. JUST THINKING ABOUT NOT CREATING FOR THE REST OF THE NIGHT MAKES ME SAD. I HAVE TO FACE THE SADNESS WHEN I AM NOT CREATING. CREATING IS MY WAY OF FIGHTING BACK. I'LL BE BACK. THANK YOU ALL FOR MAKING IT THIS FAR IN THE PUBLICATION. 

​
​
​
5.2.2020
MAY 2ND, 2020
5.3. 2020
SUNDAY MAY 3RD, 2020
8:28AM EST - 9:12AM EST
TUESDAY MAY 5TH, 2020
5.5.2020
CINCO DE MAYO
1:51AM EST - 2:39AM EST
9:09PM EST - 9:41PM EST
​
CHAPTER NINE: SKIDLY DO

I HAVE GIVEN MY CHILDHOOD INTEREST, TO MY ADULTHOOD. THIS DOCUMENTARY IS A TIMESTAMP OF MY ADULTHOOD. MY TWENTIES. TWO YEARS FROM 2011 TO 2013, THIS ENTRY WON'T HAVE THAT FOOTAGE. FROM 2013 FOOTAGE ON I AM USING. TODAY IS SUNDAY. THE FOREX MARKET OPENS TODAY. 6PM. UNTIL FRIDAY AT 5PM. 120 HOURS. THREE TRADES ON THE LINE. THE MONEY LINE. GREAT BRITISH POUND U.S. DOLLAR. BUY. 24990. IN ONE ACCOUNT. THE OTHER ACCOUNT. TWO TRADES. BUY. AUDNZD. FOREIGN ON FOREIGN. EXOTICS. BUY ALL WEEK FROM HERE. SELL AT 500 POINTS OVER THE NEXT ZERO POINT UP. GBPUSD SELL UNTIL THE CURRENT ZERO POINT. 25. SELL TO 26 ZERO POINT. SELL AT 26900 TO 26150. SELL AT 27 ZERO POINT. AUDNZD. MUCH SIMPLER. BUY ALL WEEK. SELL AT 500 OVER NEXT ZERO POINT. UNTIL CURRENT ZERO POINT. WEEK OVER. BASED ON NOTES. THE DEADLINE FOR THIS ENTRY IS JUNE 2020. THE TWO YEAR ANNIVERSARY OF TRADING CURRENCY. IN 2013, I PURCHASED FOR $88 A PIECE, THREE BTC. BITCOINS. I SOLD TOO EARLY. IMMEDIATELY. IN 2015, AFTER WRITING "CFK 1-6" I REALIZED I HAD TO FUND MY ART MYSELF. I DID NOT WANT TO RELY ON THE ART I CREATED FOR SUSTAINING A LIVING. I WANTED SUCH A FACTOR OUT OF THE EQUATION. I WOULD PREFER RATHER. INVESTING MONEY INTO THE ART INSTEAD. THE MONEY FROM THE BOOKS? INVEST IT. STOCKS. REAL ESTATE. BONDS. ASSETS. DIGITAL ASSETS. GIVE HALF OF THE PROFITS AWAY. TO PEOPLE WAY LESS MATERIALLY ABUNDANT. (TUESDAY 5.5.2020 CINCO DE MAYO 1:51AM EST - 2:39AM EST) CHAPTER NINE. HALFWAY THRU THIS PUBLICATION. VOLUME THREE. MONEY PROBLEMS. HONEY MONEY PROBLEMS. THE CHADFILMS ORIGIN STORY/ THE SYRACUSE FILM FESTIVAL ENTRY. 2020. AUDIO NARRATION. THIS IS NEARING THE END. THE BOOK CONTINUES. FOR ANOTHER TEN CHAPTERS MINUMUM. 15 CHAPTERS MAX. THE FESTIVAL ENTRY. THE DOCUMENTARY. CONTAINS THIRTY MINUTES OF FOOTAGE USING ON SCREEN AUDIO. THIS IS MY FIRST FILM FESTIVAL ENTRY. EVER. I WANT TO SUBMIT THIS, FOR MY OWN GRATIFICATION. FOR ME TO BE AT PEACE KNOWING I FINALLY SUBMITTED A CREATION. I'VE BEEN IN THE CREATIVE DUNGEON FOR A DECADE. IT'S BEAUTIFUL. CLEVERLAND IS A REAL PLACE. YOU CAN ONLY GET THERE ONE WAY. THRU YOUR MIND. THERE'S A THRESHOLD OF CREATIVITY WITHIN YOU. WHEN YOU BREACH THIS LINE, YOU ACCESS CLEVERLAND. BREACH THE LINE OF COURSE. TEACH THE FINER COURSE. IN 2015 I BREACHED THE LINE. THE COMMERCIAL PUBLICATIONS HAVE BEEN POURING OUT SINCE. SYRACUSE HAD A FILM FESTIVAL WHILE I WAS LIVING THERE. I ENTERED THE FESTIVAL. I LOOK FORWARD TO WATCHING MY ENTRY INITIALLY. R.I.P. TO FLIGHT KOBE. I AM GRATEFUL TO GOD I AM STILL ALIVE. I GAVE MY LIFE TO MY GOD GIVEN TALENTS. THE PURSUIT OF THE GIFTS. I'VE BEEN AN ARTIST STARVING FOR ONE DECADE. HALF A DECADE MORE AND I'M THE OVERNIGHT SUCCESS STORY. OVERNIGHT MY GRASS. 

(9:09PM EST - 9:41PM EST)

 HERE IS WHERE THE WRITING ITINERARY IS GOING. THIS IS VOLUME THREE OF HONEY MONEY PROBLEMS. THE VANESSA BUNNI STALLONE PEN NAME. THE VANESSA STALLONE PORTFOLIO. HER CATALOGUE. THE DEBUT PROJECT. THIS PROJECT. HER DEBUT. THE NAIJAH CLOVER AND JOSH ROCKMAN DEBUTS ARE NEXT. I WILL WRITE BACK AND FORTH FOR EACH CATALOGUE. FOR EACH PEN NAME. I WILL PUBLISH THE ANNUAL COLLECTIONS UNDER A COMBINED AND CREATED PEN NAME. CLOVER S. ROCKMAN. CLOVER STALLONE. THE 2020 COLLECTION ISN'T DAVID CRICHTON'S AT ALL. DAVID CRICHTON IS OFFICIALLY RETIRED. I GAVE AWAY DEBUTS FOR STALLONE TO CRICHTON. OR I LET CRICHTON KEEP THOSE IDEAS. FROM 2017 ON I WAS PREPARING TO RETIRE CRICHTON. THE TIME WAS JUST TAKING IT'S TIME PASSING. I FEEL AS IF THE DXC PORTFOLIO IS HALL OF FAME BOUND. I'M UTTERLY REASSURED ABOUT IT. EVERY PUBLICATION UP TO THIS ONE WAS DAVID CRICHTON. NOW VANESSA STALLONE HAS HER TURN. CLOVER ROCKMAN IS NEXT. NAIJAH CLOVER AND JOSH D. ROCKMAN ARE THE NEXT PEN NAMES. THE LITERARY DIRECTION. I DON'T LIKE DRAMA. I WRITE DRAMA. A GOTHIC LITERATURE PIECE IS NEXT. DAVID CRICHTON HAS A FILM SCRIPT "GOYLE". GOTHIC LITERATURE INSPIRED. AN IDEA GIVEN TO ME FROM A FRIEND TO SEE WHAT SPIN I PUT ON IT. I WAS RESEARCHING GOTHIC LITERATURE AROUND THE TIME. RECENTLY I'VE BEEN THINKING ABOUT IT AGAIN. I WANT TO WRITE SOMETHING WITH DESCRIPTIVE DETAILS. NOT JUST FIRST PERSON DIARY ENTRY PERSPECTIVE ANYMORE. THAT'S DAVID CRICHTON. NOW, LET US GO FOR SECOND AND THIRD PERSON PERSPECTIVE. BEING DESCRIPTIVE USING ANALOGIES. THE LITERARY ELEMENTS AND DEVICES. THE POETIC ELEMENTS AND DEVICES. A LIST OF ADJECTIVES. I WILL CREATE MY OWN BOOK OF PROMPTS TO USE TO CREATE MY NEXT PUBLICATIONS. THE DAVID CRICHTON FORMULA, IS ABOUT TO BE PUBLISHED IN ITSELF. 

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CHAPTER TEN: EXTREMELY
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11:19PM EST - 12:02AM EST
TUESDAY MAY 5TH, 2020
5.5.2020 -
WEDNESDAY MAY 6TH, 2020
5.6.2020
10:37PM EST -
SATURDAY MAY 9TH, 2020
5.9.2020
"NEEDS MORE DRAGONS"
​
: THE INTRODUCTION
HE WOKE UP IN THE CASTLE. DAY 30. THE SAME CASTLE. PECULIAR IN IT'S SMELL. FAMILIAR IN THE TASTE OF FOOD. THE BEDS. CHANGE. THE ROOMS CHANGE. THE WOOD SMELLED OF PAINT. FRESH PAINT. PAINTED RIGHT BEFORE HE WAS BROUGHT HERE. THE CASTLE ON THE ISLAND. HIT BY HURRICANES THRU THE NIGHT. TORNADOS DURING THE DAY. OUTSIDE OF THE CASTLES. THE FIELD. DON'T GO INTO THE FIELD. GHOSTS FLOAT ABOVE THE GROUND. THE BODIES OF THE GHOSTED, LITTERED INDISCRIMINATELY ALONG THE DUSTY LAWN. DRAGON BREATH. SCORCHED SALIVA. THE SMELL OF SUCH SEEPS THRU THE SPACED BARS. HE RARELY EVER GOES TO THE WINDOW SPACE. THE BARS. THERE ARE SCREAMS FROM THE OUTSIDE. A QUARTER OF THE TIME. THERE ARE SCREAMS FROM THE INSIDE OF THE CASTLE. HALF OF THE TIME. THE ROOM IS ONLY EVER WARM, FROM THE DRAGON BREATH. BOGS. THE ENVIRONMENTS CHANGE INBETWEEN SLEEPING. HE HAS BEGAN TO GET USED TO THESE THINGS. HE WAS USED TO ISOLATION. NE'ER THIS MUCH ISOLATION. NEVERTHELESS, HE IS IN MORE ISOLATION THAN ANYONE OUTSIDE OF OUR BOUNDARIES. I WATCH HIM ALL DAY. I AM PAID, TO WATCH HIM, DAILY. I AM PAID, TO SEE HIM THRU TO THE DAY, FOR WHICH HE WAS BROUGHT HERE FOR.

 DAY ONE: THE DOOR WAS OPENED LOUDLY. WITH NO REMORSE. THE BANG ECHOED. BY THE TIME THE RINGING STOPPED. HE WAS THROWN ONTO THE FLOOR. I DON'T KNOW WHO DID IT. I ONLY SAW HIM START TO GET UP. HE WIGGLED. THE CHAIN WAS ATTACHED TO HIS FOOT. THE RIGHT ANKLE. WITH A CUSHION. THE CHAIN LENGTH LONG ENOUGH TO LEAVE THE ROOM. HE DID NOT FOLLOW THE GUARDS BACK OUT OF THE ROOM AFTER THEY HAD LEFT. 

(5.9.2020 10:37PM EST- 10:47PM EST)

 HE HIT THE GROUND SO HARD, HE TOOK A NAP. A THIRTY MINUTE NAP. HE AWOKE. TO A FIGURE. IN THE SHADOWS. OF THE DEEPEST CORNER, OF HIS ROOM. HIS ROOM WAS VAST. HE NOTICED. AS HE LOOKED AROUND. OBSERVING. WHAT HIS NEW HOME HAD TO OFFER. WITNESSING THE SPLENDORS. OF THE CASTLE. WHATEVER THEY WERE. SO FAR. THE FIGURE APPROACHED FROM THE SHADOWS. HE EXTENDED HIS ARM TO BRUTUS. "I'M DRACO." BRUTUS (OFF SCREEN) 

DRACO TOLD ME. THE TRUTH. HE WILL ALWAYS BE WITH ME. HE WILL ALWAYS FEAST UPON MY GREATEST FEARS. MY GREATEST INHIBITIONS. HE WOULD ALWAYS EXPLOIT THEM. TO HIS FULLEST ADVANTAGE. THE VAMPIRIC PSYCHIC OPERATIVE. DRACULA. THE PSYCHIC VAMPIRE. MORE LIKE CALIGULA. IN THE FEELING. HE ADMITTED. HE IS HERE TO STAY. THERE IS NOTHING I CAN DO TO RID MYSELF OF HIS PRESENCE. HE HAS BEEN AROUND ME ALREADY. FOR THE LAST TWELVE YEARS. HE HAS JUST BEEN UNCOVERED BY THE PYSCHE ITSELF, AFTER A 12 YEAR PERIOD OF SNUGGLING COMFORTABLY, INSIDE MY HEAD. HE AIMS TO DESTROY ME FROM THE INSIDE OUT.

BRUTUS WALKED TO THE WINDOW SPACE. THE WINDOW SPACE FILLED WITH BARS. HE STARED OUT THERE. CONTEMPLATING. ON THE WORDS. HE NOTICED FOG FEVERISHLY FLEEING THE FORTRESS. TURNING AROUND TO BURNING. NO SMOKE. NO JOKE. THE DRACULA BLOKE. SLIPPED AWAY ALMOST SILENTLY. EGG YOLK. 

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9:21PM EST - 9:58PM EST
WEDNESDAY MAY 6TH, 2020
5.6.2020
10:50PM EST - 11:15PM EST
SATURDAY MAY 9TH, 2020
5.9.2020
SOUTHERN GOTH
SOUTHERN CLOTH
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THEY ALL SAT IN THE LIVING ROOM. THE PLUSH, LIVING ROOM. THE WAR. THE WAR HAD JUST ENDED. OUR LABOR FORCE IS GONE. OUR LABORERS. OUR LABORERS ARE GONE. "THIS HAS BEEN THE WORST DECADE. FOR ME. FOR US. MY FAMILY. REPAIRING DESTRUCTION WITHOUT OUR PROPERTY". THE FAMILY. ENTERS THE LIVING ROOM. LILY LIVIDLY LENDED HER LIKENESS. THE SHADES WERE SHAFTED. RETRACTED. WITH REAL TACT. THEY WERE DISTRACTING. WE ALL STOOD IN THE CENTER. OVER THE CARPET. PERSIAN.
(5.7.2020 4:58AM EST - 5:48AM EST)

 LILY MAY. MARY TONNIE. SUSIE DEAN. LULA MAE. ANNE MIG. CONNIE. ALL SITTING IN THE LIVING ROOM. THE SHADES DRAWN. DARKNESS LAYING DEEP WITHIN THE LAIR. THE LAYERS OF TRUTH. EMANATING. FROM THE MOUTH OF CAESAR. CEASAR. KAISER. RICE. "THE SOUTH LOST THE WAR." LULA MAE - "THE SOUTH LOST THE BATTLE." CEASAR - "THE SOUTH LOST THE ENTIRE WAR, WHAT ARE YOU TALKING ABOUT? THEY SURRENDERED." LULA MAE STANDS UP. SWISHING THE BEVERAGE AROUND WITHIN THE CUP. SMELLS THE DRINK. LOOKS UP AT CEASAR. SMILING. "THE ENTIRE WAR YOU SPEAK OF, IS A MERE BATTLE IN THE ONGOING WAR." CEASAR. "YOU MEAN THE WAR THAT WILL NEVER END?" LULA MAE. "EXACTLY. THE NEVER ENDING WAR." LILY MAY. "SO IF THE WAR ENDED AND OUR SIDE SURRENDERED, WE, CONTINUING THE WAR EFFORTS IN A NEW WAR, WOULD HAVE TO BE DOING SO IN A WAR OF SECRET MISSIONS?" ANNE MIG. LOOKS AT LILY MAY. LOOKS BACK TO LULA MAE AND CEASAR RICE. "SO WHAT IS THE NEXT MISSION?" (5.9.2020 10:51PM EST - 11:15PM EST) CONNIE STOOD UP. "THE ONLY THING THAT WILL SEE US THRU THIS, IS TO REALIZE. TO REALIZE ONE THING. ONE THING ONLY. WE DID NOT LOSE THE WAR. OUR ALLEGIANTS. OUR ALLIES. OUR SOUTHERN REBELS. DIED AS FIGHTERS. SOLDIERS. FIGHTING ON THE FRONTLINES. OF AMERICA. OUR PRECIOUS AMERICA. NOW IN OUR OWN PRECIOUS LAND, WE ARE THE REBELS. THIS I CAN NOT TAKE. THIS I WILL NOT STAND FOR. NOTHING OF THIS SORT WAS EVER MEANT TO HAPPEN. THE PREVIOUS GENERATION OF ALLIES DIED AS SOLDIERS. THE WAR WAS FOUGHT IN OPEN WAR FARE. ACTUAL WARFARE WAS NEFARIOUSLY DECLARED. THE NEXT BATTLES. WILL NOT BE FOUGHT IN OPEN FIELDS. THEY WILL BE FOUGHT IN OPEN COURT. IN OPEN SESSIONS OF CONGRESS. THE SENATE. THE GOVERNORSHIP. THE LEGAL SYSTEM. WE WILL CONTROL THE HANDCUFFS. WE CONTROL THE BADGES. WE WILL CONTROL THE WEAPONS. THE FIREARMS. THE TASERS. THE BILLY CLUBS. THE STARS ON THE BADGE WILL NOT CHANGE. ONLY THE WORDS WILL. TO 'PROTECT AND SERVE THE PLANTATION'. EXTRACT THE WORD 'PLANTATION'. 'THE SLAVE PATROL BADGE' FOR THE 'SHERIFF'S BADGE'. WE WILL WIN THE WAR. THERE WAS A NEW LAW PASSED. PREVENTING CITIZENS FROM SLAVERY. UNDER ONE CONDITION. WE SHALL EXPLOIT THIS CONDITION. WE WON'T SEE OUR PLAN MANIFEST IN FULL. BY THE END OF THE DAY. WE WILL GET OUR SLAVES BACK. WE WILL ENSLAVE THE ENTIRE NATION. THE SAME NIGGERLOVERS. WE WILL ENSLAVE THEIR ENTIRE FAMILY. IT WILL TAKE SOME TIME. JUST TO FIGURE OUT THE POLICY. IN FULL. THE MASTER POLICY. 'MASTER POLICY?' THE RE ENSLAVEMENT POLICY. WE WILL CREATE JAILS. PRISONS. THREATEN THE VOTE GETTERS TO GET THE CRIME RIDDEN NEGROES OUT OF OUR STREETS. WE WILL INCARCERATE THEM. THEY WILL ROT IN PRISON CELLS. ALL ACROSS AMERICA. WE WILL PURCHASE PRISONS. JAILS. WE SHALL OWN THEM ALL. ONE PRISON EVERY THOUSAND MILES. UNTIL WE CAN DO BETTER. WE WILL WIN THE SHERIFF'S RACE. THE ELECTIONS. WE WILL WIN THEM ALL. DEMOCRATS. REPUBLICANS. MANDATORY MINIMUM SENTENCES. FOR REPEAT OFFENDERS. OF CRIMES FOR MONEY. FILL THE POPULATION AREAS WITH CRIME. SO MUCH CRIME THE HOUSE VALUES PLUMMET. GET THEM ON THE STREETS. THEM PUT THEM IN THE PRISONS. OWN THE PRISONS. GET MORE INVESTORS TO BUILD MORE PRISONS. SHARE THE PROFITS TO INVESTORS. ALL OF THE LEGITIMATE NEGROES. WE NEED TO MAKE THE DOLLARS WORTHLESS. SOME HOW AND SOME WAY. WE WILL DETACH THE GOLD FROM THE DOLLAR. AND STEAL ALL OF THE GOLD. HIDE THE GOLD IN A BUILDING. HUNDREDS OF YEARS LATER. THEN BLOW UP THE BUILDING DECADES LATER. THEY ALL STARTED LAUGHING. HILARIOUS HILARITY WAS NO SCARCITY. THE WINTER CHILL FILLS THE ROOM. WITH GLOOM AND DOOM. THE FOG OF THE VISION. SUCH A CLEAR VISION. BUT A CLEAR VISION HEADING FOR DISASTER. WHY BE SO VAMPIRIC? 

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8:19AM EST - 8:45AM EST
MAY 17TH, 2020
5.17.2020
SHORT STORY
​
THE INTRODUCTION: BAD HABIT MONEY

 WHAT YOU MAY NOT REALIZE UNTIL AGE THIRTY? YOU SQUANDERED YOUR YOUNG ADULT INCOME, YOUR CHANCE FOR WEALTH CREATION, ON HABITS. ROUTINES. BAD HABITS. BAD ROUTINES. BEER, TOBACCO, MARIJUANA, BEING A PILL POPPING ANIMAL, ALL HAVE SIDE EFFECTS. ADVERSE EFFECTS. FINANCIAL SIDE EFFECTS. FINANCIALLY ADVERSE BEHAVIOR. EVERY DOLLAR SPENT ON A PACK OF RELLOS. EVERY SINGLE DOLLAR SPENT NOT ON RENT OR FOOD IS A WASTE. A TERRIBLE. THE WORST KIND OF WASTE. HORRIBLE TASTING WASTE. HORRIBLY TASTY. TERRIBLY HORRIBLE. YOU'RE GOING TO WASTE EVERY DOLLAR YOU EARN ON BULL SPIT AND FUN. THE DOLLAR IS A GAME. A SICK GAME. ACQUISITION AND INFLATION. PURSUING THE OPPORTUNITY TO ACQUIRE SOMETHING THAT IS IN FACT INFLATING, BY NATURE. BY DESIGN. NATURAL PHENOMENA MY GRASS. PHENOMENA BY DESIGN. FRED HAMPTON. YOU WERE NEVER FORGOTTEN. WHAT YOU DON'T KNOW AT TWENTY, EIGHT TEEN, NINE TEEN, YOUR YOUTHFUL PRIME, WAS THE TIME PERIOD TO ESTABLISH THE FOUNDATIONAL SEEDS OF GENERATIONAL WEALTH. AT TWENTY, RIGHT OVER YOUR HEAD. IT IS SO SAD TO ME, I DO NOT EVEN WANT TO KEEP WRITING ABOUT THIS. YOU'RE NOT GOING TO LISTEN. IF YOU ARE OVER 25, YOU ARE AT THE PRE FORK IN THE ROAD. THE FORK IN THE ROAD IS AGE THIRTY. IF YOU CAN BEND THE FORK PROPERLY DIRECTED BY AGE 25, YOU ARE AHEAD BY SO MANY YEARS IN THE TIMELINE. IT IS ALWAYS CHESS OVER CHECKERS. I LOVE CHECKERS. WITH CHESS HOWEVER, HE WHO CONTROLS THE MIDDLE FOUR SQUARES, CONTROLS THE GAME. FRESH OUT OF HIGH SCHOOL, YOU'RE MORE THAN LIKELY DESTINED TO MAKE DAM NEAR EVERY MISTAKE IN THE BOOK TWICE. THAT'S A BACK TO BACK REPEAT. THE NATIONAL CHAMPIONAHIP. THE NATIONAL DONKEY OF THE YEAR CHAMPIONSHIP. IT IS SIMPLE. REAL SIMPLE. REALLY SIMPLE. EXTREMELY SO. IF SOMEONE WANTS SOMETHING FROM LIFE, THEY WON'T SEEK ANYTHING ELSE. WHATEVER YOU SEEK, YOU SHALL FIND. I GET IT NOW. YOU WILL BE SHOWN BY LIFE, FROM EXPERIENCES, MEMORIES, MOMENTS, EXACTLY WHAT YOU ARE IN FACT LOOKING FOR. IT DOESN'T MATTER WHAT INFORMATION IF OFFERED TO YOU, IF YOU'RE NOT LOOKING FOR THAT, YOU WON'T EVEN REGISTER THE OPTICALS. THE OPTICS. YOU WILL NOT EVEN KNOW WHAT YOU ARE LOOKING AT. IT WILL BE AS IF YOU CAN'T EVEN READ THE LANGUAGE BUT YOU'LL SWEAR THE EXPERT. I GET IT NOW. THE ONLY PERSON YOU NEED TO HELP YOU SUCCEED, IS YOURSELF. IF YOU DESIRE SUCCESS FROM YOUR LIFE, YOU WON'T DESIRE A DAM THING ELSE. NOT ONE OTHER CIRCUMSTANCE. YOU DESERVE WHATEVER YOU PURSUE. IF YOU PURSUE NOTHING ELSE THEN DOUBLY SO YOU DESERVE IT. BE CAREFUL WHAT YOU PURSUE. MAK SURE IT IS REALLY IN TRUTH WHAT YOU WANT. WHEN YOU'RE READY FOR WHAT I CAN OFFER YOU IN THOUGHTS, THIS BOOK WILL APPEAR. IF YOU FIND THIS BOOK, YOU WILL CHERISH THE DAY. THIS BOOK IS AIMED TO BE THE MOST INFLUENTIAL STRATEGY GUIDE YOU EVER IMPLEMENTED ECONOMICALLY. EVERYONE STARTS AT THE BOTTOM ECONOMICALLY. IF YOU CAN REMAIN DEPENDENT FREE WITH NO ATTACHED BODIES TO YOU, YOU CAN RISE HIGHER AND FASTER OUT OF THE ECONOMIC PIT OF FINANCIALLY DECREPIT NESS. 

7:14PM EST SET UP TIME
- 8:06PM EST START TIME
- 8:27PM EST END TIME
THURSDAY APRIL 22ND, 2020
4.2.2020
"HONEY MONEY PROBLEMS"
V.B. STALLONE
VANESSA BUNNI STALLONE
​
DEAR HONEY: THE INTRODUCTION; VOLUME THREE

DEAR HONEY DEAR HONEY, THIS IS VOLUME THREE. IN ITS ENTIRETY. I ADMIRINGLY, WHILE ADMIRING, THE PERSON YOU WERE, BECOME THE PERSON I AM. WE WILL FOREVER BE FRIENDS. AFTER THE END. WE WILL FOREVER BE BEAUTIFUL. APART. FROM THE START OR TOGETHER. I REALIZED MY EMOTIONS WERE SEVERED, FOR ME TO BE THE PROGRESSOR. OF BETTER TIMES FOR THE HUMAN RACE. NOT THE AGGRESSOR. IN VIOLENCE. THE AGGRESSOR IN SILENCE. STAYING SILENT, THINKING TO MYSELF. I MISS YOU HONEY. I MISS THE FUNNY MOMENTS WE SHARED. YOU KNEW I CARED. NOW YOU KNOW I CARED. THIS BOOK IS FOR YOU. WRITTEN UNDER YOUR PEN NAME. WE CREATED IN YOUR MEMORY. WE APPRECIATE YOU SO MUCH. IF THERE'S NO RUSH, THERE IS NO TIME TO SPARE. I HUSH, TO TAKE ME THERE. I WANT TO TAKE YOU INTO LITERARY AND CINEMATIC HISTORY HONEY. NO MYSTERY HONEY. I AM WRITING POEMS IN PROSE. FROM POEMS TO PROSE WE ROSE. FROM PROSE TO POEMS WITH COZE WE COAST. FINANCIAL LITERACY. IS THE MOST IMPORTANT THING TO STUDY. THE ONE THING WE NEVER FOUND OUT. WE WERE CLOSE. WE WERE PUSRUING IT. IN A DOSE. IN DOSES. WE REALLY DOZED THOUGH. WE REALLY DIDN'T KNOW THOUGH. CERTAIN TERMS. WE WERE LEARNING IT. EARNING IT. I MUST GIVE US CREDIT. WE WERE RIGHT THERE. WE JUST DIDN'T LET IT. OVER TAKE US IMMEDIATELY. TO WHERE WE IMMEDIATELY. WERE LITERALLY. RESEARCHING. FINANCIAL LITERACY. SO NOW. AFTER DOING SO SOLO. I THINK OF YOU AND REMEMBER YOLO. SO I WROTE THIS FOR US DOLO. HONEY YOU AND I. STARTED ANOTHER GLOBAL ECONOMIC REVOLUTION. YOU WANTED TO BE AN ACTRESS. ONE DAY. ACTORS. ACTRESSES. WILL ACT THIS. THEY WILL TURN THESE WORDS INTO MOVIES HONEY. GROOVY. I ONLY FILMED FOR FILMING SOOTHED ME. SOOTHING. IN THE MOST. SOOTHINGLY MANNER. NERDS INTO NEW TEES. I STAY SO BUSY HONEY. I GET CONFUSED. WONDERING DID I WORK ENOUGH? SO I GIVE ALL OF MY SPARE TIME TO IT. SO THE ANSWER WILL ALWAYS BE NO. SO ALL OF THE SPARE TIME WILL BE DEDICATED TO IT. TIME TO EAT FOR A BIT. RESEARCH SOMETHING. THEN COME BACK AND FINISH WRITING THIS NEW VOLUME. THE CHAD FILMS STORY. THE SYRACUSE FILM FESTIVAL IS IN OCTOBER. THE THIRD WEEK. LIFE IS STILL WEIRD HONEY. AS MUCH AS I CAN ACCOMPLISH. YOUR NAME WILL BE RIGHT THERE WITH ME. ANYTHING BENEFICIAL TO THE HUMAN RACE. I WILL ATTACH YOUR NAMES. NAIJAH GROVER, VANESSA HONEY MALONE, JOSH D. HUTCHINSON. 

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​
5:55AM EST - 6:32AM EST
FRIDAY APRIL 3RD, 2020
4.3.2020
​
​
CHAPTER ONE: THE CHAD FILM.

DEAR SYRACUSE, NEW YORK, MY NAME IS CHAD XZAVIER HARRIS. I AM THIRTY YEARS OLD. I WAS BORN IN MIAMI, FLORIDA ON DECEMBER 29TH 1989. I AM THE YOUNGEST OF THREE BOYS. MY FATHER HAD A SON BEFORE HE HAD ONE WITH MY MOTHER. DAVID HARRIS AND SUZANNE HARRIS. MY PARENTS. DAVID HARRIS JR. QUENTIN HARRIS SR. JUSTIN HARRIS. MY BROTHERS. I HAVE NO SISTERS. SHAKEVIA KANAIJAH, DANTE DONOVAN, SHYANNE, QUENTIN JR., MALIAH SONAE, QUAN, ATIYANNA. MY NIECES AND NEPHEWS. I'VE SEEN ATIYANNA ONCE. SHE WAS ALMOST TWO. HAVING A TWO YEAR OLD NIECE WHO I'VE SEEN ONCE SHOWS ME NOW, I AM THE MAVERICK OF THE FAMILY. I RESERVED MYSELF FOR MY FIRST ADULT DECADE. I BEAT AT MY CRAFT. I WORKED AN HONEST JOB TO SUPPORT MYSELF. I USED ALL OF MY SPARE TIME, HONING THE SKILLSET. MY PARENTS DIVORCED. I WAS SEVEN. JUSTIN IS FOUR YEARS OLDER. QUE IS THREE YEARS OLDER THAN JUSTIN. DAVID IS AROUND THREE YEARS OLDER THAN QUE. MY MATERNAL GRANDMOTHER. THELMA LEE WASHINGTON. PASSED AWAY WHEN I WAS SEVEN. JOSIE REE HARRIS. THE PATERNAL GRANDMOTHER. PASSED AWAY WHEN I WAS EIGHT. I'VE ALWAYS HAD AN AFFINITY AND AFFECTION TOWARDS AND FOR OTHER PEOPLE'S GRANDMOTHERS. I ALWAYS WONDERED IF THOSE WITH GRANDMOTHERS, APPRECIATED IT. FOR THE MOST PART, ANYONE OLDER DOES FROM WHAT I CAN SEE. I MOSTLY JUST WONDER WHEN IT COMES TO YOUNGER PEOPLE. CLOSER TO THE AGE I WAS. ALL OF THAT AT ONCE MADE ME FEEL VERY VULNERABLE. I BELIEVE MY MOTHER WAS THE FIRST DIVORCE OF HER SIBLINGS. THAT TIME BELONGED TO US. IT WAS THEN WHEN THE FEELINGS OF NEGLECT, ABANDONMENT AND NOT FEELING APPRECIATED AND WANTED GREW AND GREW. THEY NEVER STOPPED GROWING. THE FAMILY HISTORY JUST PROVIDED MORE AND MORE INCIDENTS OF THE HARMFUL VARIETY. OF A HARMFUL NATURE. IT SHOULD HAVE NEVER BEEN THOUGHT, I WOULD STICK AROUND SOMEWHERE I WASN'T WANTED. AS I BEGAN TO STUDY BIOGRAPHY AND THE HISTORY OF AMERICAN POLITICS, POP CULTURE, SPORTS, ART AND MEDIA, ALONG WITH ANYTHING ELSE I WAS RESEARCHING, I BEGAN TO REALIZE WHAT I HAD TO STUDY. A BROAD SCOPE OF INFORMATION. I ALWAYS FELT THERE WAS A DEEP UNIVERSAL CALLING FOR GREATNESS FROM ME I MUST ADHERE TO AND FIND. AND SO I LEFT TO FIND IT. I DO NOTHING BUT INTROSPECT MYSELF. I STAY TO MYSELF, BC I AM MORE LIKELY TO KEEP MYSELF OUT OF TROUBLE, BY MYSELF. I AM LESS LIKELY TO LOSE FOCUS ALONE. I AM PRETTY WELL TRAINED AT KEEPING MYSELF WORKING ON MY SOLO PROJECTS. AT BEST, IT KEEPS ME OUT OF TROUBLE. I AM THIRTY, NO BABIES AND NO FELONIES. CLEARLY, I DON'T FAVOR DRAMA OR VIOLENCE AND FIGHTING AND ANY FORM OF UNCONSCIOUSNESS. 

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11:25PM EST - 11:57PM EST
MONDAY APRIL 6TH, 2020
4.6.2020
​
CHAPTER TWO: WHEN CHAD BEGAN FILMING

MY FATHER AND I WATCHED FILMS TOGETHER. IT WAS MY MAIN MEMORY WITH DAD. "CON AIR". "CHILD'S PLAY". "JAWS 3". "THE FOX AND THE HOUND". "AUSTIN POWERS". "NOTHING TO LOSE". "BLUE STREAK". "SCREAM". "FACE OFF". "CONGO". "JURASSIC PARK". "DOUBLE JEAPORDY." "MEN IN BLACK". WHEN THE PARENTS DIVORCED, IT SUCKED. SUCKED SO MUCH, I MADE MY FIRST FILM AT 12 YEARS OLD. THE DIRECTORIAL DEBUT. I DEALT WITH THE DIVORCE IN NO SPECIFIC MANNER FOR 5 YEARS BEFORE I FILMED SOMETHING. AS SOON AS I WAS GIVEN THE CAMERA, I FILMED WITH IT. THE LAST DAY OF 5TH GRADE. GOT IT ON CAMERA. JOE AND CHRIS AGUILA. WENT TO THEIR HOUSE. CHRIS IS JOE'S LITTLE BROTHER. 3RD GRADE. THERE WAS A HORNET OR YELLOW JACKET OR WASP, AT THEIR POOL. WE RAN BACK INSIDE. I CAN STILL REMEMBER. VIVIDLY. SHOUT OUTS TO MS. SARAH. R.I.P. JOES DAD. A CAMERAMAN FOR THE NEWS. THE FIRST FRIEND I MET IN SCHOOL. HIS DAD WAS A NEWS CAMERA MAN. I'M BLESSED TO HAVE FOUND OUT HOW TO DEAL WITH THE UN PLEASANT CIRCUMSTANCE PRESENTED. EARLY ON. I WAS WRITING. I THANK GOD I WAS MEANT TO TRAVERSE THESE PATHS. I TOTALLY AM AT HIS WHIM. I AM AT GOD'S MERCY. UNDER GOD'S WILL. I HAVE GIVEN UP MY ENTIRE LIFE TO SERVING THIS PURPOSE. I HAVE NOTHING. NOTHING BUT ONE OBJECTIVE. ATTAIN THE DESTINY. THERE WAS A REASON I WAS SENT HERE. DO IT. NOTHING ELSE MATTERS. DO IT. GET IT DONE. TIME IS OF THE ESSENCE. WASTE NOT WANT NOT. WASTE NO TIME. WANT NO TIME. ALL TIME IS DEVOURED. ALL OF OUR TIME IS DEVOURVED WITH CREATIVE EXPRESSION PRODUCED. THE CREATIVE. THE FINANCIALLY LITERATE CREATIVE. I SERVED MY PURPOSE. WHAT I WANT TO BE REMEMBERED FOR. I HAVE TO DO GREAT THINGS. IN ORDER TO BE ADEQUATELY REMEMBERED. I ONLY WANTED TO WRITE A CLASSIC NOVEL. 5 YEARS LATER. THERE'S NO PROOF I HAVE NOT WROTE MANY CLASSICS BY NOW. THE YEARLY COLLECTIONS I PUBLISH NOW ARE 500 PAGES. THREE OF THOSE NOW. WORKING ON FOUR. THIS YEAR WOULD BE THE FIRST COLLECTION, NOT FROM DAVID CRICHTON THE PEN NAME. 

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8:07AM EST - 8:45AM EST
4.7.2020
TUESDAY APRIL 7TH, 2020
CONTINUED

BETWEEN THE AGES OF 12 AND 21, I WAS ONLY WRITING POETRY. BETWEEN 18-21 I HAD PUBLISHED MY FIRST POETRY AND NON VERSE COLLECTIONS. I SENT A FILM TREATMENT TO DWAYNE CARTER'S PRSION CELL IN 2010. BEFORE MY 19TH BIRTHDAY, I HAD THE FIRST COLLECTION PUBLISHED. FROM THERE, IT TOOK HALF A DECADE TO BECOME DAVID CRICHTON. MENTALLY. DAVID CRICHTON IS THE FORMULA FOR HOW I NOW APPROACH WRITING PROJECTS. IT'S JUST A LIST OF GUIDELINES. I'LL GO THRU THEM IN A LATER CHAPTER. INBETWEEN THE FIRST COLLECTION PUBLISHED AT 19 AND THE DAVID CRICHTON EXPERIENCE, IS CHADXZAVIERFILMS. FIVE YEARS OF CHADFILMS GREW INTO DAVID CRICHTON PUBLICATIONS. BEING DAVID CRICHTON FOR FIVE YEARS, I WANTED TO RETIRE THE NAME. IN HALF A DECADE I HAVE THREE FULL COLLECTIONS. MY OWN THREE "HARRY POTTER BOOKS". THAT'S A GOOD FIRST HALF A DECADE. NOW LET'S RAMP IT UP. ONE COLLECTION EVERY YEAR. I HAVEN'T BEEN EDITING FOOTAGE INTO VIDEOS AND PUBLISHING THEM ON YOUTUBE SINCE 2017. WHEN I HAD GOTTEN THE TAX RETURN AND BOUGHT EQUIPMENT. BEFORE THAT I WASN'T FILMING SINCE THE DAVID CRICHTON EXPERIENCE HAPPENED. AROUND THANKSGIVING 2015, I GAVE UP A DSLR I HAD. I HAVE FOOTAGE OF EVERY YEAR BUT THE CAMERAS VARIED. FROM 2011 - 2013 WERE MY PRIME YOUTUBE YEARS. WHICH IS ONE DECADE AGO. NOW IS MY RE EMERGENCE. WITH EVERYTHING I'VE CREATED SO FAR. WHICH IS STUPENDOUSLY LOADED. 10,000 MEDIA FILES. SO NOW, GOD WILLING, I AM WORKING ON THE FILM FESTIVAL ENTRY. THIS IS THE NARRATION. THIS IS ALSO VOLUME THREE. VOLUME THREE OF "HONEY MONEY PROBLEMS". VANESSA BUNNI STALLONE IS THE PEN NAME. THE NEXT PEN NAME IS NAIJAH CLOVER. JOSH D. ROCKMAN IS THE NEXT PEN NAME AFTER NAIJAH CLOVER. DAVID X. CRICHTON, STALLONE, CLOVER AND ROCKMAN. THE PEN NAMES. THE FIRST PEN NAME RAN FOR FIVE YEARS. THE LAST TWO YEARS INTRODUCED STALLONE. STALLONE HAS ONE VOLUME PUBLISHED AND ONE READY. THIS IS VOLUME THREE FOR STALLONE. AFTER THIS, VOLUME ONE FOR CLOVER WILL COMMENCE. 

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12:45PM EST - 1:24PM EST
TUESDAY APRIL 7TH, 2020
4.7.2020
​
CHAPTER THREE: THE DAVID CRICHTON EXPERIENCE

 2001. 2000. 2002. MADE MY FIRST FILMS DURING THOSE YEARS. USED A CAMCORDER FOR THE FIRST TIME. 2011. THE YEAR I LAUNCHED MY FIRST TWO YOUTUBE CHANNELS. KEVITV. SEEXZAVIERFILMS. CHIZZI KENNEDY. 2015. THE YEAR I RECORDED MY FIRST DIARIES. VIDEO FORMAT. 24 HOUR LONG VIDEO DIARY. FILMED DURING MAY 2015. DURING THE PHONE GIRL SITUATION. THE PHONE GIRL EXPERIENCE. THE DAVID CRICHTON EXPERIENCE HAPPENED THE FOLLOWING MONTH. JUNE 2015. THE MONTH I WROTE "THE PHONE GIRL". JULY 2015. "CFK" WAS WRITTEN. BY DECEMBER 2015, "CFK" AND "THE PHONE GIRL" WERE FINISHED. MY FIRST TRILOGY. "TPG". "CFK" MY FIRST DOUBLE TRILOGY. IN NOVEMBER 2015, I AUDIO RECORDED THE FIRST TWO FRANCHISES. I BEGAN "CLEVERLAND AND CLEVERFIELD" IN JANUARY 2016. THOSE THREE NOVELS WERE VERSE NOVELS. BY NOVEMBER 2016, "THE PRINCE WHO KNEW TOO MUCH" AND "THE PRINCE'S PHILO" WERE WRITTEN. "THE PRINCE WHO KNEW TOO MUCH" FRANCHISE, WAS NOT OF VERSE NOVELS. "THE PRINCE WHO KNEW TOO MUCH" WAS THE FIRST PROSE NOVEL WRITTEN UNDER THE DAVID CRICHTON PEN NAME. "MEGAN AND THE LAW OF ATTRACTION". THE FIRST AUDIO IMPROMPTU VERSE NOVEL RECORDED. USING THE TASCAM AUDIO RECORDER. BOUGHT THE TASCAM IN NOVEMBER 2015. "MEGAN AND THE LAW OF ATTRACTION" WAS AUDIO RECORDED ON MOTHER'S DAY 2016. BASICALLY DURING THE ONE YEAR ANNIVERSARY OF DAVID X. CRICHTON'S "THE PHONE GIRL". 2016 WAS THE YEAR OF HEAVY AUDIO RECORDING. STARTED YOUR AUDIO DIARIES IN LATE 2015. YOU PICKED IT UP IN 2016. 2016 IS THE FIRST YEAR OF YOUR AUDIO DIARIES. NOVEMBER AND DECEMBER 2015 HAD THE BEGINNING DIARIES. CREATIVE DIARIES. IN DECEMBER 2015 YOU AUDIO FREESTYLED THE CREATIVE DIARY. THE 24 HOUR EXPRESSION OF WHERE YOU WANTED TO TAKE YOUR NEWFOUND CREATIVE LEVEL. I WAS SIX MONTHS DEEP INTO THE DAVID CRICHTON PORTFOLIO WHEN THE AUDIO RECORDED APPEARED. GOING INTO DAVID CRICHTON'S FIRST THREE FRANCHISES, I HAD A 24HR VIDEO DIARY. PREPPING THE URGE FOR MORE DIARIES AFTER THE FIRST PROJECTS. BACK AND FORTH I WENT. BETWEEN DIARIES AND CREATIVE DIARIES. PRODUCTION DIARIES. PRODUCTION DIARIES OF NOVELS AND SCRIPTS. THE NOVELS AND SCRIPTS THEMSELVES. AUDIO DIARIES. IMPROMPTU VERSE NOVELS. GOING INTO 2017. I WAS AUDIO RECORDING HUNDREDS OF HOURS OF MATERIAL EVERY SEASON. I WAS RECORDING LIKE CRAZY. WRITING AND RECORDING. WRITING AND RECORDING. THE SPRING OF 2017. I AUDIO RECORDED FILM SCRIPTS IMPROMPTU. FOR LIKE THREE MONTHS. ON AVERAGE 30 PROJECTS PER MONTH. ONE PER DAY. I KNOW THE FIGURE IS CORRECT BUT I STILL FEEL WEIRD SAYING IT. [YOURLISTEN.COM](https://YOURLISTEN.COM) HOLDS THE MAJORITY OF THE AUDIO FILES. I AM IN THE PROCESS OF EDITING VIDEOS WITH THE AUDIO FILES INSIDE NOW. IAMMICKEII. CHAD HARRIS. THEWHITERABBIT. THE THREE USER NAMES FOR YOUR LISTEN. YOUR LISTEN DOESN'T LET YOU LOOK UP USER NAMES. TYPE IN THE CHAD DIARY. THIS WILL PULL UP TWO ACCOUNTS. PARAMORE LAND. ALL ACCOUNTS SHOULD BE ACCOUNTED FOR THEN. ON SOUNDCLOUD. CHAD HARRIS 20. [DXCEXPERIENCE.BLOGSPOT.COM](https://DXCEXPERIENCE.BLOGSPOT.COM). [LULU.COM](https://LULU.COM) HOLDS THE PUBLICATIONS. DAVID X CRICHTON. VANESSA B. STALLONE. THE PEN NAMES FOR THE PUBLICATIONS ON LULU. IN OCTOBER OF 2017, I MOVED TO SYRACUSE, NEW YORK. I MOVED BACK TO GEORGIA ON VALENTINE'S DAY 2018. I MOVED BACK TO SYRACUSE ON AUGUST 10TH, 2018. I BOUGHT THE BUS TICKET ONE DAY IN ADVANCE. COST HALF THE OVERTIME CHECK. I MISSED NEW YORK STATE. I MISSED SYRACUSE. I LOVED IT HERE. I LOVE IT HERE. IT'S AWESOME. I REALLY ENJOY IT. IT'S VERY PEACEFUL. THERE ARE CAMERA'S ON THE STREET. MAKES ME FEEL SAFE. JACK FROST IS VERY ACCOMODATING. I LOVE THE ARCHITECTURE HERE AS WELL. MAKES ME WANT TO STUDY ARCHITECTURE EVEN MORE SO. 

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​
11:31PM EST -
12:43AM EST - 1:02AM EST
TUESDAY APRIL 7TH, 2020
4.7.2020
WEDNESDAY APRIL 8TH, 2020
4.8.2020
​
CHAPTER FOUR: VANESSA HONEY MALONE, NAIJAH GROVER SR. AND J.D. ROCKMAN

 I AM LISTENING TO MY RENDITION, READING OF "ROMEO AND JULIET". I SERVE AS GOOD A MAN AS YOU. YES BETTER SIR. YOU LIE. REMEMBER THY SMASHING BLOW. ENTER BENVOLIO. PUT UP YOUR SWORDS. ENTER TYBALT. LOOK UPON THY DEATH. THEY FIGHT. I USE PEN NAMES FOR THE PUBLICATIONS. I USE PEN NAMES FOR MANY REASONS. THE DAVID CRICHTON PEN NAME. DAVID IS MY FATHER'S NAME. MIKE CRICHTON IS MY FAVORITE AUTHOR AS A TEEN. "JURASSIC PARK" "THE LOST WORLD: JURASSIC PARK". "SPHERE". "CONGO". "DISCLOSURE". "THE GREAT TRAIN ROBBERY". "ANDROMEDA STRAIN". "A CASE OF NEED". "TIMELINE". "THE 13TH WARRIOR". "EATERS OF THE DEAD". "RISING SUN." "TRAVELS." "E.R.". "WESTWORLD"? THE CURRENT PEN NAMES. THE CURRENT PEN NAMES ARE CREATED IN THE HONOR OF MY DEAD HOMIES. THE FALLEN SOLDIERS I MET ON MY JOURNEYS. THRU OUT THE YEARS, I MET A FEW PEOPLE WHO PASSED. THESE PEOPLE HAPPENED TO BE CLOSE TO ME. I FELT THE PAIN OF THEIR PASSING. UP CLOSE. VANESSA HONEY MALONE. SOMEONE WAS ARRESTED IN THE 8YR OLD COLD MURDER CASE. MY MOTHER TEXTED ME WITH THE LINK TO THE ARTICLE. AS I WAS READING THE ARTICLE, MY MOTHER CALLED ME. SHE RECOGNIZED THE NAME. VANESSA HONEY MALONE. I ALWAYS MENTION HER. HER NAME IS BASICALLY MY PEN NAME. I TOOK A NAP TO REFRESH THE BRAIN. THINKING MAYBE I WOULD DREAM HER IMAGE OR MEMORY UP. 

VANESSA STALLONE IS THE CURRENT PEN NAME. NAIJAH CLOVER IS THE NEXT PEN NAME. NAIJAH GROVER SR. I MET NAIJAH GROVER SR. DURING THE SUMMER BEFORE MY SENIOR YEAR AT SALEM HIGH. CLASS OF 2008. NAIJAH WAS THE CLASS OF 2009. I INVITED NAIJAH'S MOTHER TO MY GRADUATION. KEVI WAS AT MY GRADUATION. KEVI GRADUATED FROM SALEM TEN YEARS LATER. CLASS OF 2019. NAIJAH DIED WITH TWO OTHER CLASSMATES, DERRON AND TERRENCE ON MOTHER'S DAY 2008. NAIJAH NEVER SAW BARACK OBAMA POP UP. HE MAY HAVE ONLY SEEN A GLIMPSE. NAIJAH HAD A SON AFTER HE PASSED. NAIJAH WAS BLESSED FOR THAT.
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8:05AM EST -
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​
CHAPTER FIVE: THANK YOU AND COME AGAIN MY FRIEND

THE SYRACUSE FILM FESTIVAL. OCTOBER'S VERY OWN. I AM ENTERING. GOD WILLING. I AM GOING THRU THE RAW FOOTAGE. I WILL INCLUDE SHAKESPEARE AUDIO. THIS AUDIO BOOK IS INCLUDED. THE CHAD FILM. SOMETHING I HAVE BEEN WAITING ON FOR TEN YEARS. I AM NOT SURE WHAT THE OUTCOME WILL BE. I HAVE PUBLICATIONS. NOVELS. FOR FILM SCRIPT RIGHTS. FILM SCRIPTS. MY WAY OF ENTERING CONSIDERATION FOR LITERARY HISTORY. THE LITERARY LEGACY. MY WAY OF HAVING A CHAD FILM REGARDLESS OF LIFE. PROPER ACTION. NOW, EDITING THE RAW FOOTAGE, I REALIZE, I AM MAKING THE CHAD FILM THERE. THAT IS A CHAD FILM. SO NOW, I HAVE TO MAKE THE CHAD FILMS AS IF, I NEVER MAKE IT TO HOLLYWOOD. THIS WAY, THE CHAD FILMS ARE AS POWERFUL AS I CAN MAKE THEM. THE COMBINATION OF THE AUDIO FROM 2015 ON AND THE RAW FOOTAGE FROM 2011 ON. 11:00PM EST - 11:29PM EST I SPEND THE DAYS. THE DAYS IN WHICH I AGE. TO CONTINUE TO GRASP THE MOMENTS. LEAVING ME AMAZED. AMAZED BY THE FACT I AM STILL HERE. I CAN STILL HEAR. HEARING WITH THE STILL EAR. STILL EARS. LIFE IS STILL CLEAR. IT IS CLEAR. IN THESE TRYING TIMES. WE MAY BE IN THE DYING TIMES. SO IF I AM DYING I. ONLY NEED TO RECTIFY. I DIDN'T SEE WITH RECKLESS EYES. KEPT CONTROL OF THE RECKLESS SIDE. I NEVER WANTED TO WASTE. THE TIME I HAD. IN THESE TIMES IN WHCH I WAS PLACED. DEFINITELY NOT MISPLACED. EVEN THOUGH I ALWAYS FELT OUT OF SYNC. WITH THIS PLACE. I WAS IN SYNC. WITH THE DARLING INSTINCT. REALLY. REALLY REALLY IS WHAT I THINK. WHEN IT COMES TO POP CULTURE. PLOPPED DOWN LIKE A VULTURE. NO DRAKE I GOT CULTURE NO BLOOD. UGH. YEA. HA. IMMERSED IN CULTURE LIKE MERSA. NO CRUD. WHAT? MORE LIKE YUCK. I BE STUCK. I WAKE UP LIKE WTF. I'M STILL HERE. SO I'M STILL CLEAR. MINDED. THE DESTINY OF MINE I BETTER FIND IT. I'M RUNNING OUT OF TIME AND TO THIS I'M BLINDED. YOU COULDN'T BLIND SIGHT IT. EASTER SUNDAY APRIL 12TH, 2020 - 7:11PM EST - 7:45PM EST 

I JUST WOKE UP. THANK GOD. FIRST THING I DO? I THANK GOD. AS I LAY IN AWE. I ONLY SAY WHAT I SAW. I ONLY PLAY WITH IT ALL. I TAKE NAPS BEFORE THE MIND FALLS. VICTIM TO THE DARK MIND'S PAWS. AW. I TOOK THE NAP. FOR THE CLARITY IT GAVE BACK. AWOKE TO A SLAP. OR AWOKE FROM A SLAP. I WOKE UP FROM A DREAM. TO WAKE UP IN A DREAM. TWO DREAMS. LIFE IS JUST TWO DREAMS. YOUR WHOLE LIFE. YOU CAN CONFUSED. OVER WHAT GIFTS YOU MISUSE. OR DON'T WANT TO USE. WHICH IS AGAIN TO MISUSE. OR GIFTS YOU DON'T WANT TO LOSE. THE SAME GIFTS THE DEEPEST STATE DOESN'T WANT YOU TO CHOOSE. SO CHOOSE FOR YOUR LIFE. WHICH DREAM IS REAL? WHAT MAKES THIS DREAM MORE REAL? WHAT MAKES THE DREAM WORLD LESS REAL? WHEN YOU'RE TERRIFIED IN YOUR DREAMS. YOU WAKE UP. IN THIS DREAM. YOU CAN END UP TERRIFIED UNTIL IT'S ALL OVER. THERE IS NO WAKING UP FROM THIS DREAM WITHOUT LEAVING. THIS IS THE LONG DREAM. THE DREAMWORLD. WHEN SLEEP. MAY BE THE CLOSEST TO OUR ORIGINS. WE SEE. HOWEVER INDEED IT ALL MAY ACTUALLY BE. I WOKE UP TO PHONE NUMBER OF ROCKMAN'S MOM. JD HUTCHINSON. I GET TO BE IN CONTACT WITH HIS FAMILY AGAIN. I HAVE BEEN IN CONTACT WITH CRYSTAL LATRICE ALL YEAR. NOW I CAN REACH OUT TO UNCLE WALLY AND ROCK'S GRANDPARENTS. RON?
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​
1:11AM EST - 1:46AM EST
FRIDAY APRIL 17TH, 2020
4.17.2020
FRIDAY APRIL 17TH, 2020
4.17.2020
11:00AM EST - 11:11AM
​
CHAPTER SIX: TALKED TO ROCK'S MOM

 I TALKED TO JOSH D. HUTCBINSON'S MOTHER. I TALKED TO MS. SADONNA FOR AN HOUR. WAS INTRODUCED TO HER HUSBAND RON. I MISSED HEARING HER VOICE. I ENJOYED HEARING HER VOICE. MARCUS AND NAY ARE GETTING MARRIED. I CHERISH HAVING THEM IN MY PAST MOMENTS OF GROWTH. I CHERISH THE OPPORTUNITY TO RECONNECT WITH THEM ALL. I WILL KEEP IN CONTACT WITH THEM ALL. I HAD GREAT TIMES LIVING WITH THEM. I WAS LIVING WITH HER AND ROCK FROM SEPTEMBER 2016 TO MARCH 2017. THE FIRST YEAR OF DAVID X CRICHTON. I HAD PUBLISHED "THE PHONE GIRL" THAT SPRING. I HAD PUBLISHED "CLEVERLAND" THAT SPRING. ROCK HAD A COPY OF "CLEVERLAND". "CLEVERLAND AND CLEVERFIELD". HE READ SOME OF IT IN FRONT OF ME. HE SAID. "I CAN RAP THIS BRO". I LOOK FORWARD TO WRITING A VERSE NOVEL UNDER THE TITLE. IT JUST FELT REALLY GREAT TO HEAR HIS MOTHER'S VOICE. I CHERISH THE TIME I WAS THERE. AS ROUGH AS IT GOT AFTER HIS DEATH, I DON'T REGRET ANYTHING. I AM PROUD I MET HIM. HE HAD FAITH IN THE JOURNEY I WAS ON. HE TOLD ME I WOULD BE RICH BUT THAT WASN'T WHY HE WAS MY FRIEND. I REMINDED HIM OF HIS LITTLE BROTHER. COREY. HE TOLD ME FOCUS ON MY BOOKS AND NOT SMOKING. HE WAS A REAL FRIEND. I HAVE NOTHING BAD TO SAY ABOUT THEM EVER. I MISS HIM. I THINK ABOUT HIM DAILY. I ALWAYS COUNTDOWN. THREE YEARS. FOUR YEARS COME CHRISTMAS. I MADE A PEN NAME FOR HIM BY THIS POINT. I LOOK FORWARD TO STARTING AND COMPLETING THE FIRST TRILOGY. CLEVERLAND IS A REAL PLACE. IT IS IN YOUR MIND. YOU GET THERE USING YOUR MIND. IT IS A REALM YOU ENTER THRU YOUR MIND. CLEVERLAND IS CLOSED ON SUNDAYS. JOKING. THE FOREX MARKET IS CLOSED ON SUNDAYS. THE STOCK MARKET IS CLOSD ON SUNDAYS. I FULLY DISCOVERED "CLEVERLAND", THE PLACE, IN 2015. BY JANUARY TO MARCH, 2016, "CLEVERLAND THE VERSE NOVEL" WAS BEING WRITTEN. "CLEVERLAND" IS WHERE I LEARNED TO GO, TO PULL OUT MY IDEAS FROM. "CLEVERLAND" IS WHERE THE IDEAS ORIGINATE FROM. "CLEVERLAND" BECAME MY HOME. MENTALLY I HAVE BEEN TRAVERSING THRU CLEVERLAND MY ENTIRE LIFE BUT I DIDN'T HAVE A NAME FOR IT. NOW I KNOW THE NAME. THE FORMULA FOR WRITING THE DAVID CRICHTON NOVELS, CAME FROM "CLEVERLAND". "CLEVERLAND AND FRIENDS" COMING SOON. NOW, YEARS LATER, "CLEVERLAND" HAS A NEW MEANING TO ME. EMOTIONALLY, "CLEVERLAND" HELPS ME STAY ENTHRALLED IN "CLEVERLAND". "REALITY IS CREATED". "CLEVERLAND" IS THE LAND, THE REALM OF IDEAS ARRIVES FROM OR DWELLS IN. IDEAS LIVE IN "CLEVERLAND". SO IF I LIVE IN CLEVERLAND, WITH ALL OF MY SPARE TIME, WITH ALL OF MY BEING. YOU TAP INTO "CLEVERLAND" ALONE. ONCE THE CONNECTION IS STRONG HOWEVER, YOU SHALL WIN THE WAR. YOU WILL BE ABLE TO TAP INTO CLEVERLAND, WHENEVER, FOR HOWEVER LONG. 7:00PM EST - 8:03PM EST 

4.20.2020

THE THING ABOUT CHAD. CHAD IS A HUMAN. CHAD IS AN ARTIST. CHAD IS AN ARTISTIC HUMAN. I WRITE WHAT I FEEL. I WRITE THE DEEPEST THOUGHTS I CAN MUSTER. I WRITE AS HONEST AS I CAN BE. THEN I STRIVE TO BE AS HONEST AS I CAN WITH MY ADMISSIONS. CHADMISSIONS. THE CHAD MISSION. THESE ARE DIARIES. IN ESSENCE. I MASKED THEM AS NOVELS THE BEST I COULD. I ONLY KNEW ME. ALL I KNOW IS ME. SO I WRITE ME DOWN ON PAPER. FROM THERE IT'S BE AS CREATIVE AS YOU CAN BE. CLEVERLAND IS ME. I AM ALWAYS IN A STATE OF CREATIVE BEING. CFK IS ME. I AM ENTHRALLED BY HISTORY NOW BC OF JFK. THE PHONE GUY IS ME. MEGAN THE PHONE GIRL CREATED DAVID CRICHTON. SHE BROKE ALL ILLUSIONS ON THE OPPOSITE SEX. SH HAPPENS. IT JUST DOES SOMETIMES. I GOT WHAT I ALWAYS WANTED. CREATIVELY. IT WAS ALCHEMY. THERE WAS A TRADE. MY EMOTIONS WOULD CATALYZE EVERY BOOK. EMOTIONALLY I COULDN'T HANDLE ANY DEVASTATION FROM A PERSONAL LIFE PURSUIT. EMOTIONALLY EVERYTHING GOES INSIDE OF THE PORTFOLIO. THE ONLY THING I COULD EVER CONTROL. THE REALIZATION THAT ANOTHER PERSON WILL DO WHAT THEY WANT. REALIZING THE DYNAMICS OF MULTIPLE PERSONALITY DISORDER. HAVING MULTIPLE PERSONS AROUND YOU CAN LEAD TO DISORDERS IS WHAT I AM SAYING. THIS WAS 2015. BEFORE MASS COVID SCARE. I WAS ALREADY ON THE TIP. PAUSING. I HAVE BEEN SCARED OF OTHER PEOPLE FOR FIVE YEARS AT LEAST. THE TRUST ISSUES I HAVE INCURRED FROM PERSONAL EXPERIENCES WITH FRIENDS, FAMILY AND THE OPPOSITE SEX GENDER HAVE PREPARED ME FOR THIS. THOROUGHLY. 9:40AM EST - 9:55AM EST 

4.21.2020

I have a plan. Whenever I’ve tried to commit suicide in the past or even had the idea of doing it…I never had a plan. It was always something stupid and impulsive. But this time I have an actual plan. And it honestly is scaring the shit out of me. I have over 750 pills that I have overdosed on before, and someone saved me from it. These pills will cause me to have seizures, and stop my breathing. I plan to drive to a bridge and jump off within 20 minutes of taking the crushed pills. That’s how quickly I began overdosing. I will be so drugged I won’t be able to swim. If my breathing and seizing does not stop from the pills, I will certainly drown.
Part of me doesn’t want to die. But the other part of me feels so lost and broken and scared that I can’t do this anymore. All I wanted was a happy life. But in the last two years alone all I have done is made every wrong decision and lose everyone I love. Everything in my life is falling apart at once. I mean that literally. I have no friends, my family is abusive if I turn to them, my husband just left me and told me he hates me after we just bought a house in October, I now live in a town I cannot stand, my health has declined rapidly and continues to decline, I hate my job so much I go home crying everyday, I apply to jobs daily only to get rejections and no call backs. The list can keep going.
Losing my husband though has been the worst thing. I need him. Things became somewhat toxic between us in the last 4 months. But, I know it could be better now that I realize what I was doing wrong. I want him to love me again. He’s my best friend, he’s my rock, he’s all I have. I feel so lost without him. I feel like half of me has been literally sawed off. I miss him so much. But he hates me. And has turned to drugs instead. I’m not trying to say he’s the reason I’m going to hurt myself but he’s the cherry on the cake to a bullshit life. I don’t mean this in a manipulative way either. I am genuinely so sad I can’t get out of bed.
I can’t do all of this on my own. I have amazing animals that are my world but I cannot even look at them right now. And if I had to give them away to get through this, I would kill myself. I would rather kill myself not knowing who takes them next.
I’m selfish. I know. My pain is overwhelming and I truly feel so fucking alone. I wanted to get help but I have no support or finances to go to the programs I need.
The only thing that could keep me here is hope that I could get my life back. That my husband would come back. That my little family of animals and husband and I will be whole again.
Without that hope, I have nothing.
I’m fucking scared of myself and my impulsivity.

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Antlers (2021) (MA/HD) $4.75 (GP/HD) $3.75
Ant-Man (2015) (MA/4K) $6.25 (iTunes/4K) $5 (MA/HD) $4.50 (GP/HD) $2.25
Ant-Man and the Wasp (2018) (MA/4K) $8.25 (iTunes/4K) $6.25 (GP/HD) $3.25
Antz (1998) (MA/HD) $5.75
Apocalypse Now (3 Versions) (Vudu/4K) $6.75
Apollo 13 (1995) (MA/4K) $6 (MA/HD) $4
Aqua Teen Forever: Plantasm (2022) (MA/HD) $5
Arkansas (2019) (Vudu/HD) (iTunes/HD) $3
Army of Darkness (1992) (MA/HD) $3.25
Arnold Schwarzenegger 6-Movie (Vudu/HD) $13.50
Arrival (2016) (Vudu/4K) $6.75 (Vudu/HD) $2.25 (iTunes/4K) $4
Assassination Nation (2018) (MA/HD) $4.75
Assassin's Creed (2016) (iTunes/4K) (MA/HD) $2
ATL (2006) (MA/HD) $5
Atomic Blonde (2017) (MA/4K) $5 (iTunes/4K) $3 (MA/HD) $2.25
Avengers 1-4 (iTunes/4K) $20 (GP/HD) $7.75
Baby Driver (2017) (MA/HD) $4
Back to the Future 3-Movie (MA/4K) $13 (MA/HD) $7.50
Backdraft (1991) (MA/4K) $7
Bad Boys for Life (2020) (MA/4K) $6 (MA/HD) $3.75
Bad Guys, The (2022) (MA/4K) $8 (MA/HD) $4.50
Bad Times at The El Royale (2018) (MA/4K) $7.75 (MA/HD) $5.75
Bambi II (2006) (MA/HD) $6.25 (GP/HD) $4.50
Band of Brothers (2001) (iTunes/HD) $7.25 (GP/HD) $3.75
Barb and Star Go to Vista Del Mar (2021) (iTunes/4K) (Vudu/HD) $5
Batman and Superman: Battle of the Super Sons (2022) (MA/HD) $5
Batman Returns (1992) (MA/4K) $5
Batman Year One (2011) (MA/4K) $5
Batman, The (2022) (MA/4K) $5.50 (MA/HD) $3
Batman: The Complete Series (2004) (Vudu/HD) $13
Batman: The Long Halloween Deluxe Edition (2022) (MA/HD) $6.25
Battleship (2012) (MA/4K) $4.50 (MA/HD) $1.50 (iTunes/4K) $3.25
Baywatch (2017) (Vudu/4K) $6 (iTunes/4K) $2 (Vudu/HD) $1.50
Bean (1997) (MA/HD) $3.25
Beast (2022) (MA/HD) $6
Bedknobs and Broomsticks (1971) (MA/HD) $5 (GP/HD) $3.50
Belfast (2021) (MA/HD) $5.75
Best in Show (2000) (MA/HD) $6
Beverly Hills Cop (1984) (Vudu/4K) (iTunes/4K) $4.50
Big Lebowski (1998) (iTunes/4K) (MA/HD) $6
Big Short (2015) (Vudu/HD) (iTunes/HD) $3.25
Birdman (2014) (MA/HD) $5
Black Adam (2022) (MA/HD) $4
Black Hawk Down (2001) (MA/4K) $7.75
Black Mass (2015) (MA/HD) $2.50
Black Panther (2018) (MA/4K) $6 (iTunes/4K) $4.25 (GP/HD) $1.75
Black Panther: Wakanda Forever (2022) (MA/4K) $6.75 (MA/HD) $3.75 (GP/HD) $2.25
Black Phone, The (2021) (MA/HD) $5.50
Black Swan (2010) (MA/HD) $4.50
Black Widow (2021) (MA/4K) $6.75 (MA/HD) $5 (GP/HD) $3.50
Blacklight (2022) (MA/HD) $4.25
Blindspotting (2018) (Vudu/4K) $5.50 (iTunes/4K) (Vudu/HD) $4.75
Blockers (2018) (MA/HD) $3
Bloodshot (2020) (MA/HD) $4
Blues Brothers + Unrated (1980) (MA/4K) $7
Bob's Burgers Movie (2022) (MA/HD) $3.50 (GP/HD) $2.25
Bodyguard, The (1992) (MA/HD) $5
Bohemian Rhapsody (2018) (MA/4K) $5 (MA/HD) $3.25
Bombshell (2019) (Vudu/4K) (iTunes/4K) $5
Bond: Casino Royale (2006) (Vudu/HD) $6.50
Bond: Diamonds Are Forever (1971) (Vudu/HD) $6.25
Bond: Man with the Golden Gun (1974) (Vudu/HD) $6.25
Bond: Quantum of Solace (2008) (Vudu/4K) $7.50 (Vudu/HD) $6.25
Bond: Skyfall (2012) (Vudu/4K) $5.75 (Vudu/HD) $1
Bond: Spectre (2015) (iTunes/4K) (Vudu/HD) $5.50
Bond: Tomorrow Never Dies (1997) (Vudu/HD) $6.25
Book of Henry (2017) (MA/HD) (iTunes/HD) $5
Booksmart (2019) (MA/HD) $5.25
Born a Champion (2021) (Vudu/4K) (iTunes/4K) $5.50
Boss Baby (2017) (MA/HD) $1.50
Boss Baby: Family Business (2021) (MA/HD) $4.50
Bourne Collection 1-5 (MA/4K) $25 (iTunes/4K) $18 (MA/HD) $14
Brahms: The Boy II (2020) (iTunes/4K) $2.75
Braveheart (1995) (Vudu/4K) (iTunes/4K) $6.25 (Vudu/HD) $5.25
Breakdown (1997) (Vudu/HD) (iTunes/HD) $5.75
Breakfast Club (1985), Weird Science (2008), Sixteen Candles (1984) (MA/HD) $11.50
Breakthrough (2019) (MA/4K) $7 (MA/HD) $2.75
Break-Up, The (2006) (MA/HD) $3.25
Brian Banks (2019) (MA/HD) $4.50
Bridesmaids (2011) (iTunes/HD) Ports to MA $3.50
Brightburn (2019) (MA/4K) $8 (MA/HD) $6.75
Bring It On (2000) (MA/HD) $3.25
Broken Hearts Gallery (2020) (MA/HD) $3.75
Bros (2022) (MA/HD) $6.50
Brothers Grimm (2005) (Vudu/HD) $6
Bruno (2009) (MA/HD) $3.25
Bullet Train (2022) (MA/4K) $6.25 (MA/HD) $4.75
Bumblebee (2018) (Vudu/4K) $4.75 (Vudu/HD) $1.75 (iTunes/4K) $2
Butterfly Effect, The (2004) (MA/HD) $4
Call Me by Your Name (2017) (MA/HD) $6
Call of the Wild (2020) (MA/4K) $7.25 (MA/HD) $1.50 (GP/HD) $1.25
Candyman (2020) (MA/HD) $4.50
Captain America: Civil War (2016) (MA/4K) $6 (iTunes/4K) $5.25 (GP/HD) $2.50
Captain America: The First Avenger (2011) (iTunes/4K) (MA/HD) $7 (GP/HD) $5
Captain Fantastic (2016) (MA/HD) (iTunes/HD) $4
Captain Marvel (2019) (MA/4K) $5.25 (iTunes/4K) $4.25 (GP/HD) $1.75
Card Counter, The (2021) (MA/HD) $5
Cars 1-3 (iTunes/4K) (MA/HD) $16.50 (GP/HD) $9
Casablanca (1943) (MA/4K) $6.50
Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015) (Vudu/HD) $13
Cat in the Hat (2003) (MA/HD) $3.25
Cats (2019) (MA/HD) $4.50
Catwoman: Hunted (2021) (MA/HD) $3.50
Celebrating Mickey (2018) (MA/HD) $5.75 (GP/HD) $3.75
Central Intelligence (2016) (MA/4K) $5
Chaos Walking (2021) (Vudu/4K) (iTunes/4K) $5
Chappaquiddick (2007) (Vudu/4K) (iTunes/4K) $4.50
Charlie St. Cloud (2010) (MA/HD) $3.25
Charlie's Angels (2000) (MA/4K) $7.75
Charlie's Angels (2019) (MA/4K) $6.50 (MA/HD) $5.50
Chasing Amy (1997) (Vudu/HD) (iTunes/HD) $3.50
Chicken Run (2000) (MA/HD) $5.25
Choice, The (2016) (Vudu/HD) (iTunes/HD) $3.25
Christopher Robin (2018) (MA/HD) $5.25
Chronicles of Riddick (Unrated Director's Cut) (2004) (MA/HD) (iTunes/HD) $5
Cinderella (1950) (MA/HD) $5.75 (GP/HD) $3.75
Cinderella 'Camila Cabello' (2021) (MA/HD) $4.50
Clerks (1994) (Vudu/HD) (iTunes/HD) $4
Clerks III (2022) (Vudu/4K) (iTunes/4K) $5.25
Clifford the Big Red Dog (2021) (iTunes/4K) (Vudu/HD) $3.25
Cloverfield (2008) (Vudu/4K) (iTunes/4K) $6.75
Coco (2017) (MA/4K) $6.50 (iTunes/4K) $5.50 (GP/HD) $2.50
Cold Pursuit (2019) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $3
Coming to America (1988) (Vudu/4K) $4.75 (iTunes/4K) (Vudu/HD) $3.25
Commuter (2018) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $2.50
Conan The Barbarian (2011) (Vudu/4K) $5
Concussion (2015) (MA/HD) $2.75
Constantine: The House of Mystery (2022) (MA/HD) $3.25
Contractor (2022) (Vudu/4K) $7.25 (iTunes/4K) (Vudu/HD) $4.75
Courier, The (2020) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $4.50
Criminal (2016) (Vudu/4K) (iTunes/4K) $6
Croods (2013) & A New Age (2020) (MA/HD) $7.25
Crouching Tiger, Hidden Dragon (2001) (MA/4K) $7.75
Cruella (2021) (MA/4K) $6 (MA/HD) $3.75 (GP/HD) $2.75
Da Vinci Code (2006) (MA/HD) $7
Daddy's Home 1-2 (iTunes/4K) (Vudu/HD) $5.25
Dallas Buyers Club (2013) (iTunes/HD) Ports to MA $3
Daniel Craig Collection 5-Movie (Vudu/4K) $20
Dark Knight (2008) (MA/HD) $5
Dark Waters (2019) (MA/HD) $5.75
Darkest Hour (2017) (MA/HD) $2.75
Day After Tomorrow (2004) (MA/HD) $6.75
DC League of Super-Pets (2022) (MA/HD) $4.75
Deadpool 2 (2018) (MA/4K) $6.50 (MA/HD) $3.25
Dear Evan Hansen (2021) (MA/HD) $4.25
Death on the Nile (2022) (MA/4K) $7 (MA/HD) $5.25 (GP/HD) $3.50
Death Wish (2018) (Vudu/HD) $2.25
Dentist 1-2 Collection (1996-1998) (Vudu/HD) $6
Detective Knight Collection 1-3 (iTunes/4K) (Vudu/HD) $14 $5.50 Each
Devil Wears Prada (2006) (MA/HD) $5.75
Dictator (2012) (Vudu/HD) $2.50
Die Hard 1-5 (MA/HD) $16 $4.75 Each
Dirty Dancing (1987) (Vudu/4K) $5.25 (iTunes/4K) (Vudu/HD) $4
Dirty Grandpa (2016) (Vudu/4K) (iTunes/4K) $6
Disaster Artist, The (2017) (Vudu/HD) $6.25
Disneynature Born in China (2017) (MA/HD) $5.25
Django Unchained (2012) (Vudu/HD) $2.50
Do the Right Thing (1989) (MA/4K) $6
Doctor Strange (2016) (MA/4K) $6.50 (iTunes/4K) $4.25 (MA/HD) $3.75 (GP/HD) $2
Doctor Strange in the Multiverse of Madness (2022) (MA/4K) $6 (MA/HD) $2.75 (GP/HD) $2
Dog (2022) (Vudu/HD) $3.25
Dolittle (2020) (MA/4K) $6 (MA/HD) $3.50
Don't Breathe (2016) (MA/HD) $5.50
Don't Breathe 2 (2021) (MA/4K) $8
Don't Tell a Soul (2021) (Vudu/HD) (iTunes/HD) $5
Don't Worry Darling (2022) (MA/HD) $5.25
Doorman (2020) (iTunes/4K) (Vudu/HD) $3.50
Doors (1991) (Vudu/4K) (iTunes/4K) $4
Downton Abbey: A New Era (2022) (MA/HD) $4
Dr. Seuss' How The Grinch Stole Christmas (2000) (iTunes/4K) $5.50 (MA/HD) $5
Dracula (1931), Frankenstein (1931), The Bride of Frankenstein (1935), The Wolf Man (1941), The Invisible Man (1933), The Mummy (1932) (MA/HD) $18.50
Dracula 2000 (2000), II: Ascension (2003) (Vudu/HD) (iTunes/HD) $11 $6 Each
Dracula Untold (2014) (MA/4K) $7 (MA/HD) $2.75 (iTunes/4K) $4
Dragonheart 5-Movie (MA/HD) $15
Dredd (2012) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $3.50
Drive (2011) (MA/HD) $4.25
Drugstore Cowboy (1989) (Vudu/HD) $5
Dumb and Dumber To (2014) (iTunes/HD) Ports to MA $3.25
Dune (2021) (MA/4K) $5 (MA/HD) $2
Dying of the Light (2014) (Vudu/HD) $2.25
E.T. the Extra-Terrestrial (1982) (MA/4K) $6.25 (iTunes/4K) $5 (MA/HD) $3
Early Man (2018) (Vudu/HD) (iTunes/HD) $5.25
Easter Sunday (2022) (MA/HD) $6.50
Echo Boomers (2020) (Vudu/HD) (iTunes/HD) $4
Eddie the Eagle (2016) (MA/HD) (iTunes/4K) $6
Edward Scissorhands (1990) (MA/HD) $3
Eighth Grade (2018) (Vudu/HD) $5.75
Elvis (2022) (MA/4K) $6.75 (MA/HD) $4.50
Elysium (2013) (MA/HD) $3.25
Emperor's New Groove (2000) (GP/HD) $5.50
Empire of Light (2022) (GP/HD) $4
Encanto (2021) (MA/4K) $6.50 (MA/HD) (GP/4K) $3.50
Enough Said (2013) (MA/HD) $2.75
Equalizer (2014) (MA/4K) $7.75 (MA/HD) $3.75
Equalizer 2 (2018) (MA/4K) $7.25 (MA/HD) $2.75
Equilibrium (2002) (Vudu/HD) $5.50
Escape from L.A (1996) (Vudu/4K) (iTunes/4K) $6.25
Eternals (2021) (MA/4K) $6.75 (MA/HD) $4.50 (GP/HD) $3
Everest (2015) (MA/4K) $6.50 (MA/HD) $3 (iTunes/4K) $4
Evil Dead II (1987) (Vudu/4K) $4.25
Ex Machina (2015) (Vudu/4K) $6.50 (Vudu/HD) $4
Expendables 1-3 (Vudu/HD) $4.50
Eyes of Tammy Faye (2021) (GP/HD) $4.25
F9: The Fast Saga + Director's Cut (2021) (MA/4K) $5.50 (MA/HD) $3.50
Fabelmans (2022) (MA/HD) $6.50
Fahrenheit 451 (2018) (Vudu/HD) (iTunes/HD) $4.50 (GP/HD) $3
Fantasia (1940) (MA/HD) $7 (GP/HD) $5
Fantasia 2000 (2000) (MA/HD) $7 (GP/HD) $5
Fantastic Beasts Collection 1-3 (MA/HD) $8.50
Fantastic Beasts: The Secrets of Dumbledore (2022) (MA/4K) $5.50 (MA/HD) $3
Fantastic Four (2015) (iTunes/4K) (MA/HD) $4.50
Fantasy Island (2020) (MA/HD) $7
Far and Away (1992) (MA/HD) $3.25
Farewell, The (2019) (Vudu/HD) $5.50
Fast & Furious Collection 1-8 (MA/4K) $27.50 1-9 (MA/HD) $10
Fatale (2020) (Vudu/4K) (iTunes/4K) $3.50
Father Stu (2022) (MA/HD) $5.50
Fatherhood (2021) (MA/HD) $3.75
Fatman (2020) (Vudu/HD) (iTunes/HD) $5.25
Field of Dreams (1989) (MA/4K) $7.50 (iTunes/4K) (MA/HD) $6
Fifth Element (1997) (MA/HD) $6.75
Fifty Shades of Grey 3-Movie + Unrated (MA/HD) $10
Finding Dory (2016) (MA/4K) $5.75 (iTunes/4K) $3.50 (GP/HD) $1.25
Finding Nemo (2003) (MA/4K) $6.75 (iTunes/4K) $5.25 (GP/HD) $3
Firestarter (1984) (MA/HD) $3.25
First Purge (2018) (MA/4K) $7 (MA/HD) $4.50
Five Feet Apart (2019) (iTunes/4K) (Vudu/HD) $2.75
Flatliners (2017) (MA/HD) $4.50
Flushed Away (2006) (MA/HD) $6.50
Forbidden Kingdom (2008) (Vudu/HD) $4
Ford v Ferrari (2019) (MA/4K) $7.75 (MA/HD) $4.75
Forever My Girl (2018) (Vudu/HD) (iTunes/HD) $3
Forever Purge (2021) (MA/HD) $5.50
Forrest Gump (1994) (Vudu/4K) $7.25 (iTunes/4K) (Vudu/HD) $5.50
Founder, The (2017) (Vudu/HD) $5
Fox and the Hound (1981) (MA/HD) $6.50 (GP/HD) $5
Fox and the Hound 2, The (2006) (MA/HD) $4 (GP/HD) $3
Foxcatcher (2014) (MA/HD) $4.50
Frankenstein (1931) (MA/4K) $6.50
Frankenstein (1931) (MA/HD) (iTunes/HD) $4.50
Free Guy (2021) (MA/4K) $7.50 (MA/HD) $4.75 (GP/HD) $3.25
French Dispatch (2021) (MA/HD) $5 (GP/HD) $3.50
From Dusk till Dawn (1996) (Vudu/HD) (iTunes/HD) $4.50
Fruitvale Station (2014) (Vudu/HD) $4
Fury (2014) (MA/4K) $6.50
Galaxy Quest (1999) (Vudu/HD) (iTunes/HD) $6
Game Night (2018) (MA/4K) $5
Gamer (2009) (iTunes/4K) (Vudu/HD) $5.75
Gangs of New York (2002) (Vudu/HD) (iTunes/HD) $5
Garfield (2004) (MA/HD) $6.50
Gemini Man (2019) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $2.50
Get Him to the Greek (Unrated) (2010) (MA/HD) $3.25
Ghost in the Shell (1995) (Animated) (Vudu/4K) $4
Ghostbusters II (1989) (MA/HD) $3.50
Ghostbusters: Afterlife (2021) (MA/HD) $3.50
Ghosts: Season 1 (2021) (Vudu/HD) $7
Girl with All the Gifts, The (2016) (Vudu/HD) $5
Gladiator (2000) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $5
Glass (2019) (MA/4K) $6.50 (MA/HD) $4.50
Glory (1989) (MA/4K) $7.75
Godfather Trilogy (iTunes/4K) (Vudu/HD) $14
Godzilla (2014) (MA/4K) $5
Godzilla vs. Kong (2021) (MA/4K) $6
Gold (2016) (Vudu/HD) $1.50
Gone Girl (2014) (iTunes/4K) (MA/HD) $5.75
Good Boys (2019) (MA/HD) $3.25
Good Lie (2014) (MA/HD) $1.50
Good Will Hunting (1997) (Vudu/HD) $5.25
Goosebumps 2 (2018) (MA/4K) $7.75 (MA/HD) $6.50
Gotti (2018) (Vudu/HD) $2
Grand Budapest Hotel (2014) (MA/HD) $4
Grease (1978), 2 (1982), Live! (2016) (Vudu/HD) (iTunes/HD) $14
Green Book (2018) (MA/4K) $7.50 (MA/HD) $5
Green Knight (2021) (Vudu/4K) $5
Green Lantern: Beware My Power (2022) (MA/HD) $3.75
Green Mile, The (1999) (MA/4K) $6
Greenberg (2010) (MA/HD) $3.25
Greta (2019) (MA/HD) $5.25
Grey, The (2012) (MA/HD) (iTunes/HD) $2.75
Grown Ups 2 (2013) (MA/HD) $5.50
Guardians of the Galaxy (2014) (MA/4K) $7.25 (iTunes/4K) $5 (MA/HD) $4.50 (GP/HD) $1.75
Guardians of the Galaxy Vol. 2 (2017) (MA/4K) $6.75 (iTunes/4K) $4.25 (GP/HD) $1.25
Hacksaw Ridge (2016) (Vudu/4K) $4.50 (iTunes/4K) $3.50 (Vudu/HD) $2.25
Half Brothers (2020) (MA/HD) $5.75
Halloween (2018) (MA/4K) $6.25 (MA/HD) $4.25
Halloween Ends (2022) (MA/4K) $6.50 (MA/HD) $4.50
Halloween H20: 20 Years Later (1998), The Curse of Michael Myers (1995), Resurrection (2002) (Vudu/HD) (iTunes/HD) $10.50
Halloween Kills (2021) (MA/4K) $6.25 (MA/HD) $4.50
Happy Feet (2006) (MA/HD) $4
Happytime Murders (2018) (iTunes/4K) $1.75
Hard Candy (2005) (Vudu/HD) $5
Hardcore Henry (2016) (MA/HD) (iTunes/HD) $3.50
Hate U Give (2018) (MA/4K) $7.75 (MA/HD) $4.75
Heavy Metal (1981) (MA/4K) $6.25
Hell Fest (2018) (Vudu/4K) (iTunes/4K) $3.75
Hellboy (2004) (MA/4K) $7.75
Hellboy (2019) (Vudu/4K) (iTunes/4K) $4.25
Hercules (2014) (iTunes/4K) (Vudu/HD) $1.50
Hidden Figures (2016) (iTunes/4K) (MA/HD) $1.75
Highlander (1986) (Vudu/4K) $5.50
Hitman's Bodyguard (2017) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $4.25
Hitman's Wife's Bodyguard (2021) (Vudu/4K) (iTunes/4K) $4.75
Hobbs & Shaw (2019) (MA/4K) $5.75 (MA/HD) $3.75
Hocus Pocus (1993) (MA/4K) $6.75 (iTunes/4K) (MA/HD) $4.75 (GP/HD) $2.25
Holiday Inn (1942) (MA/HD) (iTunes/HD) $3
Home Alone 1-2 (MA/HD) $7.50
Hope Springs (2012) (MA/HD) $2.50
Hostiles (2017) (Vudu/4K) $4.75 (iTunes/4K) (Vudu/HD) $2.75
Hotel Mumbai (2019) (MA/HD) $5.25
House of 1,000 Corpses (2003), Devil's Rejects (2005), 3 From Hell (2019) (Vudu/HD) $6
House of Gucci (2021) (iTunes/4K) $5
House of the Dragon: Season 1 (2022) (Vudu/4K) $9 (Vudu/HD) $5
House with a Clock in Its Walls (2018) (MA/4K) $6 (MA/HD) $3.75
How to Train Your Dragon Collection 1-3 (MA/HD) $7.50 $4.75 Each
Hulk, The (2003) (iTunes/4K) $6.50
Hunger Games Collection 1-4 (Vudu/HD) $6.50 (iTunes/4K) $12
Hunt for Red October (1990) (Vudu/4K) (iTunes/4K) $4.75
Hunter Killer (2018) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $2.75
Hurt Locker (2008) (Vudu/4K) (iTunes/4K) $5.50
Hustle, The (2019) (iTunes/4K) $2
Hustlers (2019) (iTunes/4K) $3
I Feel Pretty (2018) (iTunes/HD) $1
I, Frankenstein (2014) (Vudu/HD) (iTunes/HD) $1.75
I, Tonya (2017) (MA/HD) $5.75
Identity Thief (2013) (iTunes/HD) Ports to MA $3.75
If I Stay (2014) (iTunes/4K) (Vudu/HD) $5.75
I'm Not There (2007) (Vudu/HD) $5
Imitation Game, The (2014) (Vudu/HD) $3.25
Immortal Life Of Henrietta Lacks (2017) (iTunes/HD) $3.50
Impossible, The (2013) (Vudu/HD) (iTunes/HD) $4.75
In the Heights (2021) (MA/4K) $5 (MA/HD) $2.50
Incredible Hulk (2008) (MA/4K) $7 (MA/HD) $5
Incredibles (2004) (MA/4K) $7.75 (iTunes/4K) $6.25 (GP/HD) $4.75
Incredibles 2 (2018) (MA/4K) $6.25 (iTunes/4K) $4.50 (GP/HD) $2
Independence Day: Resurgence (2014) (iTunes/4K) (MA/HD) $1.50
Indiana Jones 1-4 (Vudu/4K) $25 (iTunes/4K) (Vudu/HD) $20
Inevitable Defeat of Mister and Pete (2013) (Vudu/HD) $4.25
Infinite (2021) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $5
Inglorious Bastards (2009) (MA/4K) $7 (MA/HD) $6
Inside Llewyn Davis (2013) (MA/HD) $6.50
Inside Out (2015) (MA/4K) $5.75 (iTunes/4K) $4.25 (GP/HD) $1.50
Interstellar (2014) (Vudu/4K) $6.25 (iTunes/4K) $5.75 (Vudu/HD) $4
Invisible Man (2020) (MA/4K) $6.25 (MA/HD) $3.75
Invitation, The + Unrated (2022) (MA/HD) $6.25
Iron Man 1-3 (MA/4K) $21 (iTunes/4K) $16 (GP/HD) $7.50
It's a Mad, Mad, Mad, Mad World (1963) (Vudu/HD) $6.75
It's a Wonderful Life (1946) (Vudu/4K) $5.25 (iTunes/4K) (Vudu/HD) $5
Jack Frost (1998) (MA/HD) $5
Jack Reacher Collection 1-2 (iTunes/4K) (Vudu/HD) $7
Jackass Forever (2022) (iTunes/4K) (Vudu/HD) $4.50
Jacob's Ladder (1990) (Vudu/HD) $3
Jason Bourne (2016) (MA/4K) $5.50 (iTunes/4K) $3.50 (MA/HD) $3
Jason Statham 6-Movie (Wild Card, War, Bank Job, Transporter 3, Crank, Crank 2) (Vudu/HD) $11.50
Jaws (1975) (MA/4K) $6.50 (iTunes/4K) (MA/HD) $4.75
Jaws (1975) Jaws 2 (1978) Jaws 3 (1983) Jaws: The Revenge (1987) (MA/HD) $15.50
Jay and Silent Bob Strike Back (2001) (Vudu/HD) (iTunes/HD) $5.50
Jesus Music, The (2021) (Vudu/HD) (iTunes/HD) $4.50
Jexi (2019) (Vudu/4K) (iTunes/4K) $3.50
Jigsaw (2017) (Vudu/4K) $5.25 (iTunes/4K) (Vudu/HD) $2
John Wick Collection 1-3 (Vudu/4K) $16.50 (iTunes/4K) $14.50 (Vudu/HD) $8
John Wick: Chapter 3 - Parabellum (2019) (Vudu/4K) (iTunes/4K) $4
Judy (2019) (Vudu/4K) (iTunes/4K) $3.75
Juice (1992) (Vudu/4K) (iTunes/4K) $6.50
Jumanji: Next Level (2019) & Welcome to the Jungle (2017) (MA/HD) $7.50
Jumanji: Welcome To The Jungle (2017) (MA/4K) $5.75 (MA/HD) $2 (MA/SD) $1
Jungle Book (1967) (MA/HD) $6 (GP/HD) $4
Jungle Cruise (2021) (MA/4K) $6.25 (MA/HD) $3.75 (GP/HD) $3
Jurassic Park (1993) (MA/4K) $5.25 (iTunes/4K) $3.75 (MA/HD) $3
Jurassic World (2015) (MA/4K) $5.25 (iTunes/4K) $3.75 (MA/HD) $2.75
Jurassic World Collection 1-5 (MA/4K) $20 (iTunes/4K) $17.50 (MA/HD) $10.50
Jurassic World Collection 1-6 (MA/4K) $24 (MA/HD) $12
Jurassic World: Dominion + Extended Cut (2022) (MA/4K) $7.25 (MA/HD) $4.25
Justice Society: World War II (2021) (MA/4K) $5.75
Katy Perry: Part of Me (2012) (Vudu/HD) (iTunes/HD) $4
Keeping Up with the Joneses (2016) (MA/HD) $4.50
Kick-Ass (2010) (Vudu/4K) $5.75 (Vudu/HD) (iTunes/HD) $4.50
Kick-Ass 2 (2013) (MA/HD) $5.50 (iTunes/HD) $5
Kid Who Would Be King (2019) (MA/4K) $6 (MA/HD) $4.75
Kid, The (2019) (Vudu/4K) (iTunes/4K) $5.25
Kill Bill Collection 1-2 (Vudu/HD) $12
Kill Bill: Vol. 1 (2003) (Vudu/HD) $5.75
Killer Elite (2011) (iTunes/HD) Ports to MA $2.75
Killer Joe (Director's Cut) (2012) (Vudu/HD) $5
Killerman (2019) (Vudu/HD) $2.25 (iTunes/HD) $1.75
Killing Lincoln (2013) (MA/HD) $5.25
Kin (2018) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $3
King Kong (2005) (MA/4K) $5.75 (iTunes/4K) $3.75 (MA/HD) $3.50
King of Staten Island (2020) (MA/HD) $4.75
King Richard (2021) (MA/HD) $2
King's Man (2021) (MA/HD) $4.50 (GP/HD) $3.50
Kingsman: The Golden Circle (2017) (iTunes/4K) (MA/HD) $2.75
Kingsman: The Secret Service (2015) (iTunes/4K) (MA/HD) $4.25
Kitchen, The (2019) (MA/HD) $3
Knives Out (2019) (Vudu/4K) (iTunes/4K) $5.25
Knocked Up (Unrated) (2007) (MA/HD) (iTunes/HD) $5.50
Kung Fu Panda 3 (2016) (MA/HD) $2.50
Kung Fu Panda Collection 1-3 (MA/HD) $12.50
L.A. Confidential (1997) (MA/HD) $5.75
Lady and the Tramp (1955) (MA/HD) $5.75 (GP/HD) $3.75
Last Duel, The (2021) (MA/HD) $5.25 (GP/HD) $4
Last Night in Soho (2021) (MA/4K) $7 (MA/HD) $5.25
Last Witch Hunter (2015) (Vudu/4K) $3.75 (iTunes/4K) (Vudu/HD) $1.50
Leap! (2017) (Vudu/HD) (iTunes/HD) $3.50
Legend of Hercules (2014) (iTunes/4K) (Vudu/HD) $3.25
Legion of Super Heroes (2023) (MA/HD) $6.25
Let Him Go (2020) (MA/HD) $4
Liar Liar (1997) (MA/HD) $3.25
Life of Pi (2012) (MA/HD) $2.50
Lighthouse (2019) (Vudu/HD) $5.25
Lightyear (2022) (MA/4K) $5 (MA/HD) $2.75 (GP/HD) $2
Like a Boss (2020) (iTunes/4K) (Vudu/HD) $2.25
Lilo & Stitch (2002) & Stitch Has a Glitch (2005) (MA/HD) $11 (GP/HD) $6.50
Limey, The (1999) (Vudu/4K) (iTunes/4K) $5.50
Lincoln Lawyer (2011) (Vudu/4K) $5.50 (iTunes/4K) (Vudu/HD) $4.75
Lion King 2: Simba's Pride (1998) (MA/HD) $6.75 (GP/HD) $5.25
Little (2019) (MA/HD) $4.50
Little Fockers (2010) (MA/HD) $3.25
Little Mermaid (1989) (MA/4K) $7.50 (iTunes/4K) (MA/HD) $5.75 (GP/HD) $3.75
Live Die Repeat: Edge of Tomorrow (2014) (MA/4K) $5
Lock Up (1989) (Vudu/4K) $5
Logan (2017) (iTunes/4K) (MA/HD) $2.75
Logan Lucky (2017) (MA/HD) $1.50 (iTunes/4K) $2.25
London Has Fallen (2016) (iTunes/HD) Ports to MA $2.75
Longest Ride (2015) (iTunes/4K) (MA/HD) $1.50
Looper (2012) (MA/4K) $6 (MA/HD) $3.25
Lord of War (2005) (Vudu/4K) (iTunes/4K) $5.50
Lost Boys, The (1987) (MA/4K) $5 (MA/HD) $3.50
Lost City, The (2022) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $5.25
Love Actually (2003) (MA/HD) (iTunes/HD) $5.50
Love, Simon (2018) (MA/HD) $3
Lovebirds (2020) (Vudu/HD) (iTunes/HD) $5.50
Luca (2021) (MA/4K) $6.50 (MA/HD) $3.75 (GP/HD) $3.25
Lucy (2014) (iTunes/4K) $3.75 (MA/HD) $2
Lyle, Lyle, Crocodile (2022) (MA/HD) $5.75
Mad Max 2: The Road Warrior (1982) (MA/4K) $5
Mad Max 3: Beyond Thunderdome (1985) (MA/4K) $5
Mad Max Collection 1-4 (Vudu/4K) $20
Magnificent Seven (2016) (Vudu/4K) $6 (Vudu/HD) $2.50
Maleficent (2014) (MA/4K) $6 (iTunes/4K) (MA/HD) $3 (GP/HD) $1.25
Maleficent: Mistress of Evil (2019) (MA/4K) $6 (iTunes/4K) $3.75 (GP/HD) $1.50
Mallrats (1995) (MA/HD) $3.25
Mamma Mia! Here We Go Again (2018) (MA/4K) $6.50 (MA/HD) $1.75
Many Adventures of Winnie the Pooh (1977) (MA/HD) $6.25 (GP/HD) $4.50
Many Saints of Newark (2021) (MA/HD) $2.50
Marksman, The (2021) (MA/HD) $5.50
Martian - Extended Cut (2015) (MA/4K) $7.75 (MA/HD) $5.25
Mary Poppins Returns (2018) (MA/4K) $6.75 (iTunes/4K) (MA/HD) $4.75 (GP/HD) $2.25
Matrix (1999), Reloaded (2003), Revolutions (2003), Resurrections (2021) (MA/HD) $7.50
Matrix: Resurrections (2021) (MA/4K) $5 (MA/HD) $2.25
Mechanic: Resurrection (2016) (iTunes/4K) (Vudu/HD) $3
Meet the Parents (2000) (MA/HD) $3.25
Megan Leavey (2017) (MA/HD) (iTunes/HD) $1.75
Memory (2022) (MA/HD) $4
Men (2022) (Vudu/HD) $4
Men in Black 3 (2012) (MA/HD) $2.50
Men Who Stare at Goats (2009) (Vudu/HD) $5
Menace II Society (Director's Cut) (1993) (MA/HD) $5
Menu (2022) (MA/HD) $5.75 (GP/HD) $4
Midway (2019) (Vudu/4K) (iTunes/4K) $4
Minions: The Rise of Gru (2022) & Minions (2015) (MA/HD) $8
Minions: The Rise of Gru (2022) (MA/4K) $7.25 (MA/HD) $5.75
Miss Bala (2019) (MA/HD) $3.75
Mission: Impossible Collection 1-6 (Vudu/4K) $25 (iTunes/4K) (Vudu/HD) $20
Mitchells Vs. The Machines (2021) (MA/HD) $4.75
Moana (2016) (MA/4K) $7 (iTunes/4K) (MA/HD) $4.75 (GP/HD) $2
Money Monster (2016) (MA/HD) $3.25
Monster Hunter (2020) (MA/HD) $4.25
Monsters University (2013) (MA/4K) $6.75 (iTunes/4K) $5.75 (GP/HD) $3.50
Monsters vs. Aliens (2009) (MA/HD) $4.75
Monty Python's The Meaning of Life (1983) (MA/4K) $7.50
Moonfall (2022) (Vudu/4K) (iTunes/4K) $5
Moonrise Kingdom (2012) (MA/HD) $4.25
Morbius (2022) (MA/4K) $5.75 (MA/HD) $3.50 (MA/SD) $2.25
Mortal Engines (2018) (MA/4K) $7 (MA/HD) $2.50
Mortal Instruments: City of Bones (2014) (MA/HD) $3.50
Mortal Kombat Legends: Snow Blind (2022) (MA/HD) $6
Mr & Mrs. Smith (2005) (MA/HD) $5.75
Mulan (1998) (MA/4K) $6.75 (iTunes/4K) $5.75 (GP/HD) $3
Mulan (2020) (MA/4K) $6.50 (MA/HD) $4 (GP/HD) $2.25
Mulan 2 (2005) (MA/HD) $3.75 (GP/HD) $2.75
Mule, The (2018) (MA/4K) $5 (MA/HD) $2.50
Mummy (1999), Returns (2001), Tomb of the Dragon Emperor (2008), Scorpion King (2002), Mummy (2017) (iTunes/4K) (MA/HD) $22
My Big Fat Greek Wedding 2 (2016) (iTunes/HD) Ports to MA $4
My Girl (1991) & 2 (1994) (MA/SD) $7
National Lampoon's Animal House (1978) (MA/4K) $6.25 (MA/HD) $5.50
Nerve (2016) (Vudu/HD) $2.50
New Mutants (2020) (MA/4K) $6.75 (MA/HD) $5.25 (GP/HD) $2.75
News of the World (2020) (MA/4K) $6 (MA/HD) $3.75
Night at the Museum 3-Movie (MA/HD) $14 $6 Each (MA/SD) $9.50
Night House, The (2021) (MA/HD) $5 (GP/HD) $3
Night School (Extended) (2018) (MA/4K) $7 (MA/HD) $2.75
Nightmare Alley (2021) (MA/HD) $4.50 (GP/HD) $3.50
No Time to Die (2021) (iTunes/4K) $3.50
Noah (2014) (Vudu/HD) $1.75 (iTunes/HD) $1.50
Nobody (2021) (MA/4K) $7 (MA/HD) $5.25
Nope (2022) (MA/4K) $8 (MA/HD) $6
Nope (2022), Get Out (2017) & Us (2019) (MA/HD) $10
Northman (2022) (MA/4K) $7.50 (MA/HD) $5
Now You See Me 1-2 (Vudu/HD) $4 (iTunes/HD) $6.50
Nutcracker and the Four Realms (2018) (MA/4K) $6 (MA/HD) $3 (GP/HD) $2.50
Oblivion (2013) (MA/4K) $7 (iTunes/4K) $3.50 (MA/HD) $2.25
Old (2021) (MA/HD) $4.50
Once Upon A Time... In Hollywood (2019) (MA/4K) $6.75 (MA/HD) $5.25
Only God Forgives (2013) (Vudu/HD) $5
Onward (2020) (MA/4K) $5.50 (MA/HD) $4 (GP/HD) $2.25
Other Woman (2014) (MA/HD) $2.25
Our Kind of Traitor (2016) (Vudu/HD) $3.25
Overboard (2016) (Vudu/HD) (iTunes/HD) $6
Overlord (2018) (Vudu/4K) $5 (Vudu/HD) $2.75 (iTunes/4K) $3.75
Oz the Great and Powerful (2013) (MA/HD) $2 (GP/HD) $1
Pacific Rim Uprising (2018) (MA/4K) $7.75 (MA/HD) $4.50
Parasite (2019) (MA/HD) $4.75
Passengers (2016) (MA/4K) $7 (MA/HD) $3
Patriot Games (1992) (Vudu/4K) (iTunes/4K) $5.50
Paw Patrol: The Movie (2021) (iTunes/4K) (Vudu/HD) $5
Peanuts Movie (2015) (iTunes/4K) (MA/HD) $2.25
Pearl (2022) (Vudu/HD) $6
Penguins of Madagascar (2014) (MA/HD) $1.75
Percy Jackson: Sea of Monsters (2013) (MA/HD) $2.25
Perks of Being a Wallflower (2012) (Vudu/HD) (iTunes/HD) $1.75
Pet Sematary (1989) (iTunes/4K) $4 (Vudu/HD) $3.75
Pet Sematary (2019) (Vudu/4K) $4.50 (iTunes/4K) (Vudu/HD) $2.50
Pete’s Dragon (2016) (MA/HD) $6.25 (GP/HD) $4.25
Peter Pan (1953) (MA/HD) $6.50 (GP/HD) $5
Peter Pan: Return to Neverland (2002) (MA/HD) $6.25 (GP/HD) $4.75
Peter Rabbit (2018) & 2 (2021) (MA/HD) $10.25 $5.75 Each
Peter Rabbit 2 (2021) (MA/HD) $3.75
Philadelphia (1993) (MA/4K) $7.75
Philomena (2013) (Vudu/HD) $2
Pitch Perfect (2012) (MA/4K) $5.75 (MA/HD) $2.75 (iTunes/4K) $3.75
Pitch Perfect Collection 1-3 (MA/HD) $11.50
Planet of the Apes 1-3 (Newer) (iTunes/4K) (MA/HD) $12
Playing with Fire (2019) (iTunes/4K) (Vudu/HD) $1.50
Pocahontas (1995) (MA/HD) $6.50 (GP/HD) $5
Pocahontas II: Journey to a New World (1998) (MA/HD) $6 (GP/HD) $3.25
Point Break (2015) (MA/HD) $2
Poltergeist (1982) (MA/4K) $5
Popstar: Never Stop Never Stopping (2016) (MA/HD) $3.25
Power Rangers (2017) (Vudu/4K) $5.50 (iTunes/4K) $3.25 (Vudu/HD) $2.75
Predator (1987), 2 (1990), Predators (2009), Predator (2018) $11
Premium Rush (2012) (MA/HD) $3
Prey for the Devil (2022) (Vudu/4K) (iTunes/4K) $6
Pride and Prejudice and Zombies (2016) (MA/HD) $7
Prophecy Collection 1-5 (Vudu/HD) (iTunes/HD) $14.50
Protege, The (2021) (Vudu/4K) (iTunes/4K) $5.75
Psycho (1960), Rear Window (1954), The Birds (1963), Vertigo (1958) (MA/4K) $18
Pulp Fiction (1994) (Vudu/4K) $5.50 (Vudu/HD) $4.25 (iTunes/HD) $5.25
Punisher, The (2004) (Vudu/4K) $6
Purge, The (2013) (MA/4K) $6.50 (iTunes/4K) (MA/HD) $3
Purge: Anarchy (2014) (MA/4K) $5.75 (iTunes/4K) (MA/HD) $4.75
Race (2016) (iTunes/HD) Ports to MA $2.50
Raid 2 (2014) (MA/HD) $6
Raid: Redemption + Unrated (2012) (MA/HD) $5.50
Railway Man (2013) (Vudu/HD) $5
Ralph Breaks the Internet (2018) (MA/4K) $5.25 (iTunes/4K) $4.50 (GP/HD) $1.50
Rambo Collection 1-5 (Vudu/HD) $15
Rampage (2018) (MA/4K) $5
Ray (2004) (iTunes/HD) Ports to MA $5.25
Raya and the Last Dragon (2021) (MA/4K) $6.50 (MA/HD) $4.75 (GP/HD) $2.75
Rear Window (1954) (MA/4K) $4.75
Red (2010) (Vudu/4K) $6.50
Red 2 (2013) (Vudu/4K) (iTunes/4K) $6.50 (iTunes/4K) (Vudu/HD) $1.50
Red Rocket (2021) (Vudu/HD) $4.50
Replicas (2019) (Vudu/4K) $5.50
Reservoir Dogs (1992) (Vudu/4K) $5.50 (Vudu/HD) (iTunes/HD) $5
Resident Evil: Retribution (2012) (MA/HD) $2.25
Resident Evil: The Final Chapter (2017) (MA/4K) $7.75 (MA/HD) $3.25
Resident Evil: Welcome to Raccoon City (2021) (MA/4K) $7.50 (MA/HD) $4.50
Respect (2021) (iTunes/4K) $4.25
Revenant, The (2015) (MA/4K) $5.25 (iTunes/4K) (MA/HD) $3.25
Rhythm Section (2020) (iTunes/4K) (Vudu/HD) $4.25
Richie Rich (1994) (MA/HD) $5
Riddick - Unrated Director's Cut (2013) (MA/HD) (iTunes/HD) $4
Riddick Collection 1-3 (Unrated) (MA/HD) $14
Ride Along 1-2 (MA/HD) (iTunes/HD) $5 $2.75 Each
Rio (2011) (MA/HD) $5.50
Rise of the Guardians (2012) (MA/HD) $3.25
Rise of the Planet of the Apes (2010) (iTunes/4K) (MA/HD) $5.75
Robin Hood (2010) (MA/4K) $6.50
Robin Hood (2018) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $3.25
RoboCop (1987) (Vudu/HD) $7.50
RoboCop (2014) (Vudu/HD) $2
Rocketman (2019) (Vudu/4K) $5 (iTunes/4K) $2.50 (Vudu/HD) $2.25
Rogue (2020) (Vudu/4K) (iTunes/4K) $3.50
Roman J. Israel, Esq. (2017) (MA/HD) $3.50
Ron's Gone Wrong (2021) (MA/4K) $7 (MA/HD) $5.25 (GP/HD) $3.50
Rough Night (2017) (MA/HD) $4.50
Rumble (2022) (iTunes/4K) (Vudu/HD) $6
Running Man, The (1987) (Vudu/4K) (iTunes/4K) $6.25
Rush (2013) (MA/HD) $2.75 (iTunes/HD) $3.25
Safe House (2012) (MA/HD) $4 (iTunes/HD) $2.50
Sandlot, The (1993) (iTunes/4K) (MA/HD) $5
Saturday Night Fever (1977) (Vudu/4K) (iTunes/4K) $6.25
Sausage Party (2016) (MA/HD) $4.25
Saving Private Ryan (1998) (Vudu/4K) (iTunes/4K) $6.50
Saw (2004) (Vudu/4K) (iTunes/4K) $5.50
Saw Collection 1-7 (Vudu/HD) $10
Scarface (1983) (iTunes/4K) (MA/HD) $5.25
Scream (1996) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $3.75
Scream 5 (2022) (iTunes/4K) (Vudu/HD) $4.50
Scream Collection 1-3 (Vudu/HD) (iTunes/HD) $13.50
Secret Headquarters (2022) (Vudu/HD) (iTunes/4K) $5.75
Secret in Their Eyes (2015) (MA/HD) (iTunes/HD) $2.25
Selma (2015) (Vudu/HD) $3 (iTunes/HD) $2.25
Shang-Chi (2021) (MA/4K) $6.50 (MA/HD) $5 (GP/HD) $3.25
Shark Tale (2004) (MA/HD) $3.75
Shaun of the Dead (2004), Hot Fuzz (2007), World's End (2013) (MA/HD) $10
Shawshank Redemption (1994) (MA/4K) $5
Sherlock Gnomes (2018) (Vudu/HD) $2.75 (iTunes/4K) $2.25
Shrek (2001), Madagascar (2005), Home (2015), Spirit: Stallion of the Cimarron (2003), How to Train Your Dragon (2010), Croods (2013), Kung Fu Panda (2008), Boss Baby (2017), Abominable (2019), Trolls (2016) (MA/HD) $16
Sicario: Day of the Soldado (2018) (MA/4K) $7.75 (MA/HD) $3.75
Silent Night, Deadly Night: 3-Film Collection (1989-1991) (Vudu/HD) $6
Silver Linings Playbook (2012) (Vudu/HD) $2
Sing 2 (2021) (MA/4K) $6.50 (MA/HD) $3.75
Singin' in the Rain (1952) (MA/4K) $6.50
Sixteen Candles (1984) (iTunes/HD) Ports to MA $4.25
Skyscraper (2018) (MA/4K) $5.50 (MA/HD) $1.75
Slender Man (2018) (MA/HD) $5.25
Smile (2022) (iTunes/4K) (Vudu/HD) $6.50
Smokin' Aces (2007) (MA/4K) $6.25 (iTunes/HD) $5.75
Smurfs 2 (2013) (MA/HD) $3.25
Snake Eyes (2021) (iTunes/4K) (Vudu/HD) $4.50
Snow White and the Huntsman (Extended) (2012) (iTunes/4K) $3.50 (MA/HD) $2.50
Snowman (2017) (MA/HD) $2
Sonic the Hedgehog (2020) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $4.25
Sonic the Hedgehog 2 (2022) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $4.75
Soul (2020) (MA/4K) $6.50 (MA/HD) $3.75 (GP/HD) $2.25
Source Code (2011) (Vudu/4K) (iTunes/4K) $5.50
Southpaw (2015) (Vudu/HD) $4.25
Southside With You (2016) (Vudu/HD) $3.50
Space Jam (1996) (MA/4K) $5
Space Jam: A New Legacy (2021) (MA/4K) $5
Sparkle (2012) (MA/HD) $3.50 (MA/SD) $2.25
Speed (1994) (MA/4K) $5.25
Spider-Man Collection 1-8 (MA/HD) $26
Spider-Man: No Way Home (2021) (MA/4K) $6.75 (MA/HD) $4
Spiral (Vudu/4K) (iTunes/4K) $5.50
Spirit Untamed: The Movie (2021) (MA/HD) $4.25
Split (2017) (MA/4K) $6.75 (iTunes/4K) (MA/HD) $2.75
SpongeBob Movie: Sponge Out of Water (2015) (Vudu/HD) $4.75 (iTunes/HD) $3.50
Spontaneous (2020) (Vudu/HD) (iTunes/HD) $5
Spotlight (2015) (MA/HD) $5 (iTunes/HD) $3
Spy Who Dumped Me (2018) (iTunes/4K) (Vudu/HD) $4.25
Stand Up Guys (2012) (Vudu/HD) $2.75
Star Trek (2009) (Vudu/4K) (iTunes/4K) $7
Star Trek 1-3 (Vudu/4K) $18.75 (Vudu/HD) $9.50 (iTunes/4K) $13.50
Star Trek Into Darkness (2013) (Vudu/HD) $1.75 (iTunes/4K) $3.25
Star, The (2017) (MA/HD) $2.50
Step Brothers + Unrated (2008) (MA/HD) $6.75
Stillwater (2021) (MA/HD) $5
Strange World (2022) (MA/HD) $5 (GP/HD) $3.75
Strangers: Prey at Night (2018) (MA/HD) $3.50
Studio 666 (2022) (MA/HD) $6.50
Suicide Squad, The (2021) (MA/4K) $5
Sully (2016) (MA/4K) $5
Sum of All Fears, The (2002) (Vudu/4K) (iTunes/4K) $5.75
Super Buddies (2013) (MA/HD) $5.75 (GP/HD) $4
Survive the Night (2020) (Vudu/4K) $4 (iTunes/4K) (Vudu/HD) $3
SW: A New Hope (1977) (MA/4K) $7.25 (iTunes/4K) $6.50 (GP/HD) $3.50
SW: Attack of the Clones (2002) (GP/HD) Ports to MA $6.50
SW: Empire Strikes Back (1980) (MA/4K) $7.25 (iTunes/4K) $6.75 (GP/HD) $3.50
SW: Force Awakens (2015) (MA/4K) $5.50 (iTunes/4K) $3.75 (GP/HD) $1.50
SW: Last Jedi (2017) (MA/4K) $6 (iTunes/4K) $4 (GP/HD) $1.25
SW: Phantom Menace (1999) (MA/4K) $7.50 (iTunes/4K) $6.50 (GP/HD) $3.50
SW: Return of the Jedi (1983) (MA/4K) $7.50 (iTunes/4K) $6.75 (GP/HD) $3.50
SW: Revenge of the Sith (2005) (MA/4K) $7.50 (iTunes/4K) $6.75 (GP/HD) $3.50
SW: Rise of Skywalker (2019) (MA/4K) $6.25 (iTunes/4K) $5 (GP/HD) $2.50
SW: Rogue One: A Star Wars Story (2016) (MA/4K) $6.75 (iTunes/4K) $4 (GP/HD) $1.50
SW: Solo: A Star Wars Story (2018) (MA/4K) $7.25 (iTunes/4K) $5.25 (GP/HD) $3.25
Taken (2009), 2 (2012), 3 (2015) (MA/HD) $9
Ten Commandments (1956) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $5.75
Terminator (1984) (Vudu/HD) $7
Terminator 2: Judgment Day (1991) (Vudu/4K) (iTunes/4K) $4.25
Terminator: Dark Fate (2019) (Vudu/4K) $6.75 (Vudu/HD) $3 (iTunes/4K) $2.50
Think Like a Man (2012) & Two (2014) (MA/HD) $9
This Means War (2012) (MA/HD) $4
Thor: Love and Thunder (2022) (MA/4K) $7 (MA/HD) $3.50 (GP/HD) $2.25
Thor: Ragnarok (2017) (MA/4K) $7.50 (iTunes/4K) (MA/HD) $3.50 (GP/HD) $1.75
Thor: The Dark World (2013) (MA/4K) $7 (iTunes/4K) $4.75 (GP/HD) $2.25
Three Billboards Outside Ebbing, Missouri (2017) (MA/HD) $3.50
Till (2022) (iTunes/4K) $6
Titans: Season 2 (2020) (Vudu/HD) $6.25
To Kill a Mockingbird (1962) (MA/4K) $6.25 (iTunes/HD) $4.50
Top Gun: Maverick (2022) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $6
Toy Story 1-4 (MA/4K) $23 (iTunes/4K) $21 (GP/HD) $11.50
Traffic (2000) (iTunes/HD) Ports to MA $5.75
Training Day (2001) (MA/4K) $7
Trainwreck (2015) (iTunes/HD) Ports to MA $1.50
Transformers 1-5 (Vudu/4K) $30 (Vudu/HD) $23
Trick 'r Treat (2009) (MA/HD) $5
Trolls Collection 1-2 (MA/HD) $6.50
Tucker: The Man and His Dream (1988) (Vudu/HD) $2.75
Turbo (2013) (MA/HD) $2.25 (iTunes/SD) $1.25
Turning Red (2022) (MA/4K) $6.50 (MA/HD) $4.25 (GP/HD) $3
Umma (2022) (MA/HD) $3.75
Unbearable Weight of Massive Talent (2022) (Vudu/4K) (iTunes/4K) $6
Unbreakable (2000) (MA/4K) $6 (GP/HD) $3.75
Uncharted (2022) (MA/4K) $5.75 (MA/HD) $3.75
Uncle Drew (2018) (Vudu/4K) $6.25 (Vudu/HD) (iTunes/HD) $3
Uncut Gems (2019) (Vudu/HD) $4.25
Under the Skin (2014) (Vudu/HD) $5.25
Underwater (2020) (MA/HD) $5.25
Underworld: Awakening (2012) (MA/HD) $1.75
Underworld: Blood Wars (2016) (MA/4K) $6 (MA/HD) $2.25
Unhinged (2020) (Vudu/HD) $4
Unholy, The (2021) (MA/HD) $6.50
Universal Soldier (1992) (Vudu/4K) (iTunes/4K) $6.25
Untouchables, The (1987) (Vudu/4K) (iTunes/4K) $5.75
Up (2009) (iTunes/4K) $7.50 (MA/HD) $6.75 (GP/HD) $5
Us (2019) (MA/4K) $7 (MA/HD) $5.25
Usual Suspects, The (1995) (Vudu/HD) $6.25
Vacation (2015) (MA/HD) $2
Van Helsing (2004) (MA/4K) $6 (iTunes/4K) (MA/HD) $4.75
Venom (2005) (Vudu/HD) (iTunes/HD) $4.75
Venom (2018) (MA/4K) $7 (MA/HD) $3.50
Venom: Let There Be Carnage (2021) (MA/4K) $7.25 (MA/HD) $3.50
Vertigo (1958) (MA/HD) $5
Vice (2018) 'Christian Bale' (MA/HD) $4.25
Violent Night (2022) (MA/HD) $7
Vivo (2021) (MA/HD) $4
W. (2008) (Vudu/HD) $5
Wallace & Gromit in the Curse of the Were-Rabbit (2005) (MA/HD) $6.75
War for the Planet of the Apes (2017) (iTunes/4K) (MA/HD) $3
War of the Worlds (1953) (Vudu/4K) (iTunes/4K) $7
Warcraft (2016) (MA/4K) $5 (iTunes/4K) (MA/HD) $2.25
Warriors, The (1979) (Vudu/HD) (iTunes/HD) $5.75
Waterworld (1995) (MA/4K) $6.75 (MA/HD) $6
Way Back, The (2020) (MA/HD) $2.50
West Side Story (2021) (MA/4K) $6 (MA/HD) (GP/HD) $2.75
Where the Crawdads Sing (2022) (MA/HD) $4.75
Where'd You Go Bernadette (2019) (MA/HD) $5.50
White House Down (2013) (MA/HD) $3.50
Willow (1988) (MA/HD) $6.75 (GP/HD) $4.50
Willy Wonka and the Chocolate Factory (1971) (MA/4K) $5.75
Wind River (2017) (Vudu/HD) (iTunes/HD) $5
Wolf Man (1941) (MA/4K) $6.50
Wolf of Wall Street (2013) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $3.50
Wolverine (Unrated) (2013) (MA/HD) $3.75
Woman King (2022) (MA/4K) $7 (MA/HD) $5.75
Wonder (2017) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $3.25
Wonder Park (2019) (Vudu/HD) $3 (iTunes/4K) $2.25
Wonder Woman 1984 (2020) (MA/4K) $5
Wrath of Man (2021) (Vudu/HD) $3
X (2022) (Vudu/HD) $7
X-Men (2000), X2 (2003), The Last Stand (2006) (MA/HD) $14.50
X-Men: Dark Phoenix (2019) (MA/HD) $6.25
X-Men: First Class (2010), Days of Future Past (2004), Apocalypse (2014) (MA/HD) $11
Yesterday (2019) (MA/HD) $4.50
Young Sherlock Holmes (1985) (Vudu/HD) (iTunes/HD) $6
Youth in Revolt (2009) (Vudu/HD) $5
Zathura (2005) (MA/HD) $6.75
Zero Dark Thirty (2012) (MA/4K) $7.75 (MA/HD) $3
Zombieland: Double Tap (2019) (MA/HD) $4.75
Zootopia (2016) (MA/4K) $7.50 (iTunes/4K) $5.25 (MA/HD) $4.75 (GP/HD) $3.50

I do not consent to have my story told/shared anywhere else.
Hey all. Long-time lurker, and I've finally been giving the OK to post here due to JNMIL moving out. A lot has a happened, so I'll give a little context. I've been with DH for 10 Years, we're high school sweethearts. JNMIL and I had a rocky start from the beginning. DH felt suffocated by her and tried to hide our relationship at the start, which we were then found out about due to some… sexual incidents that had both parents involved. So, from the very beginning, she saw me as someone who was leading her baby boy astray and tearing him away from her. We've been at odds ever since, or so I thought.
We both got an apartment around 5 years ago, then after 2 and a half we moved back with his family. I've got 10 years of things I could say here about her behavior, but this is just about the most recent issue that we cannot do anything about due to a family member being involved that we want to keep safe. We can't even confront her about ANY of this because of possible retaliation, at l;east not for another year and a half. Anyway, onto the grit of it.
I started developing major health issues around early 2019, and since then, have been scheduling appointment after appointment. I filled for disability, was successfully approved, and have been trying to manage several medical conditions at once. I am in the process of being diagnosed with MS, as it runs in my family. My neuro is about 99.9% sure I have it, I just need to go in for some MRIs and possibly a spinal tap.
If you don't know anything about MS, (Multiple Sclerosis) It's a harsh disease, and It's taken a lot from me and my family. The ability to walk, use the bathroom, speak, just so many things that pile up on you. The thing about MS is that you can get flare-ups, then be okay for a while. They're called relapses and remission periods. This means some days I need a cane, a wheelchair, or I can move around without either. It just depends, as is the way of MS.
Well, after we moved in about 3 years ago, JNMIL and I agreed to be amicable and start over. By this, I mean my JNMIL approached me with the idea of starting over, forgetting the past and trying to strengthen our relationship with each other. Looking back I realized she never apologized, just told me to move on and start over. I should have known what this would have led too. DH had always been trying to just keep the peace, and begged me over and over to just ignore the things she said, to try to look past it over the years. I knew how we both saw this as a great change, so we took it. He now regrets it, and feels terrible for not putting his foot down sooner. I can't fully blame him, and we've worked through a lot of what she's done to both of us. His spine is finally very shiny, as is mine.
Well, shit blew up the last 2 months with his family. JNMIL is divorcing FIL, who doesn't deserve any of this. She finally moved out, and is now a sweet, sweet 12 hours away from us. It feels like we have some breathing room.
Onto my point. After she began to pack her things, I had heard from some people that apparently, the last 3 years have been A COMPLETE LIE.
She still hates me, and everyone in this house and basically the neighborhood knows she hates my guts. I'm talking, shit talked me as soon as I would leave a room, kind of hate. I would use the bathroom without my cane, and she would immediately make remarks about how funny it was that I didn't need it, and that I was embarrassing for faking a disability for government money. This occurred anytime I entered a room while she was in it. I always had a gut feeling I didn't belong, but I brushed it off due to our history and my anxiety issues. Turns out I was right all along, trust your gut kids. She was one of the people I went to ask if I even SHOULD apply for disability, and she ENCOURAGED IT! Yet here I found out the entire time she never believed me, mocked me behind my back, while we lived in the same house.
The icing on the cake? Apparently, everyone knew but me and DH. Everyone in the house knew how much she hated me, and assumed we knew. Why would we have chosen to live here if she hated me? Why would I or DH subject ourselves to that kind of two—faced treatment? I honestly thought I had truly strengthened my relationship with her. I started to actually see her as a second mother. I cried on her shoulders when my mother was hospitalized and almost died. She promised me I would always have a place in their family, only to find out it was all a fucked up lie??
I'm beyond betrayed, heartbroken, but a part of me isn't even that shocked. DH had a final conversation with her over dinner, to find out more about the divorce, and when he asked about me, all she could say was, "I accepted your choice in partners a long time ago." DH didn't even have the chance to respond because she switched the topic back to herself.
3 years of being lied too, of believing we were doing the right thing and that I finally had a place with her only to be spit on. DH and I are heartbroken, and he's truly done with her, as am I. I guess I just don't know what to do from here on out. At least everyone knows now how much of a terrible person she is. I got an apology from some of DH's family because they all thought I knew. The entire family at least knows now how much of a narcissistic piece of work she is, and she has no one to fall back on. I think it's the only retribution we're getting right now for what she's done. I just feel so stupid for even trying to trust her again. The only solace both DH and I have is that we tried to be the bigger people, and that wasn't enough. Nothing will ever be enough for that vile woman.
I have hundreds of stories about this creature of a woman I might post later, but I just had to get that off my chest. Thank you, if you read through it all, I'm just so exhausted.

7:47PM EST - 8:25PM EST
2.24.2020
MONDAY FEBRUARY 24TH, 2020
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DEAR VANESSA HONEY MALONE,

WHAT DO I SAY NOW? SOME CONCEPTS, IDEAS, THOUGHTS, ARE EASIER TO GRASP. EASIER TO GRASP THAN OTHERS. HONEY, I MISS YOU. YOU WANTED TO BE AN ACTRESS. HERE IS YOUR VERY OWN PEN NAME. THE LITERATURE BRAND. THE DEBUT IN YOUR PEN NAME'S CREATIVE PORTFOLIO. "THE FATALIST DREAM". THE FIRST WRITING OF YOU SINCE 2015 AND "CFK". "THE FILM LIFE FILM THEORY". I THINK ABOUT WHAT IF. TO JUST TALK TO YOU FACE TO FACE. IF I HAD ONE MEMORY OF US TALKING ABOUT THIS SCENARIO, BUT I DON'T. IF I COULD JUST TALK TO YOU ABOUT THIS. I CAN'T. HONEY, I WROTE BOOKS ABOUT BEING YOUR FRIEND. ABOUT HOW MUCH IT FELT CRAPPY TO LOSE YOU FROM EARTH. IT'S ALWAYS HARD TO NOT SQUIRM WHEN I THINK OF MY DEAD HOMIES. PARDOM THE BLANKNESS. I CAN WRITE STORIES ABOUT FANTASY AND SCI FI AND ECONOMICS. YET WRITING ABOUT HONEY, LETTERS, WRITING TO YOU, LETTERS. DO I TAKE THE GLASSES OFF? ALL I CAN DO IS THIS, TO SHOW YOU HOW MUCH LOVE I FEEL FOR YOU AS A PERSON. A FRIEND. YOU WERE THIS 15 YEAR OLD, LISTENING TO PHILOSOPHY. WITH US. WE ALL WERE. BRENDAN, TROY, PUDGE, SISSY, ISAIAH. SAINT. I DID WANT TO SEE WHAT YOU BECAME. WHO YOU BECAME. IT ALWAYS BOTHERED ME. IT'S DONE SO MANY THINGS TO ME. THE WAY I THINK WHEN I THINK ON YOU. WHAT YOU MEAN TO ME. ANYONE WE LOSE, WE WOULD END UP, WISHING WE COULD SPEAK TO THEM. WE WOULD WANT TO HEAR THEIR VOICE. JUST ONE TIME. PRETTY MUCH WHAT I AM DOING RIGHT NOW. BUT FOR THIS TO BE A LETTER TO YOU, I MUST SEND IT. YOU ARE NOT ON EARTH ANYMORE. HOW DO I SEND IT? I SELF PUBLISH IT. THERE'S A FEELING I CAN NOT FULLY DESCRIBE, WHEN IT COMES TO THIS BOOK I AM CRAFTING OUT NOW HONEY. I HAD A WRITING SESSION YESTERDAY. MOST LIKELY IT WAS AUDIO FILED. THE ON TAPE WRITING SESSION. YESTERDAY WAS SUNDAY. THEN I'M SURE I WAS IN THE KITCHEN RECORDING AND WRITING THRU OUT TWELVE HOURS. I DID NOT LEAVE THE KITCHEN OR APARTMENT. THEN THE FEELING GREW STRONGER. THERE'S A VOICE INSIDE, VERY EXCITED ABOUT THIS PROJECT. PEACE OF MIND EXCITED. THE VOICE IS TELLING ME HOW IMPORTANT THIS PROJECT IS. SO I WON'T GO INTO DETAIL. I DID HAVE A VIVID DREAM LAST YEAR. I WAS IN A CLASS AND THE TEACHER CHALLENGED US ALL. WRITE A BOOK. CREATE SOMETHING. FOR THE MIDDLE SCHOOLERS. I LOVE YOU HONEY. 

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8:35PM EST - 8:53PM EST
2.10.2020
MONDAY FEBRUARY 10TH, 2020
HAPPY 19TH BIRTHDAY SHAKEVIA KANAIJAH HARRIS
(OLDEST NIECE)
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A PERSON OF NUMBERS THE INTRODUCTION:

WE JUST PUBLISHED VOLUME ONE OF "THE PERSON OF NUMBERS" RIGHT AFTER MIDNIGHT TODAY. WE ENGAGED IN A TWELVE HOUR STUDIO SESSION TO EDIT AND PROOFREAD THE MATERIAL WHILE AUDIO RECORDING. BY MIDNIGHT, THE PROJECT WAS READY FOR PUBLICATION. I AM REALLY EXCITED ABOUT THIS PROJECT. THESE INTRODUCTORY PAGES WILL BE SOME OF THE ONLY PROSE YOU READ IN THIS VOLUME. I AIM TO CREATE EACH VOLUME IN THIS SERIES, UNDER A DIFFERENT WRITING GENRE. THE CONCEPTUAL GENRE IS OF BUSINESS AND ECONOMICS. FINANCIAL LITERACY. INVESTMENT STRATEGY. IN THE FORM OF A DIARY AS WELL. WE MAY ADD A FICTIONAL DIARY AS IT'S OWN VOLUME. WE MAY ADD A NON FICTIONAL DIARY AS IT'S OWN VOLUME AS WELL. WE ARE GOING TO DRIVE THE CONCEPT HOME, USING AS MANY DIFFERENT VARITIES OF CREATIVE EXPRESSION, UNDER THE PRE TENSE OF THE WRITTEN WORD. ANY OTHER FORMATS WE USE, WOULDN'T BE ABLE TO BE READ IN THIS WRITTEN FORMAT. THE ONLY BOUNDARY THIS PROJECT HAS, IS SUCH. I CAN ONLY WRITE THIS PROJECT, SO HOW CREATIVELY INDUCED CAN THE LABOR OF LOVE BE? MY CREATIVE DECLARATION IS TO DECLARE CREATIVE WARFARE ON THIS PARTICULAR SUBJECT OF DISCUSSION. WE ARE DISCUSSING YOUR LIVELIHOOD PEOPLE. WE ARE DISCUSSING MY LIVELIHOOD. WE ARE DISCUSSING OUR LIVELIHOOD. I JUST WANTED TO BE TAKEN SERIOUS AS AN ARTIST. ONLY AN ARTIST COULD HAVE DONE THIS, THE WAY IT'S GETTING DONE NOW. THE CONCEPT DISCUSSED WOULD SHOW, I MAY BE MORE THAN AN ARTIST. I AIM TO THROW ALL OF MY CREATIVE GAUNLET TO THIS PROJECT. I WANT TO DISPLAY THE CREATIVITY I HAVE TAPPED INTO BEFORE, AS WELL THE CREATIVITY I HAVE YET TO TAP INTO. I HAVE FELT LIKE MY DESTINY WAS LIT ON FIRE, SINCE THE YEAR'S BEGINNING. SINCE THE NEW YEAR, I HAVE FELT LIKE SOMETHING GREAT WAS ON IT'S WAY. I DIDN'T KNOW WHAT IT WAS. I WAS TERRIFIED BY THE FEELING. I FEEL NOW, AFTER ACTIVELY PURSUING DESTINY FOR MY FIRST ADULT DECADE, MY DESTINY IS NOW PURSUING ME. I JUST GOT RE ASSIGNED TO ANOTHER POSITION AT ANOTHER SITE, UNDER THE TEMP SERVICE I WORK FOR. I WAS JUST AT THE LAST ASSIGNMENT, SATURDAY UNTIL MIDNIGHT. I PUBLISH VOLUME ONE THE NEXT MIDNIGHT. I GET A CALL AT 6AM. THE ASSIGNMENT HAD ENDED. SO FOR VOLUME TWO, WE WILL GO IN THE DIRECTION OF SHORT STORIES, SHORT FILM SCRIPTS, FEATURE FILM SCRIPTS, AND GO FROM THERE. WE ARE JUST GOING TO HAVE AS MUCH FUN INVESTING HOURS INTO THIS FULL PROJECT AS WE POSSIBLY CAN. THE FULL 500-1000 PAGE PROJECT IS GOING TO BE MY MASTERPIECE. I LOOK FORWARD TO THIS. AS SOON AS I PUBLISHED THIS BOOK, BOOM, A NEW WORK ASSIGNMENT. MY DESTINY IS ON FIRE. I AM PURSUING DESTINY. THE DESTINY IS RESPONDING ACCORDINGLY BY MOVING ME AROUND TO WHERE I NEED TO BE TO WITNESS THE SYNCHRONICITY AND THE SEREDENPITY OF THE WHOLE AFFAIR. I AM ABOUT TO EAT FOR THE FIRST TIME TODAY. TODAY WAS A WEIRD DAY. MY LIFE IS WEIRD THOUGH. THE NEXT SESSION WILL BE WHATEVER GENRE WE CHOOSE FIRST. I HAVE AN IDEA FOR ALL OF THEM SO I JUST HAVE TO FIGURE WHICH LENGTH TO START WITH THEN WHICH OPTION OF THE LENGTH CHOICES TO ULTIMATELY CHOOSE. I MAY SWIVEL BACK AND FORTH SO THERE'S NO PRESSURE FROM ANY DIRECTION. 

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10:40PM EST - 11:11PM EST
2.10.2020
MONDAY FEBRUARY 10TH, 2020
HAPPY 19TH BIRTHDAY SHAKEVIA KANAIJAH HARRIS
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SHORT STORY NUMBER ONE: TTLC: THE INTRODUCTORY CHAPTER: THE THREE LITTLE SNACKS
THE THREE LITTLE PIGS. WE HAVE ALL HEARD OF THIS STORY. MOST OF US. IN THE FINANCIAL WORLD OF ECONOMIC INVESTMENTS, HOW WOULD THE STORY BE TRANSLATED? THE THREE LITTLE PIGS, INSIDE OF THE FINANCIAL WORLD OF ECONOMIC INVESTMENTS. HOW DOES ONE TRANSLATE THIS? LET US LOOK AT THE THREE LITTLE PIGGIES AS THREE PEOPLE SETTING UP THEIR FOUNDATIONS FOR THEIR LIVES. YOU HAVE THREE CONTEMPORARIES. FOR THE STORY'S SAKE, THEY ARE NOT BROTHERS. MAYBE IN ANOTHER SHORT STORY. WE WANT TO HIT HOME HERE BEFORE WE HIT HOME THERE. THREE DIFFERENT 18 YEAR OLDS. THREE DIFFERENT HIGH SCHOOL GRADUATES. THREE DIFFERENT COLLEGE AGED YOUNG ADULTS. THREE DIFFERENT COLLEGE STUDENTS. THESE ARE ALL DIFFERENT UNIVERSES WE MAY EXPLORE. THIS IS ONLY THE INTRODUCTION. THIS IS JUST A MERE WARNING. YOU ARE IN THE MIND RIGHT NOW. YOU ARE IN MY MIND RIGHT NOW. THE THREE LITTLE CONTEMPORARIES. THIS STORY WILL ALLOW US TO DETAIL THE PITFALLS OF THE SUPER SOCIAL LIFE, IN THE SUPER SOCIAL SOCIETY. I AM GRATEFUL TO GOD I MADE IT TO THIS POINT IN THIS SERIES AND IN LIFE AS A WHOLE. I HAVE TOTAL FAITH IN GOD AND I AM SO GRATEFUL FOR ALL OF THE BLESSINGS HE HAS SHOWN ME. I LOVE GOD SO MUCH. I LOVE MYSELF AS WELL. I JUST HAD TO GIVE GOD ALL OF THE GLORY.

THIS IS MY LAST CREATIVE SESSION. MY CREATIVE SESSIONS CONSIST OF AUDIO RECORDING THE WRITING AND PROOFREADING OF WRITING. I PLAN ON INTRODUCING FILM EDITING BACK INTO THE DAILY SCHEDULE. ONCE THE SONY VEGAS PRO EDITING SYSTEM IS ON THE LAPTOP AGAIN, I WILL BE ABLE TO EDIT ARCHIVE RAW FOOTAGE. I LOOK FORWARD TO EDITING THE FOOTAGE INTO ONE HOUR CHAD FILMS. I REALLY LOOK FORWARD TO THIS. ME LETTING YOU INSIDE OF MY CREATIVE SCHEDULE. I REALLY WANT TO KEEP MY LIFE AS LONG AS I CAN. THIS STATEMENT IS GROWTH FOR ME, FOR I REMEMBER YEARS WISHING AGAINST MY LIFE. SO FOR ME TO SAY I REALLY AM GRATEFUL TO BE HERE AND WANT TO STAY LONGER TO KEEP UP WITH DESTINY, IT'S GREAT TO OBSERVE ME FEELING THAT. SYRACUSE HAS A FILM FESTIVAL. I AIM TO SUBMIT A ONE HOUR CHAD FILM INTO THE FESTIVAL. 2020 SYRACUSE INTERNATIONAL FILM FESTIVAL. 10 YEARS AFTER THE YOUTUBE CHANNEL DEBUTS OF KEVITV AND SEEXZAVIERFILMS. THIS DRIVE FOR LIFE IS DRIVEN BY THE DESIRE TO LEAVE AN INHERITANCE FOR MY FAMILY, POSSIBLY CREATE A CHILD OF MY OWN, AND RELEASE ALL OF MY DIVERSIFIED CREATIVE PORTFOLIO. I SPENT MY TWENTIES CREATING MY DIVERSIFIED CREATIVE PORTFOLIO. NOW I SPEND THE THIRTIES DOING MORE. CREATING THE DIVERSIFIED ECONOMIC INVESTMENT PORTFOLIO. RELEASING THE DIVERSIFIED CREATIVE PORTFOLIO. CREATING ANOTHER DIVERSIFIED CREATIVE PORTFOLIO. FULL OF STRATEGY ON CREATING DIVERSIFIED ECONOMIC INVESTMENT PORTFOLIOS. ISN'T THAT JUST LOVELY? 

IT'S JUST LOVELY. THE THREE LITTLE PIGGIES. THE THREE LITTLE CONTEMPORARIES. WHEN I CALL MY MOM RIGHT AFTER I AM DONE WITH THIS PARAGRAPH, I AM GOING TO TELL HER ABOUT THIS STORY. I AM SO EXCITED ABOUT THIS VOLUME. EVERY VOLUME OF THIS PROJECT EXCITES. I KNOW EACH ONE WILL TEACH ONE. I KNOW EACH ONE WILL REACH ONE. I KNOW EACH ONE WILL BE DIFFERENT IN GENRE. CAN YOU IMAGINE A FINANCIAL HORROR STORY? I COULD WRITE YOU A FINANCIAL STORY SO HORRIFYING, YOU WOULD RUN FOR SAFETY DIRECTLY INTO THE ARMS OF THE BOGEY MAN OF HADDONFIELD ILLINOIS. THIS IS WHY I DEDICATE MY LIFE TO BUILDING MY CRAFTS AND THE EMPIRES THEY CREATE. I CREATED A CREATIVE EMPIRE. THE GOAL OF THE TWENTIES. THE GOAL FOR THE THIRTIES? CREATE THE ECONOMIC EMPIRE OF INVESTMENTS TO FINANCE THE CREATIVE PORTFOLIO. I LOVE MY LIFE. I LOVE MY GOD. I LOVE MY MOM. I LOVE MY DAD. I LOVE MY THREE BROTHERS. DAVID, QUENTIN, JUSTIN. ATIYANNA, MALIAH, QUAN, QQ, KEVI, DANTE, SHYANNE. ALL OF DAVID'S KIDS. THIS IS THE INTRODUCTION, I AM GETTING THIS OUT OF THE WAY. I HAVE TO CALL MY MOM. I HAVE TO END THIS NIGHT AS THE NEXT DAY USHERS ITSELF IN. TOMORROW I GET REASSIGNED TO A NEW WORK SITE. NEW YEAR, NEW ASSIGNMENT. NEW WEEK. NEW TRADES. I LOVE YOU ALL TOO. HAPPY 19TH BIRTHDAY TO KEVI. THE LAST WRITING SESSION ON HER 19TH BIRTHDAY. I MAY COME BACK AND DO ONE MORE. I MAY NOT. I HAVE TO GET UP IN LESS THAN SEVEN HOURS SO I MAKE IT TO THE OFFICE ONE HOUR AFTER THEY OPEN. WHEN THE SUN RISES I WANT TO BE THERE WITH FOOD, CHILLING AND I WILL WRITE FROM THERE IF I CAN.
6:38PM EST - 7:08PM EST
2.11.2020
TUESDAY FEBRUARY 11TH, 2020
HAPPY 30TH BIRTHDAY TO EUSTACHE ROMULUS
HAPPY BIRTHDAY STOSH
​
THE THREE LITTLE CONTEMPORARIES: CHAPTER ONE: THE DISTRACT

THERE'S A WOLF IN TOWN. THE WOLF IS BIG. THE WOLF IS BAD. THE WOLF IS HUNGRY. THE WOLF IS LOOKING. THE WOLF IS LOOKING FOR FOOD. THE WOLF IS LOOKING FOR YOU. ARE YOU WOLF FOOD? THE BIG BAD WOLF, IN REALITY, IS ECONOMIC SLAVERY AND THE DEBT COLLECTION AGE. IT'S A DEBT COLLECTION REVOLUTION GOING ON OUT HERE MAN. EVERYBODY OWES SOMEBODY MONEY. AND THAT'S THE BIG BAD WOLF. THE BIG BAD WOLF IS THE ECONOMIC SYSTEM IN WHICH WE ALL RESIDE. IN THIS ECONOMIC SYSTEM, ANYONE WHO BUILDS THEIR HOUSES OF STICK AND STRAW ARE DOOMED. ANYONE OUT THERE BUILDING HOUSES OF STRAW AND STICK ARE DOOMED. ECONOMICALLY SPEAKING. WHO IS THE BEST NARRATOR FOR THIS STORY? MAYBE UNCLE SAM. THE POLITICIAN. HOW YOU PLAY THE GAME DETERMINES HOW BIG YOU WIN. HOW YOU PLAY THE GAME DETERMINES IF YOU WIN AT ALL. THE WOLF HAS NO PITY. HAVE NO PITY ON THE WOLF. PLAY THE GAME TO WIN. LET US SAY, FOR THE SAKE OF THIS PROJECT, WE ARE LITTLE ECONOMIC PIGGIES. SOME PIGGIES WILL GET EATEN. SOME PIGGIES MAY MAKE IT TO THE MARKET PLACE. SOME PIGGIES WILL GET ATE AT THE MARKET PLACE. YOU MUST ECONOMICALLY SURVIVE. INCIDENTALLY, YOU MUST LEARN TO ECONOMICALLY SURVIVE WITHIN THE JUNGLE. THERE IS A CIRCUS WITHIN THE JUNGLE. IF YOU WANT TO SURVIVE, STAY AWAY FROM THE WOLF. STAY AWAY FROM THE WOLF, UNTIL YOU HAVE HIS MONEY. IF YOU DON'T HAVE THE WOLF'S MONEY, HE WILL EAT YOU WHEN HE FINDS YOU. IT'S ACTUALLY HIS MONEY. HE MAKES THE MONEY. YOU ARE BORROWING THE MONEY FROM HIM. HE LOANED YOU EVERY DOLLAR. HIS COMMISSION IS CALLED TAXES. DURING TAX SEASON, THE WOLF CAME TO COLLECT. THE WOLF COLLECTS DEBT, OR CHITLINS. THE WOLF IS EVERYTHING ABOUT THE ECONOMIC SLAVERY SYSTEM. EVERY LITTLE PIGGIE IS AN ECONOMIC SLAVE. ONE DAY THE BIG BAD WOLF WILL COME TO TEST THE ECONOMIC FOUNDATION EVERY LITTLE PIGGIE HAS BUILT FOR THEMSELVES. YOU MUST BUILD AN ECONOMIC FOUNDATION FOR YOURSELF AS SOON AS POSSIBLE. THE OTHER LITTLE PIGGIES AROUND ALL ARE POTENTIAL MEALS FOR THE BIG BAD WOLF. ONLY THE SMARTEST AND THE BRIGHTEST OF THE LITTLE PIGGIES WILL SEE OLD MAJOR'S AGE. DON'T WORRY ABOUT HAVING FRIENDS. YOU BETTER MAKE SURE YOU KNOW HOW TO PAY YOUR BILLS ON TIME. YOU HAD BETTER MAKE SURE, YOU KNOW HOW TO PAY YOUR BILLS IN ADVANCE. YOU BETTER MAKE SURE YOU KNOW HOW TO BUILD YOUR CREDIT. THOSE FRIENDS YOU'RE RUNNING AROUND WITH, THEY OWE THE WOLF THE SAME DEBT YOU DO. EVERYONE STARTS OFF EQUALLY IN DEBT. THE ECONOMIC DECISIONS YOU MAKE ON THE FARM WILL DETERMINE THE ECONOMIC HARM YOU BRING YOURSELF. WITH OR WITHOUT CHARM. THE DECISIONS OF THIS TIME PERIOD YOU LIVE IN WILL DECIDE YOUR FATE. THE DECISIONS OF YOUR CONTEMPORARIES WILL DECIDE THEIR FATE AS WELL. ALLOW EVERYONE TO DECIDE THEIR OWN FATE. MAYBE YOU DON'T WANT TO GET CAUGHT UP IN SOME ONE ELSE'S FATE. DON'T YOU WANT YOUR OWN FATE? FATE IS FATE. FATE IS FATE BUT EVERYONE HAS THEIR OWN DESTINY TO PURSUE. WHY NOT JUST PURSUE YOUR OWN DESTINY? IF YOU DON'T, THEN THE CONVERSE STATEMENT IS YOU DID NOT PURUSE YOUR DESTINY. MAYBE YOU WON'T END UP ACQUIRING DESTINY. THEN THAT'S WHERE FATE COMES IN. FATE WILL COME IN REGARDLESS OF WHETHER OR NOT YOUR DESTINY WAS ACTIVATED. THEN AGAIN, MAYBE, THOSE WOULD BE TWO DIFFERENT FATES. WHICH FATE DO YOU WANT THEN? THE FATE OF VICTORY IN DESTINY OR THE FATE OF NEVER SEEING YOUR DESTINY. THE BIG BAD WOLF IS COMING FOR YOU ALL. HIGH SCHOOL DESTROYS THE LITTLE PIGGIES. IN KINDERGARTEN AND FIRST GRADE, IT IS GOOD TO BE SOCIAL. AT 18, WHEN ALL THE KIDS WHO WERE LOCKED UP IN PUBLIC SCHOOLING INSTITUTIONS FOR 13 CONSECUTIVE BIRTHDAYS, ARE OF LEGAL AGE, STAY AWAY FROM THEM. THEY ARE GOING TO DESTROY THEMSELVES. THEY MAY FALL VICTIM TO THE STRATEGIC ATTACKS AGAINST OUR GENERATION. THE GOAL OF THE PAST ELITE IS TO TAKE OUT OUR LEADERSHIP ABILITIES BEFORE WE EVER SEE LEADERSHIP AGE. OUR CAPACITY TO LEAD IS AT AN ALL TIME LOW. THIS COMES FROM BEING SOCIAL. I RESPECT YOU ALL AS PEOPLE. WITH THAT SAID, THE GAME IS TO DREAM BIG. ANY SMALL DREAMERS MUST STAY THE HELL AWAY FROM ME. I AM NOT SO NEEDY FOR ANOTHER'S COMPANY THAT I DON'T DISCERN WHO I SHARE COMPANY WITH. WE ALL CAN DO VERY BAD ALL ALONE AND BY OURSELVES. WE DO NOT NEED ANY HELP MAKING ILL INFORMED DECISIONS. IF AS A GROUP, WE ARE MAKING ILL INFORMED DECISIONS, WE ARE AN ILL INFORMED GROUP. THE BIG BAD WOLF WILL EAT YOU ALL. HE WILL TEAR THE ECONOMIC FLESH FROM YOUR LIFE SAVINGS. NOT TOO MANY PIGGIES EVEN HAVE LIFE SAVINGS. JUST NOW, IN YOUR QUEST TO BE COOL AND POPULAR, YOU MAY JUST END UP GIVING UP EVERYTHING YOU EVER WANTED. UNLESS YOU ONLY EVER WANTED COOL POPULARITY. WHEN YOU HIT THIRTY, THINK ABOUT WHAT IS COOL THEN. IT'LL BE LATE THEN BUT MAYBE YOU COULD THINK ABOUT WHAT THIRTY YEAR OLDS FIND COOL. WHAT DOES THE FORTY YEAR OLD FIND COOL? EVERYONE WON'T HAVE THE SAME PERCEPTION. THAT'S THE POINT. THAT'S WHY YOU STAY TO YOURSELF. OTHERWISE YOU FIND YOURSELF SURROUNDED BY THOSE WITH DIFFERENT PERCEPTIONS. NOW IT BOILS DOWN TO THREE DIFFERENT FACTORS. YOUR PERCEPTION, THEIR PERCEPTION, AND THE PERCEPTION CLOSEST TO ECONOMIC FREEDOM. THE PERCEPTION CLOSES TO ECONOMIC FREEDOM WINS. OTHER PEOPLE WILL PUT YOU IN DANGER, IF YOU DON'T BELIEVE ME WE WON'T MEET AGAIN. I DON'T KNOW WHERE ANYONE ELSE WILL END UP. I DON'T KNOW WHERE I'M GOING TO END UP. I ONLY KNOW WE WON'T END UP IN THE SAME PLACE. I WILL BE IN A CLASS OF MY OWN. IT WAS MY RIGHT TO DO SO. I AM HERE NOW HELPING YOU GET INTO A CLASS OF YOUR OWN. I WILL HAVE THE FATE OF THE GUY WHO NEVER GAVE UP HIS CHILDHOOD AMBITION AND DEDICATED HIS LIFE TO IT. THAT'S ALL I MEAN WHEN I SAY I WILL END UP IN A DIFFERENT CATEGORY THAN MOST. I NEVER COMPROMISED. IT'S HARD TO SUM UP MY ARTISTRY. I CAN WRITE. I COULD'VE WRITTEN ANYTHING THEN WITHIN LIMITATIONS. I CHOSE TO WRITE THIS. NOW THE POSSIBILITIES ARE LIMITLESS TO HOW FAR OTHERS CAN GO FROM THIS. I DON'T WANT THE BIG BAD WOLF TO GET YOU. GET OUT OF THE FOREST OF ECONOMIC DEBT COLLECTION. EVERYTHING IN THE FOREST IS SET UP TO KEEP YOU IN DEBT. IF YOU ARE SURROUNDED BY OTHERS IN DEBT, AND THEY ARE NOT FINANCIALLY LITERATE OR EVEN TRYING, YOU MAY FIND YOUR SELF AS A MARK, EXPLOITED OR ROBBED FOR CASH OR CREDIT. THINK ABOUT IT. THINK ABOUT, THINK ABOUT IT, THINK ABOUT IT. IF I CAN'T READ AND THERE IS A BOOK REPORT DUE. RIGHT? HE WHO HAS IT GET ROBBED BY THOSE THAT DON'T MAN IS WHAT I'M SAYING. WHEN YOU MEET SOMEONE, ASK YOURSELF HOW LIKELY IT IS THEY ARE AROUND TWO DECADES FROM THEN. OTHERWISE YOU'RE LETTING THEM WASTE YOUR TIME. MOST PEOPLE DO NOT GET WHAT THEY WANT FROM LIFE. THEY WERE TOO DISTRACTED. MOST PEOPLE ARE DISTRACTIONS. MOST PEOPLE ARE DISTRACTED. MOST PEOPLE ARE DISTRACTING. DISTRACTING AND DISTRACTED DISTRACTIONS. 

​
9:27PM EST - 10:12PM EST
2.11.2020
TUESDAY FEBRUARY 11TH, 2020
STOSH'S 30TH BIRTHDAY
HAPPY 30TH BIRTHDAY STOSH
​

THE THREE LITTLE CONTEMPORARIES: CHAPTER TWO: STRANGE FOR CHANGE YOU GRADUATE HIGH SCHOOL AND THEN THEY DROP YOU OFF INTO THE FOREST. IN THE FOREST, YOU ARE ON YOUR OWN DAWG. IT'S A SAD SIGHT TO SEE, FINANCIAL ILLITERACY. YOU DON'T WANT TO BE, THE WALKING EPITOME, FINANCIAL ILLITERACY. MOST PEOPLE CAN READ. THE ONLY REASON MOST PEOPLE CAN READ, IS SHEEP NEED TO READ. SHEEP NEED TO READ, SO THEY KNOW WHAT INSTRUCTIONS TO FOLLOW. I'M YOUR FRIEND, I WANT YOU TO BE A LEADER. IT'S GOING TO BE HARD TO LEAD, IF YOUR WALLET IS BROKEN. IF YOUR EARNING POWER, IS AT AN ALL TIME LOW, RECONSIDER YOUR FOCUS, PLEASE. I'M BEGGING YOU, PLEASE! IN THIS FOREST, IT IS A SURVIVAL QUEST. IT IS A RACE OUT OF THE FOREST. THE FOREST OF ECONOMIC SERVITUDE. SERVING THE DOLLAR. WHEN SERVING THE DOLLAR, JUST KNOW, THE WOLF WILL EVENTUALLY EAT YOUR HEART OUT. THE DOLLAR MUST SERVE YOU. ONCE THE DOLLAR SERVES YOU, THE WOLF CAN BE PAID OFF. IF THE WOLF IS HUNGRY, HE NEEDS ONE OF TWO THINGS. MONEY FROM THOSE WHO OWE HIM, OR FLESH FROM THOSE SAME SHEEP. OR PIGGIES. WHICH EVER ONE YOU WANT TO BE, YOU CAN BE. YOU CAN BE WHATEVER YOU WANT TO BE. WITH THAT SAID, I HAVE FAITH IN THE FUTURE AND YOU. FOR YOU ARE A PART OF THE FUTURE. I HAVE FAITH IN THE FUTURE YOU. SO GET THERE NOW. I AM HELPING YOU THE BEST I CAN. EVERYONE WILL NOT MAKE IT OUT OF THE FOREST. WHY IS IT SO LONELY AT THE TOP? IT IS LONELY AT THE TOP BECAUSE NO ONE WANTS TO BE LONELY. IF EVERYONE IS FINANCIALLY ILLITERATE, WHOEVER ISN'T WAS MIGHTY LONELY. SIMPLE MATH. EVERYONE DOESN'T MAKE A MILLION DOLLARS. EVERYONE DOESN'T CREATE A MILLION DOLLAR EARNING POWER. EVERYONE DOESN'T ATTEND COLLEGE UNIVERSITIES. I HAVEN'T YET. EVERYONE IS BORN EQUAL. EVERYONE DIES EQUAL. EVERYONE DOESN'T LIVE EQUALLY. IT'S THE LIFE ITSELF CONTAINING UNFAIRNESS. NO MATTER THE CIRCUMSTANCES SURROUNDING THE BIRTHING OR DYING PROCESS, EVERYONE EVER ALIVE, WAS BORN AND THEN DIED, SOMEHOW. UNFAIRNESS BREEDS EMOTIONS. THESE EMOTIONS ARE CONTRAST. THE EMOTIONS CONTRAST HOW YOU WOULD LIKE TO FEEL. SO IN ESSENCE, SAID BY ESTER HICKS, THIS IS A POSITIVE SCENARIO. I WANT YOU TO GET EVERYTHING OUT OF THIS WORLD YOU POSSIBLY CAN. I WOULD LIKE THAT FOR MYSELF AND MY BIRTH FAMILY AS WELL. NOW I AM HELPING MYSELF GET THERE, BY USING MY GOD GIVEN GIFTS, TO HELP YOU ACHIEVE YOUR GREATNESS. IN THE FOREST OF ECONOMIC SLAVERY, EVERYONE WILL NOT MAKE IT OUT. YOU HAVE TO DECIDE, RIGHT HERE AND RIGHT NOW, WHAT'S IT GOING TO BE? DON'T LET GO. JUST PICK ONE CHOICE CONSCIOUSLY THEN IT'LL BE EASIER TO RECONCILE WITHIN YOURSELF IN THE UPCOMING FUTURE. HOW GREAT DO YOU WANT YOUR FUTURE TO BE? IF YOUR FUTURE MEANS NOTHING TO YOU, BURN THIS BOOK. THROW IT IN THE AIRPLANE TOILET. RIP EVERY PAGE OUT AND EAT IT. LET YOUR DOG EAT IT. GIVE THIS BOOK TO YOUR DOG, AS A PLAYTOY. THEN TEACH YOUR DOG TO READ. THEN WHEN YOUR DOG READS IT, AT LEAST ONE OF YOU ALL WILL BE FINANCIALLY LITERATE. IF I SAID, "LISTEN, JACK FROST IS OUT THERE, PUT A THICK JACKET ON", THIS MEANS I CARE. SO WHEN I SAY UNCLE SAM IS THE BIG BAD WOLF AND HE WILL BLOW YOUR HOUSE DOWN, I DON'T WANT TO SEE THIS HAPPEN. THE BRITISH ARE COMING! THE BRITISH ARE COMING! REVERE YOUR OWN YOUTH, PAUL, YOU GET IT ONLY ONCE. LIVE YOUR YOUTH UP TO THE MAX. THIS MEANS, STILL HAVING YOUTH TO SHARE AT 40. THOSE WHOM SQUANDERED THEIR MOST ILLUSTRIOUS YEARS WITH HYPER SOCIALIZING, IT IS WHAT IT IS. I AM ASKING YOU, ANYONE YOUNGER, TO ASK YOURSELF, IF YOU WANT THAT FOR YOURSELF? YOU EVER WORK A JOB AND YOU REALIZE MANY OF THE OLDER WORKERS ARE BITTER PEOPLE? MAYBE THEY ARE JUST PEOPLE EXPERIENCING A BITTER REALITY. THEY WERE DISPLAYING THEIR GREATNESS AT ONE TIME, THEY HAD TO BE. EVEN IF IT WERE WHEN THEY WERE TEN YEARS OF AGE. THEY PROJECT THIS BITTERNESS FOR ONE FACT. THEY SQUANDERED THEIR YOUTH CHASING HOES. MAYBE IT WAS A LIFE OF CRIME THAT NEVER PAID OFF. IF YOU'RE GOING TO ROB A BANK, YOU BETTER BE THE GREATEST AND SAFEST BANK ROBBER WITH NO CITIZEN OR POLICE CASUALTIES EVER. OR YOU'RE A DEAD MAN. I'M STILL YOUR FRIEND, I'M JUST NOT HERE TO KISS ASS. I'M HERE TO GET YOU PAID. IN ORDER FOR US TO IN FACT GET PAID, YOU'RE GOING TO HAVE TO GET OUT OF YOUR OWN WAY BUDDY. YOUR FEAR WILL HOLD YOU BACK FOREVER, IF YOU LET IT MY GOOD SIR. MY FEAR WOULD DEFINITELY DO THE SAME EXACT THING, TO ME, DO NOT EVER GET THIS FACT TWISTED. AMERICA WILL BE GREAT AGAIN, ONCE THE AVERAGE AMERICAN IS FINANCIALLY LITERATE. FINANCIAL LITERACY AMONGST THE COMMON FOLK, IS NOT WANTED BY THE ESTABLISHED, ESTABLISHMENT. THE ESTABLISHING AND ESTABLISHED ESTABLISHMENT. WHY WOULD THEY TEACH US TO READ LETTERS? THEN ASK WHY WOULD THEY TEACH US TO READ NUMBERS? WHY WOULD THEY TEACH US TO READ WORDS AND NOT PERCENTAGES? STATISTICS? THEY DON'T TEACH US TO READ THE DOLLAR. WHEN I SAY STATS I MEAN ECONOMIC STATISTICS. WHEN I SAY PERCENTAGES, I'M TALKING FINANCIAL LEVERAGING USING FINANCIAL INSTRUMENTS AND FINANCIAL SECURITIES. ASSETS, DIGITAL ASSETS. READING THE DOLLAR. SOUNDS JUST FANTASTICAL DOESN'T IT? HOW DO YOU READ THE DOLLAR? BY DOUBLING YOUR EARNING POWER. BY LEARNING TO READ THE DOLLAR, YOU CAN DOUBLE YOUR EARNING POWER. IT IS NOT ABOUT SALARY, IT IS ABOUT EARNING POWER. IF A HIGH SCHOOL GRADUATE OR EVEN A DROP OUT, OR THE COLLEGE DROP OUT IS MORE FINANCIALLY LITERATE THAN THE COLLEGE GRADUATE WITH EVERY DEGREE YOU CAN HAVE, GOOD LUCK TO THE GRADUATE. THEY PLAY THE GAME WELL, THE GAME OF HIGH PRICED TIME SLAVE. THERE ARE SLAVES WITH TWO HUNDRED THOUSAND DOLLARS IN EARNINGS YEARLY. IF YOU ARE GOING TO SLAVE YOURSELF, SLAVE YOURSELF IN YOUR MOST PASSIONATE FIELD. THE FOREST IS FULL OF DISTRACTIONS. NEVER DENY THAT. THE FOREST WILL NEVER DENY ITSELF AN OPPORTUNITY TO UTILIZE YOUR ECONOMIC FLESH AS THE MEAL OF THE NIGHT. ALL I AM SAYING IS "LEARN TO READ THE DOLLAR". THIS WILL GET AMERICA TO WHERE SHE WANTS TO BE IN DESTINY'S EYES. AMERICANS MUST BE FINANCIALLY LITERATE. IF NOT, WE MUST STAY ON COURSE INDIVIDUALLY. WE ARE SURROUNDED BY THE FINANCIALLY ILLITERATE. WE WERE ONCE OF THE SAME CALIBER. SOME THINGS CHANGE, SOME THINGS DON'T CHANGE. THEY STILL DO STRANGE FOR CHANGE. 

​
11:08PM EST - 12:03AM EST
2.11.2020 - 2.12.2020
TUESDAY FEBRUARY 11TH, 2020 -
WEDNESDAY FEBRUARY 12TH, 2020
STOSH'S 30TH BIRTHDAY
HAPPY 30TH BIRTHDAY STOSH!!!
​
​

THE THREE LITTLE CONTEMPORARIES: CHAPTER THREE: ON PREVIOUS STOPS THE WOLF WILL COME ONE DAY TO ALL, FOR DEBT COLLECTION. THE ULTIMATE DEBT COLLECTION. THE WOLF WILL WANT IT'S MONEY WITH INTEREST. IT IS IN YOUR BEST INTEREST, TO HAND OVER THE WOLF'S FUNDS. TO THE WOLF, YOU MUST SURRENDER YOUR FUNDS YOU OWE TO THE WOLF. OR YOU CAN JUST SURRENDER YOUR BUNS. THE WOLF IS GOING TO GET PAID. EVEN IF YOU'RE BANKRUPT AT THE END OF THE DAY. ALWAYS REMEMBER, ONCE UPON A TIME, YOU HAD YOUTH. YOU SQUANDERED IT. WHAT THE F'S YOUR PROBLEM? THAT'S WHY SOME OF THE OLDER WORKERS AT OUR JOBS ARE SO BITTER. THEY SQUANDERED THEIR YOUTH. IT'S NOT YOUR FAULT. YOU WEREN'T THERE. THEY WERE THERE. THEY WERE IN CHARGE OF ACTIVELY PURSUING THEIR OWN DESTINY MAN. THIS HAD NOTHING TO DO WITH YOU. THEY WERE BITTER BEFORE YOU MET THEM. THIS IS WHY THEY WERE BITTER WHEN YOU MET THEM. GET THIS THRU YOUR HEAD. IF YOU WERE A FISH, WOULD YOU WANT TO BE ANYWHERE NEAR, WHAT IS COMMONLY REFERRED TO AS, THE HOOK? I DIDN'T THINK SO. WE'VE ALL SEEN THE SPONGE BOY EPISODE. I PUT "SPONGE BOY" ON PURPOSE. C.I. DEFLECTED. IT IS A CIRCUS AND A JUNGLE OUT THERE MAN. THE CIRCUS IS WITHIN THE JUNGLE. MEANING, THERE ARE NOTHING BUT TRAPS SET ALL THRU OUT THE JUNGLE. TRAPS. MEANT TO CONTAIN YOU. MEANT TO ENSLAVE YOU. TRAPS TO HOLD YOU DOWN. UNTIL THE HUNTER RETURNS TO KIDNAP THE CATCH. FINANCIAL FALSE IMPRISONMENT, IS WHEN YOU KEEP YOUR MONEY IN A BANK. ECONOMIC KIDNAPPING IS WHEN YOU ARE INVESTING YOUR FUNDS. SO LOOK HERE, INVEST YOUR FUNDS. KIDNAP YOUR CHECK. 

THE RANSOM IS THE RETURN ON INVESTMENT. THE DOUBLE IS THE RANSOM. FANDOM. CULT CLASSIC. DO YOU WANT OUT OF THE FOREST OF ECONOMIC SERVITUDE NOT? IF SO, FOLLOW JARFAR. HARDY HARD HAR. YOU HAVE TO DECIDE ON WHAT KIND OF LIFE YOU WILL LEAD. THE LIFE OF PERSONAL ACCOMPLISH OR THE LIFE OF HYPER SOCIALITY. IF THERE IS A WOLF PURSUING EVERYONE AROUND YOU, MAYBE THEN THE WOLF IS ALSO PURSUING YOU AS WELL.

IF THE WOLF IS IN FACT PURSUING YOU AS WELL, GET OUT OF THE FOREST. THE CIRCUS WITHIN THE JUNGLE, IS MEANT TO KEEP THOSE IN THE JUNGLE. THE CIRCUS WITHIN THE JUNGLE, IS MEANT TO KEEP ENTERTAINED, THOSE INSIDE OF THE JUNGLE. IN ORDER TO MAKE IT OUT OF THE JUNGLE, ONE MUST STAY FROM OUT OF THE CIRCUS WITHIN THE JUNGLE. A CIRCUS IS SAFE. A JUNGLE IS NOT. A CIRCUS WITHIN A JUNGLE, COULDN'T POSSIBLY BE SAFE. STAY OUT OF IT PEOPLE. THIS IS COMING FROM THE WOLF HIMSELF. WHAT IF THE WOLF WERE THE NARRATOR? WHAT IF I WERE THE WOLF RIGHT NOW? WHAT IF THE WOLF LIKED FAIR GAME? WHAT IF THE WOLF WANTED TO PLAY FAIR? WOULD THE WOLF WARN YOU OF WHAT WILL HAPPEN TO YOU AT THE PAWS OF THE WOLF? WOULD THE WOLF GIVE YOU A FAIR WARNING, HE IS OUT TO GET YOU? IF YOU DO NOT CARE WHAT HAPPENS TO YOU, I'M DISGUSTED. WE WILL DISCUSS ARCHITECTURE SOON. STRAWS, STICKS, AND BRICKS. REMEMBER, ANYONE YOU EVER MEET, YOU CAN'T PROVE THEY WILL BE AROUND ONE OR TWO DECADES LATER. LET ALONE THREE TO FOUR DECADES. SO JUST WAIT UNTIL YOUR THIRD AND FOURTH DECADES TO MAKE FRIENDS. MAKE FRIENDS WHEN YOU'RE OLD AND SHRIVELED. MAKE MONEY FOR WHEN YOU'RE OLD AND SHRIVELED, WITH YOUR YOUTH. EVERY OTHER HIGH SCHOOL GRADUATE, IS FACING THE SAME ECONOMIC OBSTACLES YOU ARE. SO LEAVE THEM ALONE. LET THEM FIGURE IT OUT ON THEIR OWN OR GET DISTRACTED. IF YOU CAN MANAGE TO ATTRACT ANOTHER PERSON TO HELP FOCUS ON IT, THEN YES, NAPOLEON HILL'S MASTERMIND PRINCIPLE. UNTIL THE MASTERMIND IN YOUR LATER YEARS, STAY DILIGENTLY GLUED TO SELF RELIANCE, CHIEF DEFINITE AIM AND IMAGINATION. NOT TO MENTION PERSISTENCE. I LOVE THAT BOOK. MAYBE THE WOLF REALLY DOESN'T EVEN WANT TO EAT YOU. MAYBE YOU JUST GOT EATEN OFF OF DEFAULT. LIKE A LOAN? EXACTLY. A LOAN. WOULDN'T WANT TO DEFAULT ON A PAYMENT AGREEMENT WITH NIAGRA MOHAWK NOW WOULD YA? AKA NATIONAL GRID. ALL OF YOUR CONTEMPORARIES ARE DECISION MAKERS FOR THEIR OWN LIFE. IF THEY ALWAYS HAVE TIME TO HANG OUT, THAT'S A BAD SIGN. THEY SHOULD BE BUSY THE MAJORITY OF THEIR TIME. THEIR SPARE TIME WOULD BE BEST APPLIED TOWARDS THEIR DESIRED PURSUIT. THEREFORE, WHATEVER SOMEONE IS DOING WITH THEIR TIME, THEY CHOOSE TO. WHATEVER SOMEONE DOES WITH THEIR MONEY, IS WHAT THEY CHOOSE TO. THE SAME APPLIES TO ANYTHING INCLUDING ENERGY AND FOCUS, INTENTION. EVEN FOOD. I DO NOT KNOW WHAT TO TELL YOU. DO NOT GET EATEN OFF OF DEFAULT. EVERYONE FACES A POTENTIAL FINANCIAL CRISIS, WAY BEFORE THEIR MIDLIFE CRISIS. WAY BEFORE YOUR FORTIES, YOU COULD EXPERIENCE FINANCIAL TRAGEDY. THE NAOV NANO VIBRONIX COMPANY RESIDES IN THE NANO TECHNOLOGY INDUSTRY VALLEY. SEAMY VALLEY BABY. IF YOU DON'T ACCELERATE YOUR FOCUS, AFTER DIRECTING YOUR FOCUS ON YOUR HEART'S DESIRES, WHO THE EFF WILL? THEN IT MAY NEVER GET DONE. TRUST ME, YOU DON'T WANT TO BE THAT GUY. DUDE. GET IT MAN? I'M HERE FOR YOU. I AM ONLY HERE FOR A LIMITED TIME. THIS HOWEVER WILL LAST FOREVER. IT IS YOUR ECONOMICAL FOUNDATION YOU BUILD, ALLOWING YOU TO REALIZE THE DREAMS YOU HAVE, MONEY CAN ACTUALLY ATTAIN FOR YOU. YOU ARE WORTH EVERYTHING YOU EVER WANTED. YOU ARE WORTH IT. YOU ARE WORTH EVERY DREAM YOU HAVE. YOU CAN BEGIN TO TOUCH EACH DREAM YOU HAVE. YOU HAVE TO BE SINCERELY HONEST ABOUT THE ENTIRE AFFAIR HOWEVER. IF GOD AND THE UNIVERSE, THE COSMOS, SEE TO IT YOUR DREAMS ACTUALLY HAPPEN, WHAT WOULD YOU IMAGINE WERE THE PRE REQ? THE PRELIMINARY STEPS ONE MUST TAKE IN ORDER TO ATTAIN THEIR ULTIMATE DESIRE, IN SOME CASES, IS THE UTTER DISSOLUTION OF THE SUPER SOCIAL LIFE. 

HOW CAN ONE EVER WRITE A BOOK, IF THEY ARE ALWAYS SURROUNDED BY OTHER PEOPLE WHO CRAVE THEIR ATTENTION? FOR WHATEVER REASON. THERE ARE MANY REASONS OTHER PEOPLE WOULD WANT TO BE AROUND YOU. ZEY CALL IT, ULTERIOR MOTIVES. IN THE PERFECT WORLD, EVERYONE YOU EVER LET IN YOUR LIFE, WILL BE THE GREATEST FRIEND EVER TO YOU. HOPEFULLY YOU REALIZE, MAYBE THEN WE ARE NOT ACTUALLY IN A PERFECT WORLD AFTER ALL. EH? EVERYONE FACES THE WOLF. WHAT ARE YOU GOING TO DO WHEN HE IS AT YOUR DOOR, HUFFING AND PUFFING? FOR THE RECORD. SILVER BULLETS MAKE THIS BIG BAD WEREWOLF STRONGER AND HUNGRIER. FOR ANYONE WHO SAID THEY WOULD GRAB A GUN WHEN THE WOLF COMES. THE WOLF HAS GOONS. WATCHING FROM THE HILLSIDE THE WOLF'S GOONS ARE. IN CONJUNCTION WITH HOWLING AND FEASTIN ON PREVIOUS STOPS.

2020 NOVEMBER
i WRITE WHAT I SEE IN MY MIND
ALL I SEE IS BREAD
SPAGHETTI TELLING YOU GET ME NO BUT TELL ME IF GET ME
CHAD THIS SENTENCE KIND OF HIT ME
HARSHLY HARSHo
THIS ISN'T SPARKLY MARSH
IT'S THE JUNGLE
HOLD UP BABIES WELCOME TO THE JUNGLE
WHERE THE PREY ARE PREYED ON IN BUNDLES
STAYED PRAYED PRAYED UP ASKING FOR MORE REASONS TO BE HUMBLE
ANYWAY TO GET UP OUT OF THE JUNGLE
ON ANYDAY DESPITE WHAT THE SAY
LISTEN TO THE PLENTY
THE ONES THE PLENTY SUMS
MANY UM, DIVIDENDS, GLISTENING WHILE MENTIONING.
​
1:47AM EST -
10.2.2020
​

IF YOU WANT TO MAKE MONEY 

​

DEAR QQ, NOW IF YOU WANT TO MAKE THE MONEY 

ALL YOU HAVE TO DO IS TAKE THE MONEY
HAVE TO PUT IT IN THE OVEN YOU HAVE TO EBAKR THE MONEY
WHEN IT COMES TO THE $$$ YOU'RE THE BAKER
YOU'RE THE MAKER NOT THE TAKER
YET IT IS STILL MAKE IT TAKE IT SIR
YOU HAVE TO LEARN THE WAYS THE MONEY CAN BE MADE SIR
IN ALL OF THE CLEAN AND LEGIT WAYS
WHAT THE GITS SAY
WE THE SENSEI
WE'VE BEEN HEY
NOW WE IN PLAY
IT IS SO EASY
BELIEVE ME
TO TURN THE DOLLAR INTO HE HE'S
TO TURN THE DOLLAR INTO GRAFFITTI
TO CHURN THE DOLLAR LIKE RAFIKI
THE DOLLAR IS REALLY SILLY
THE DOLLAR REPRESENTS NO FREEDOM REALLY
THE DOLLAR REPRESENTS FORCED TAXATION
MORE TAXATION
THROW IT IN YOUR FACE LIKE A VACATION
COMING TO YOU LIVE FROM AN INST GRAM STATION
THE DOLLAR IS THE WATER BALLOON
LEAKING SOON IT'S GOING TO FILL THE ROOM
BETTER ZOOM ZOOM
TOSS THE BALLOON UP IN A JAR
I'M TALKING THE MAGIC JAR
THEN WATCH THE JAR TRAVEL FAR
​
2:12AM EST -
4:19PM EST - 4:52PM
10.6.2020
​
DEAR KIDS
MONEY IS FAKE
SO FAKE IN FACT
THAT'S PLASTIC FRUIT UP ON THE PLATE
SO TELL ME WHAT DO YOU SAY?
CHASING MONEY
MIGHT DO YOU WRONG EMOTIONALLY
I'M QUOTING ME
JUST ASK THE BANKS
THEY ACT SO STANK
THEY WON'T EVEN TELL YOU
ANYTHING OTHER THAN THEY SMELL YOU
ASK THE BANKS WHERE DOES YOUR CASH GO?
AFTER YOU TRANSFER YOUR CASH FLOW
THEY TAKE YOUR MONEY
OVEN BAKE YOUR MONEY
THEN THEY MAKE YOUR MONEY - MONEY
TWICE
ALRIGHT PAYING OTHER GUYS
TO SWAY IN THE MOTHER PRIZE
WHILE IN THE BED YOU LIE
OR LAY THEY GET PAID AND YOU DON'T 5% INTEREST PER DAY
WHOA THAT'S NOT NICE
YET THIS IS HOW THEY PLAY
ON ANY GIVEN DAY
THE MARKET OPENS UP ON SUNDAY
ACTUALLY WE ARE GOING TO HAVE TO SAY
ONE MARKET OPENS UP ON SUNDAY
IT CLOSES FRIDAY
5PM BOTH DAYS
LIGHT SAVINGS TIME DAY BEFORE AND AFTER MAY CHANGES THE TIME OK?
ANOTHER MARKET OPENS UP ON MONDAY
TELL ME HOW DOES THE MONEY PLAY - PLAY OUT
PER SAY
AT THE START IT
GOT US FAR AND
​
6:04PM EST - 6:14PM EST
10.6.2020
​
WE ARE JUST GETTING STARTED
IT'S SUCH A GREAT TIME
I JUST WNATED TO SHARE THE GREAT TIMES
I JUST WANTED TO GLARE INTO THE MIND
AND IN TIME
MAYBE YOU WILL FIND
I THANK MY MOTHER
I THANK MY MOM
I THANK MY MOMS'
FOR KEEPING ME CALM
FOR PETE'S SAKE
FOR PETE, LET PETE EAT THE CAKE
AS WE BATTER BEAT THE BEAT ANDE THE CAKE
RIGHT AS WE SPEAK THAT'S ALL WE CAN SAY
PLAYING TO WIN HOW WE PLAY
ALL DAY AND ALWAYS IN THE SCHOOL HALLWAYS
IF IT WAS EVER A CHOICE, CHOOSE HAPPY
WHEN YOU DO NOY INVEST YOUR MONEY
LIFE SEEMS CRAPPY
BE LESS EMO ABOUT THE MONEY
YOU WANT TO SEE MORE
IN ALMOST EVERYTHING YOU CAN SEE THE FUNNY
IF YOU ONYL LOOK DEEP ENOUGH
WITHIN
LISTEN
TO THE INTUITION INSIDE
AS IT IS WHISPERING
Y0U SHALL SEE CHAD LISTENED TO HIS WHISPER INGS
YOU JUST NEED TO PEEP MORE
BELIEVE MORE
BELIEVING IN YOUR SELF
WHOM YOU MUST ULTIMATELY ADORE
I LIVE ALONE I MUST DO MY CHORES
FORE
THE BALL IS HEADING TOWARDS YOU
FOR YOU
BOUT TO TOM BRADY PASS THE BUCC FORWARDS FOR YOU
FOR YOU ARE ADORED BY ME
SO I SPIT SOMETHING CREATIVELY
SHOWING YOU I ADORE YOU - YOU SEE
STEVE COHEN AND WE GOING
​
4:20PM EST - 4:36PM EST
SATURDAY OCTOBER 10TH,2020
10.10.2020
​
DEAR MALIAH,

DEAR MALIAH 

MONEY'S THE LIAR
I'M HERE TO TRY A
DIFFERENT WAY UM TO INSPIRE
IGNITE THE FIRE
IT'S YOU I ADMIRE
SO I ADDED FUEL TO THE FIRE
THE FIRE OF YOUR BURNING DESIRES
CAN YOU FEEL HEAT DEEP DOWN IN YOUR SOUL
THAT'S THE BURNING DESIRE NOW WATCH IT UNFOLD
TRUTH BE TOLD YOUR MIND'S WORTH GOLD
JUST CONTROL THE THOUGHTS AND THE POWER THEY HOLD
USING THE MIND TO FIND WHAT'S WORTH MORE THAN GOLD
IN THE FORM OF IDEAS MY DEAR AND SO BEHOLD
THE BREAD TO WIN LIKE SEAGULLS
EVEN THOUGH YOUR BACK'S AGAINST THE WIND
EVEN WHEN YOUR BACK'S AGAINST THE WALL
YOU'LL BEGIN ENTERING THE VEND
THE VENDING MACHINE
WHERE WE BEND THE CREAM
​
​
5:00PM EST - 5:35PM EST
10.10.2020
​

YOU LOOK AT IT LIKE SAVING MONEY 

BECAUSE WHEN YOU ARE SAVING MONEY IT'S ONLY A BALLOON DEFLATING
WHAT EACH DOLLAR IS WORTH LESSENS EVERY YEAR HONEY
AND THAT'S NOT FUNNY
I SAID THE BAG OF THE MONEY
IF YOU DON'T DO SOME BUILDING
WITH IT MY DEAR
THE BAG OF MONEY WON'T BE A BAG OF MONEY NEXT YEAR
THE FINANCIAL GAME IS MEANT TO SACK YOU
SET UP TO HACK YOU
STRAIGHT UP ATTACK YOU
YOU HAVE TO PLAY IT SMART
DOING MORE THAN PLAYING YOUR PART
PLAY TO WIN FROM THE START
YOU PLAY TO WIN BY WINNING AS YOU PLAY
AS YOU WIN DAY BY DAY CASUALLY
OK OK ANDALAY ENDELAY ENDALEY
IT'S WEIRD TO EXPLAIN
WHAT I SAY HERE
WILL SOUND PLAY WEIRD IN YOUR EAR
BUT LET ME BE CLEAR
YOU'LL SEE ONE DAY MY DEAR
BABY YOUR MY NIECE
BLOODLINE SO TO SPEAK
FAMILY ALL WEEK
FAMILY ALL DAY
I'LL LEAVE YOU ALL PAID
AND TELL YOU HOW I DID IT
REAL TALK
ONE DAY YOU'LL WANT A HOUSE
MAYBE TWO OR THREE
AND THEN YOU RENT THEM OUT
DAILY USUALLY AIRNB
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
​
7:15PM EST - 7:35PM EST
​
MONEY IS SOMETHING I USED
TO HOLD FOR YOU
IN THE FORM OF ASSETS
SOMETHING GROWING THE FASTEST
AT THE END OF THE RAT RACE YOU CAN CASH IT IN
CASH OUT
THAT'S WHEN THE ITSY BITSY PROFITS DROPPED OUT THE RAIN SPOUT
I TOOK MY CASH
AND MADE SURE IT LASTED
INVESTED IT IN AMERICAN BUSINESS
THE FASTEST
COULDN'T SAY I WASN'T WITH THIS
THE SUBJECT OF ECONOMICS YES I GET THIS
WHILE WE USE THIS INFO TO LIFT US
WITH THE GIFTS GOD GIFTED US
SIFTED THRU
MAKE SURE YOU UPLIFT WITH THE GIFTS GOD GIFTED YOU
YOU SEE I HAD MUCH FUN
BEING THE ONE
TO BUY THESE SHARES
I BOUGHT SHARES
'CAUSE I THOUGHT CARE
​
2:15AM EST - 2:29PM EST
10.11.2020
​
SUNDAY OCTOBER 11TH, 2020
​
I SAY WE ARE SAVING MONEY
IN U.S. SECTORS
AMERICAN BUSINESS
ASK HECTOR
AMERICA'S IN IT TO WIN IT
IPO'S AND GOING PUBLIC
WHEN ANOTHER PERSON DRUG HIS
NEW COMPANY THRU THE MUD IT'S
PERSERVERENCE THRU THE CRUD IT'S
JUST GOING TO TAKE A COUPLE MORE BUCKS
TO GET THE UPHILL JOURNEY UNSTUCK
IF YOU THROW YOUR BUCKS IN THIS BUCKET
BEFORE THE MOUNTAINTOP IT TOUCHES
YOU WITNESS THE PROFITS RUSH IN
IMAGINE ALL OF THE GUSHERS THEN MY FRIEND YOU CAN HAVE GUSHING
NO DISCUSSION
2:37AM EST - 2:47AM EST
​
FOR ME HONESTLY
INVESTING MY MONEY IN THE AMERICAN BUSINESS SECTOR WITH HECTOR GAVE ME THE SEPTER
NOW WITH THE SEPTER I'M THE COLLECTOR
OF ALL OF THE EMERGING SECTORS
SECTORS AS IN THE INDUSTRIES
THE TYPES OF COMPANIES
THERE WERE ALWAYS MANY TYPES OF COMPANIES
BUT OVER TIME LIKE TEN YEARS APART
A DECADE, EVERY DECADE NEW COMPANIES START
PLAY YOUR PART AT IT'S START
DRIVE OFF THE LOT IN THE MONEY CART
​
8:07AM EST - 8:17AM EST
TUESDAY OCTOBER 13TH, 2020
10.13.2020
​
DEAR QUAN,

SLAPPY BOY PUT THAT T.V. REMOTE DOWN 

BEFORE IT TURNS YOU INTO A CLOWN
YOU NEED A JOB BOY NOW GO OUT THERE AND MAKE SOME MONEY
YOUR POCKETS LOOKING FUNNY MAN THEY'RE CRACKING JOKES
NOW LET ME TELL YOU FOLKS
WHO DON'T WANT TO END UP BROKE
EMPTY POCKETS, EMPTY STOMACH MAKE YOU CHOKE
DEAR QUAN, WOULD YOU LIKE A DOLLAR?
WELL I DON'T HAVE ONE FOR YOU NOW GO AHEAD AND HOLLER
YOU GOTTA GET PAID BOY
I KNOW YOU WANT SOME WAVES BOY
YOU WANT SOME NEW PLAY TOYS
STAY AWAY FROM GAY BOYS
I'M GOING TO GET YOU PAID BOY
LISTEN TO WHAT I SAY BOY
WE PLAY TO WIN FROM THE ENTRANCE BOY
IT'S ALL ABOUT THE INTEREST BOY

Location is Tennessee. I woke up to find a significant number of car parts scattered across my yard plus tire tracks. My mailbox was taken out as was a chunk of my concrete driveway after hitting a culvert.
The part numbers on the body panels and mechanical components scattered across my yard were from a white 2020-2022 Toyota Corolla. About a mile up the road we found the highway patrol investigating a white Corolla (airbags deployed 😵) with bumper and mechanical damage consistent with the parts in our yard.
I picked up the crash report today and the highway patrol found the driver at a nearby house and got their information including home address, phone, and drivers license number.
I don’t know who to contact—the rental company or the renter? I realize reaching out to the person who rented the car will likely be fruitless but I have no idea what the proper procedure is.
The last few times this happened the driver’s insurance reached out to us without any prompting but this feels different somehow because a rental car is involved.
I appreciate any advice you may have.
Also RIP Corolla. The culvert has destroyed a few cars being driven by drunk or distracted drivers after they leave the road at high speed since we’ve owned the house. The life of a rental car is often brutal and short.

Hello, I am looking for someone to hire that can design me a new tattoo. I had a pet pass away today, and I am looking to do some thing in her memory. She was a ferret and I had her for quite a long time and love her dearly. to be honest I’m not exactly sure what it is that I want. I was kind of thinking something like a ferret in a superhero costume. But I am very open to suggestions. I wasn’t sure how to go about doing this,l. I’ve never asked anybody else to design a tattoo for me and I wasn’t sure if they were places specifically for this. The only other tattoo I have is just of a paw print of a another pet that had passed. I’m not looking to be cheap, I don’t mind paying for good work. if anybody is interested or has any ideas please let me know.