La vie en rose piano sheet

Salut je (M23) je me suis séparé de ma copine il y a un peu plus d'un mois , et au moment de notre séparation j'ai insisté pour qu'on aille quand même ensemble au concert de Coldplay que je lui avait acheté pour Noël. C'était son rêve et moi je suis fan de Coldplay. Elle a refusé ce qui est compréhensible... Se retrouver avec son ex a un concert ça peut être difficile a vivre selon si elle vit mal la séparation . La séparation n'as pas été facile ni pour elle ,ni pour moi mais c'était nécessaire pour notre bien a tout les deux .
Ça fait maintenant plus d'un mois et j'hésite à lui redemander, j'ai pas envie qu'elle voit ça comme une tentative de ma part de nous remettre ensemble,ni de lui faire du mal en revenant dans sa vie .
Comment vous reagiriez si votre ex revenait dans votre vie comme ça ? Est ce que c'est une mauvaise idée ?
Pour info on s'est séparé en assez bon terme,on se parle plus mais on se souhaite tout les deux que du bonheur pour la suite Elle m'as dit qu'elle vivait bien la séparation Et elle a aussi beaucoup de fierté.

J'ai vraiment l'impression que personne ne prend le fait que je ne serai jamais aimé par personne au sérieux, juste parce que j'ai 18 ans, alors que c'est pourtant bien évident lorsque la gente féminine vous hait viscéralement dès qu'elle pose les yeux sur votre physique absolument terrifiant.
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J'ai plus de contexte dans d'autre postes, mais si je devais rester en vie, à partir de quel âge les gens me prendrait au sérieux ? 25 ans ? 30 ans ? 40 ans ?
Guillaume Bats est malheureusement mort aujourd'hui sans jamais que ça lui soit arrivé, donc me dire que ça arrive FORCÉMENT un jour est faux.

Les systèmes électroniques implantés dans le cerveau afin de contrôler certains régions cérébraux aident avec beaucoup de maladies mentale. Comme toute chose, cette technologie a ses propres avantages et inconvénients.
Tout d'abord, ces stimulateurs cérébraux, aussi connu comme « pacemakers cérébraux » aident avec beaucoup de maladies mentales. Permettre de bloquer les crises d'épilepsie, atténuer les symptômes de Parkinson, lutter contre la dépression, ce sont des choses que cette système peut faire en permettant aux gens de vivre une vie simple. Mais d'autre main, il y a certains inconvénients, d'après une étude d'année 1963, une scientiste était capable de contrôler un animal à la distance en utilisant cette technologie. Le fait qui inquiète les gens.
De plus, la question principale, si vous m'avez posé la question que c'est éthique? Je dirais, « oui, ça dépend. Si une machine permet à quelqu'un à vivre une vie simple sans maladie, donc pourquoi pas ? En revanche, il faut en utiliser précautionneusement. »
Merci.

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‘On examine le thème althussérien d'une « histoire sans sujet ». Rien n'est plus courant ni plus diffus dans l'idéologie de la modernité qu'une telle thématique : la science, à titre d'idéologie dominante, ne possède par principe aucun sujet (une opération mathématique présente des résultats asubjectifs). Mais une telle idéologie de l'absence de sujet ne prend sa force que parce que l'un des fantasmes les plus puissants du névrosé est bien de disparaître dans le désir de l'Autre, de n'être plus qu'un soldat appliqué et innocent, tout entier objectivé. Et c'est justement cet évanouissement consenti à l'avance qu'Althusser refoule, car rien ne lui déplairait davantage que de regarder en face cette servitude jouissive et incestueuse. Cette logique, un psychosé peut la dégager, lui que le refoulement n'embarrasse pas. Il va s'orienter sans effort dans les fictions qui le précèdent, non sans qu'il joue en même temps et grâce à elles une toute autre partie.’
Gérard Pommier, La mélancolie : Vie et œuvre d'Althusser, in Flammarion, 2009 (1998)

This post is the last post in a series looking at the massive amount of 'rhyming' recursivity I believe exists between (a) the homecoming of Petyr Baelish to the Fingers and (b) the homecoming of Theon Greyjoy to Pyke.
While this series/post can be read simply as a study 'for its own sake' of the curious recursion between these storylines, it is my belief that the 'rhyming' explored here between the stories of Petyr and Theon may exist (at least in part) to foreshadow that, like Theon, Petyr Littlefinger, is (among other things) a scion of ironborn kings, because Petyr is Hoare-ish: I.e. because Petyr's blood is (in some part) the blood of the ironborn kings of House Hoare of Orkmont and, later, Harrenhal.
This post is also post 25 of 25 in my broader series on the topic of a Hoare-ish Littlefinger, which is indexed [HERE].
Even if I'm wrong about Littlefinger's lineage, the 'rhyming' recursivity between the homecomings of Theon and Petyr detailed in this series remains, and certainly merits attention.
NOTE: In what follows, all uncited quotes are from ASOS Sansa VI, which describes Petyr's homecoming to his "Drearfort" tower of the 'Smallest Finger', or ACOK Theon I, which describes Theon's homecoming to "drear" Pyke.
As in past posts, I sometimes use "→" as shorthand for "'prefigures' and/or 'informs' and/or 'is reworked by' and/or 'finds a recursive rhyme in'.
As in: ACOK Theon I → ASOS Sansa VI.
This post picks up straight-away from where Part 9 left off. You can read Part 9 [HERE].
If you want to begin at the beginning, Part 1 is [HERE].

Aeron & Oswell

After Theon's homecoming chapter opens with Theon thinking "There was no safe anchorage at Pyke", which is copied nearly verbatim during Petyr's homecoming with Sansa, we see Theon anticipating his first glimpse of Pyke castle, and read this sentence:

Theon drew the hood of his cloak up against the spray, and looked for home.

That line proves to be a key part of a pun-tastic 'rhyme' between (a) Theon coming ashore from the Myraham and meeting Aeron and (b) Sansa coming ashore from the Merling King with the aid of Oswell.
I'll explain.
Note first that Oswell, who is…

…tall and gangling, with long white hair and a great hooked nose, with eyes shaded by a cowl [like a monk's cowl!]… (ACOK Theon V)

—clearly 'rhymes' with Aeron, an ascetic priest (see Oswell's monk-ish cowl) who is…

Tall and thin, with… a beak of a nose… [and] ropes of dried seaweed were braided through his waist-long black hair and untrimmed beard.

They're set up as yin and yang: Tall and similarly built with notable noses and long hair… but one has "long white hair", the other "long black hair", and Aeron has an "untrimmed beard" while Oswell is clean-shaven.
Aeron's beard is not simply a beard, though, but a beard with seaweed in it, which 'rhymes' with Oswell being not simply clean-shaven, but clean-shaven in a sea-faring way, as his "windburnt face"—

She studied the old man's lined windburnt face, hook nose, white hair, and huge knuckly hands. (ASOS Sansa VI)

—prefigures the "wind-chafed skin" of Aeron's niece Asha, which is tagged as typical of the sea-faring ironborn—

Ironborn, he knew at a glance; lean and long-legged, with… wind-chafed skin, strong sure hands….

—as are her notably "strong sure hands", which similarly 'rhyme' with Oswell's notably "huge knuckly hands".
SIDEBAR: As for Aeron's robes here being "green and grey" ("and blue"), this underlines that Petyr's oft-mentioned "grey-green" eyes are like the sea, which (as I've mentioned in previous posts) suggests per Archmaester Haereg's maxim—

"You may dress an ironman in silks and velvets, teach him to read and write and give him books, instruct him in chivalry and courtesy and the mysteries of the Faith… but when you look into his eyes, the sea will still be there, cold and grey and cruel." (TWOIAF)

—that Littlefinger is, at least in part, an ironman.
END SIDEBAR
The first thing we're told about Aeron after Theon realizes who he is is that "he washed up safe on shore"—

A memory prodded at Theon. In one of his rare curt letters, Lord Balon had written of his youngest brother going down in a storm, and turning holy when he washed up safe on shore. "Uncle Aeron?" he said doubtfully.

—which prefigures Oswell splashing his way ashore at the Smallest Finger:

Oswell and Lothor splashed their way ashore, as did Littlefinger himself.

(If Oswell is Aeron-ish, surely Petyr making like Oswell and splashing about in the surf here could foreshadow that he is Hoare-ish. And perhaps some kind of religious figure as well.)

Drawn Up Hoods

With that Oswell/Aeron 'rhyme' in mind, consider again that, as Theon approaches castle Pyke on the Myraham…

Theon drew the hood of his cloak up against the spray, and looked for home.

Sound familiar? That's because it's reworked when Sansa is rowed ashore by the "gangling", Aeron-esque Oswell:

Lothor and old Oswell rowed them ashore. Sansa huddled in the bow under her cloak with the hood drawn up against the wind….

When Sansa gets to shore, "two old men" help to make sure she doesn't get even a little bit wet—

The two old men waded out up to their thighs to lift Sansa from the boat so she would not get her skirts wet.

—which was, of course, exactly the thing Theon was trying to avoid back in ACOK when he "drew the hood of his cloak up against the spray", as Sansa drew hers "up against the wind" when Oswell rowed her in.

Gangplank → Gangling.

GRRM is just warming up. When Theon reaches Lordsport and disembarks from the Myraham, he, too, avoids getting wet. At least initially. Where Sansa uses "gangling" Oswell to come ashore, Theon uses… a "gangplank":

Without waiting for a reply [from Myraham's captain], he strode down the gangplank. "Innkeeper," he barked. "I require a horse".

Kneeling Servants

The innkeeper never gets Theon his horse, of course (of course), because Aeron shows up. And what does gangling white-haired Oswell's black-haired physical mirror Aeron do? He makes Theon get wet after all.

"Kneel."
The ground was all stones[!] and mud. "Uncle, I—"
"Kneel. Or are you too proud now, a lordling of the green lands come among us?"
Theon knelt. He had a purpose here, and might need Aeron's help to achieve it. A crown was worth a little mud and horseshit on his breeches, he supposed.
"Bow your head." Lifting the skin, his uncle pulled the cork and directed a thin stream of seawater down upon Theon's head. It drenched his hair and ran over his forehead into his eyes. Sheets washed down his cheeks, and a finger crept under his cloak and doublet and down his back, a cold rivulet along his spine. The salt made his eyes burn, until it was all he could do not to cry out. He could taste the ocean on his lips. "Let Theon your servant be born again from the sea, as you were," Aeron Greyjoy intoned. "Bless him with salt, bless him with stone, bless him with steel."

Note that Theon kneeling on "stones and mud… and horseshit" before a priest with "seaweed" in his beard is reworked even as Oswell rows Sansa ashore and she huddles in her cloak like Theon, when the Baelish household kneels on rocks covered by nasty seaweed and Sansa dodges sheepshit:

Lothor and old Oswell rowed them ashore. Sansa huddled in the bow under her cloak with the hood drawn up against the wind, wondering what awaited her. Servants emerged from the tower to meet them…. When they recognized Lord Petyr they knelt on the rocks.
[Petyr] led them up the strand over rocks slick with rotting seaweed. … Sansa had to step carefully; there were pellets [i.e. sheepshit] everywhere.

Blessings

Meanwhile, Aeron giving Theon his holy "bless[ing]" is reworked just before Sansa is rowed ashore, when Petyr asks for Sansa's "blessing" after he tells her they're not going to Winterfell and that he's going to wed Lysa:

"So silent, my lady?" said Petyr. "I was certain you would wish to give me your blessing. …"
"I . . . I pray you will have long years together, and many children, and be very happy in one another.

Sansa's reluctant acquiescence — both to giving the blessing and to going ashore and going along with Petyr's plan, which she had not anticipated — echoes Theon's reluctant acquiescence to both Aeron's blessing and Balon's plan of invasion, which he hadn't anticipated.
I suspect Littefinger was fed the line, "So silent, my lady?" before asking for Sansa's blessing as a nod to several pertinent silences in ACOK Theon I. First, the "sullen silence" of the Myraham's captain when he reluctantly acquiesces to Theon taking his would-be salt wife daughter below deck to get a blowjob; second, the "gloom of silence" between Theon and Aeron as they make the final approach to Pyke, post-blessing; and finally, Theon marking the absence of Euron's 'lady', Silence, as he sails into Lordsport:

Theon searched for his uncle Euron's Silence.

Truly, all things come round again.

Getting Wet & Staying Dry 1

But what about Aeron getting Theon pointedly wet? Aeron not only making Theon kneel but getting him wet and then riding with him to Pyke, is reworked (and reversed) not just by Oswell and Lothor rowing Sansa ashore — note the "rode" → "rowed" wordplay:

They [Aeron and Theon] rode in a gloom of silence.
Lothor and old Oswell rowed them ashore.

— and not just by Sansa being carried ashore and kept pointedly dry by two old men who were, seconds earlier, kneeling reverently on the seashore, but also by Aeron-ish Oswell helping Sansa "up" onto The Merling King from his rowboat while assuring her he won't let her fall into the sea, which he makes sure she doesn't:

The rower shipped the oars and helped Sansa to her feet. "Up now. Go on, girl, I got you." Sansa thanked him for his kindness, but received no answer but a grunt. It was much easier going up the rope ladder than it had been coming down the cliff. The oarsman Oswell followed close behind her… (ASOS Sansa V)

So: Where Oswell-ish Aeron forces Theon to kneel and then wets him down with seawater, ceremonially "drowning" him after he comes down the "gangplank", the "gangling" Aeron-ish Oswell helps Sansa "to her feet" and then "up" while promising not to let her fall in the sea, where she could drown.

Getting Wet & Staying Dry 2

Aeron forcing Theon to kneel and getting him wet before he "rode" with him to Pyke is also reworked/reversed inside Petyr's tower, when Sansa's 'other' rower Lothor protects Sansa from Marillion's rape attempt— from being (like Theon) forced to get "wet", so to speak:

"My blood is stirred. And yours, I know … there's no wench half so lusty as one bastard born. Are you wet for me?"
"I'm a maiden," she protested.
"Truly? Oh, Alayne, Alayne, my fair maid, give me the gift of your innocence.

The wetness motif is played up again:

"He put a hand on her breast, and squeezed. "Let's get you out of these wet clothes. You wouldn't want them ripped, I know. Come, sweet lady, heed your heart—"

He wants to "get [her] out of [her] wet clothes" so he can get her "wet", so to speak. But where Aeron forced Theon to "kneel" and get wet in language that suddenly reads as quite rapey and spine-chilling—

Sheets washed down his cheeks [which cheeks?], and a finger[!] crept under his cloak and doublet and down his back, a cold rivulet along his spine."

—before he "rode" with him to castle Pyke, Lothor Brune, who "rowed" Sansa ashore, keeps her safe and 'dry':

Sansa heard the soft sound of steel on leather. "Singer," a rough voice said, "best go, if you want to sing again." The light was dim, but she saw a faint glimmer of a blade.
The singer saw it too. "Find your own wench—" The knife flashed, and he cried out. "You cut me!"
"I'll do worse, if you don't go."
And quick as that, Marillion was gone. The other remained, looming over Sansa in the darkness. "Lord Petyr said watch out for you." It was Lothor Brune's voice, she realized.

Dagmer Cleftjaw → Lothor Brune

And what do you know? Oswell's rowing partner Lothor Brune is also prefigured by Theon's homecoming. Not by Aeron, but by Dagmer Cleftjaw, who Theon thinks of as he approaches Lordsport on the Myraham. In fact, there's a huge 'rhyme' between (a) Dagmer Cleftjaw and his "gut-churning scar", on the one hand, and (b) the beginning of ASOS Sansa VI, which describes Lothor Brune and Sansa's upset stomach (i.e. her churning guts) and seemingly permanently scarred psyche, on the other. I'll try to lay out now.
Consider first that as Theon approaches Lordsport on the Myraham, he goes below deck, where he thinks about Dagmer Cleftjaw (along with the sour-like-Aeron Sylas Sourmouth, who was discussed in Part 8):

As the Myraham made her way landward, Theon paced the deck restlessly, scanning the shore. He had not thought to find Lord Balon himself at quayside, but surely his father would have sent someone to meet him. Sylas Sourmouth the steward, Lord Botley, perhaps even Dagmer Cleftjaw. It would be good to look on Dagmer's hideous old face again.

We meet Dagmer in ACOK Theon III,

He smiled himself to show how it was done. It made for a hideous sight. Under a snowy white mane of hair, Dagmer Cleftjaw had the most gut-churning scar Theon had ever seen, the legacy of the longaxe that had near killed him as a boy. The blow had splintered his jaw, shattered his front teeth, and left him four lips where other men had but two. A shaggy beard covered his cheeks and neck, but the hair would not grow over the scar, so a shiny seam of puckered, twisted flesh divided his face like a crevasse through a snowfield "We could hear them singing," the old warrior said. "It was a good song, and they sang it bravely."
…Dagmer grinned more often and more broadly than Lord Balon ever had.
Ugly as it was, that smile brought back a hundred memories. Theon had seen it often as a boy, when he'd jumped a horse over a mossy wall, or flung an axe and split a target square. [More fond memories of Dagmer.]

We later learn that Dagmer is "fearsome" and a "fierce fighter" as well, despite being marked as aged by his "white mane of hair". (ADWD The King's Prize)
Dagmer's ship is named Foamdrinker, a double-entendre about ale-drinking, as he likes drinking, as well as reaving songs — especially the one a singer wrote about him:

He knew that would give Dagmer pause. A singer had made a song about the axe that cracked his jaw in half, and the old man loved to hear it. Whenever he was in his cups he would call for a reaving song, something loud and stormy that told of dead heroes and deeds of wild valor. (ACOK Theon III)

Balon puts Dagmer in Theon's reaving detachment. Theon foolishly resents this, not accepting that he is inexperienced and needs and could benefit enormously from a seasoned number two with whom he has a good relationship:

"You are to harry the Stony Shore, raiding the fishing villages and sinking any ships you chance to meet. … Aeron will accompany you, and Dagmer Cleftjaw."
…Theon felt as if he'd been slapped. He was being sent to do reaver's work, burning fishermen out of their hovels and raping their ugly daughters, and yet it seemed Lord Balon did not trust him sufficiently to do even that much. Bad enough to have to suffer the Damphair's scowls and chidings. With Dagmer Cleftjaw along as well, his command would be purely nominal. (ACOK Theon II)

Balon gives Theon Dagmer to help him, but Theon can only see it as an affront, so he tries to sideline him:

Dagmer Cleftjaw stood by the high carved prow of his longship, Foamdrinker. Theon had assigned him the task of guarding the ships; otherwise men would have called it Dagmer's victory, not his. A more prickly man might have taken that for a slight, but the Cleftjaw had only laughed. (ACOK Theon III)

That Splintery Ladder Again & Lothor's Hand Up

Now, remembering that we're introduced to Dagmer Cleftjaw while Theon is still aship en route to Pyke, consider again the first paragraph of Sansa VI, plus a bit more (which of course takes place while Petyr and Sansa are still aship en route to Petyr's Drearfort):

The ladder to the forecastle was steep and splintery, so Sansa accepted a hand up from Lothor Brune. Ser Lothor, she had to remind herself; the man had been knighted for his valor in the Battle of the Blackwater. Though no proper knight would wear those patched brown breeches and scuffed boots, nor that cracked and water-stained leather jerkin. A square-faced stocky man with a squashed nose and a mat of nappy grey hair, Brune spoke seldom. He is stronger than he looks, though. She could tell by the ease with which he lifted her, as if she weighed nothing at all. …
She had seldom ventured out on deck herself. Her little cabin was dank and cold, but Sansa had been sick for most of the voyage . . . sick with terror, sick with fever, or seasick . . . she could keep nothing down, and even sleep came hard. Whenever she closed her eyes she saw Joffrey… dying….
…Even this close to shore, the rolling of the ship made her tummy queasy.…
[Petyr] put a sympathetic arm about her shoulders. "Are you quite well? You look so pale."
"It's only my tummy. The seasickness."

We're subsequently reminded of Brune's "squashed nose" and "mat of nappy grey hair", and told of his "square jaw" and more:

With his squashed nose, square jaw, and nap of woolly grey hair, Brune could not be called comely, but he was not ugly either. … Sober, he was a quiet man, but a strong one. (AFFC Alayne II)

Recall too that Brune saves Sansa from Marillion, who tries to use her as Theon used the captain's daughter.
Having surveyed the field of (word)play, we can now see the 'rhyming':

• Where Theon goes below deck as he approaches Lordsport and thinks about Dagmer, whose jaw is (verbatim) "splintered", Sansa, with Brune's help, climbs up to the deck using a (verbatim) "splintered" ladder as she approaches the Drearfort.
  
• Where Theon spurns the 'hand up' Dagmer and his splintered jaw could have given him, "Sansa accept[s] a hand up from Lothor Brune" and climbs the "splintered" ladder.
  
• Where Theon think of the Cleftjaw, who has a "gut-churning scar", Sansa thinks about her literally churning guts — her upset "tummy".
  
• Where Theon thinks that Cleftjaw's "gut-churning scar" resulted from his being "near[ly] killed as a boy", Sansa's churning guts are related to the evident psychic scar she's suffered, which causes her to see a boy killed over and over again.
  
• Dagmer's "shattered" teeth and "splintered" jaw (and Dagmar being sent to "Torrhen's Square") → Brune's "squashed nose" and "square jaw"
  
• Where Dagmer is ironborn, and had his jaw "cracked… in half", Brune wears a "cracked and water-stained [as if from the sea]" jerkin.
  
• Dagmer's "snowy mane of white hair" → Brune's "mat of nappy grey hair"/"nap of woolly grey hair"
  
• Despite their 'old hair', Dagmer is "fierce" and "fearsome", Brune "strong".
  
• Where Dagmer's smile is "ugly" but nonetheless fills Theon with warm memories (defying its appearance), Brune, who "could not be called comely, but… was not ugly either", is "stronger than he looks".
  
• Where Dagmer "covered his cheeks and neck" with a beard but can't grow a 'proper' one due to his scar, which appears as a "seam", Brune doesn't look like a "proper knight" in his "patched… breeches" and "scuffed boots". (Note the sewing language — "seam" → "patched" — and the lexical similarity: "cheeks" → "breeches".)
  
• Both men seem to have a penchant for drink (per the implications of Sansa commenting on Brune's nature "when sober") and a foregrounded relationship with singers. (Where Dagmer loves singers and songs, Brune is in conflict with Marillion — although the deeds of "Lothor Apple-Eater" are likely sung of, like Dagmer's exploits.)
  

Thus just as the Aeron of Theon's homcoming 'rhymes' with the Oswell of Petyr's homecoming, so is Theon's Dagmer Cleftjaw reworked in the person of Petyr's Lothor Brune.
And thus everything about Petyr's homecoming continues to remind us of Theon's homecoming, which makes sense… if Petyr is likewise a scion of ironborn royalty (e.g. if he's Hoare-ish).

The End, and The Distinct Possibility That The Rhyme Between Petyr's and Theon's Homecomings Isn't (Just) About Petyr Being Hoare-ish, After All

That's it. That's all I got regarding the recursively 'rhyming' homecomings of Theon and Petyr. For me, the insane scope and depth of the 'rhyming' between Petyr's homecoming and the homcoming of a scion of ironborn kings is entirely consistent with my broader hypothesis: that the blood of ironborn kings likewise flows in the veins of Petyr Littlefinger — namely "the black blood" of House Hoare of Orkmont.
And yet . . .
It remains that notwithstanding that my Hoare-ish Littlefinger posts connected virtually everything we're told about House Hoare and its various historical kings with things we're told about Petyr Baelish, this (sub)series has detailed recursion not between Petyr and the Hoares, but between Petyr and Theon Greyjoy, who is like the Hoares in that his blood is that of ironborn kings, but who is, nonetheless, a Greyjoy.
It also remains that Theon is the grandson of Quellon Greyjoy, and that [as I show here] — or just scroll down, I'll reproduce that post in the comments — Quellon Greyjoy as described in both TWOIAF and in ASOIAF is nothing if not incredibly Hoare-esque, and not just because his policies and biography in TWOIAF 'rhyme' with the policies and biographies of various Hoare kings, but because ASOIAF proper subtly suggests he was something of a 'whore' in that AFFC makes it abundantly clear that Quellon was a prolific sperm cannon by repeating over and over that he sired nine sons we know of (on three different wives).
Recall that we saw in [Part 2 of the original 'Littlefinger is Hoare-ish' series] that Petyr is in certain striking respects similar to Balon, to Euron, to Aeron, to Asha, and even to Victarion.
This all gives rise to the question: Does all the 'rhyming' between the homecomings of Theon Greyjoy and Petyr Baelish as detailed in this series 'merely' (further) hint that Petyr is (literally) Hoare-ish, and hence that he is like Theon in that he, too, is the scion of ironborn kings?
Or do all the Petyr-Greyjoy connections, coupled with Quellon's foregrounded fecundity and the presence of a barely concealed metaphor for an ocean-based sperm (whale) cannon on Petyr's estate (alongside a reminder of invaders from the sea)—

There was one place where the tide came jetting up out of a blowhole to shoot thirty feet into the air, and another where someone had chiseled the seven-pointed star of the new gods upon a boulder. Petyr said that marked one of the places the Andals had landed, when they came across the sea to wrest the Vale from the First Men.

—hint that at some point during his travels, Quellon Greyjoy bedded Petyr's mother Alayne (or perhaps Petyr's father's mother), cuckolding her husband and impregnating her with Petyr (or Lord Baelish)?
Note that Quellon was a direct, analogous contemporary to Petyr's 'father': Both are said to have fought for the Targaryens in the War of the Ninepenny Kings.

The Mockingbird & The Cuckolding Cowbird

Here we must consider that Petyr's sigil is the mockingbird, and that certain species of mockingbirds (see https://en.wikipedia.org/wiki/Long-tailed_mockingbird and https://en.wikipedia.org/wiki/Chilean_mockingbird and https://en.wikipedia.org/wiki/White-banded_mockingbird and https://en.wikipedia.org/wiki/Northern_mockingbird and https://en.wikipedia.org/wiki/Chalk-browed_mockingbird) are well-known as hosts for the [brood parasitism] of certain [cowbirds]. That is, it is well-known that mockingbirds frequently care for the eggs of cowbirds and feed the hatched chicks of cowbirds as if they were their own offspring.
In short, mockingbirds accept being cuckolded.
Recall here that the men of Pyke greeted Theon with "bovine [as in cow, as in the cowbirds that cuckold mockingbirds] eyes", and that the o.g. brood parasites are cuckoo birds, from whence we derive our term "cuckolding".
Recall, too, that the Greyjoy banner over Pyke weirdly takes on the appearance of a bird during Theon's homecoming, which I've just spent 10 posts comparing to Petyr's homecoming:

Above the Sea Tower snapped his father's banner. The Myraham was too far off for Theon to see more than the cloth itself, but he knew the device it bore: the golden kraken of House Greyjoy, arms writhing and reaching against a black field. The banner streamed from an iron mast, shivering and twisting as the wind gusted, like a bird struggling to take flight.

Thus the possibility that Petyr's nominal "father" Lord Baelish (or Petyr's nominal paternal "grandfather") was cuckolded by Quellon Greyjoy, the Hoare-esque sperm cannon from the land of cowbird-evoking "bovine eyes", whose sigil is likened to a bird, is right there in his mockingbird sigil.
Indeed, I very much wonder whether we're not told all about the super-pollinator Garth Greenhand in part as a 'rhyming' hint that Quellon Greyjoy was a super-pollinator who spread his "seed" amongst the ladies of what the ironborn call the "green lands".

The Mocking Bird Went Cuckoo

The notion that Petyr's mockingbird sigil may nod to Petyr's supposed father (or supposed paternal grandfather) getting cuckolded by Quellon Greyjoy reminds me of a song brought to my attention by MaxPayload: The Mocking Bird Went Cuckoo was recorded in the 1930s by at least two acts, including the British movie star [Gracie Fields] — the highest paid film actress in the world c. 1937 — and an act called "The Two Gilberts".
[HERE] is a link to the Fields version.
To say the lyrics of the song remind me of Littlefinger's story is if anything an understatement, beginning with the opening image of "a lovesick youth and maiden":

A lovesick youth and maiden (down on the farm)
With hearts so heavy laden (down on the farm)
They held each other's hands and looked into each other's eye
And started to tell each other lies

To say the least, Littlefinger is closely identified with being a lovesick youth and with lying (including about his sexploits with the sisters Tully). And notably, he and Sansa practically begin their relationship by agreeing to lie about her being his daughter. (Sansa's heart is notably 'heavy laden' when this happens upon arrival at Littlefinger's tower — and sheep farm.)
Regarding the "down on the farm" setting, ASOIAF makes regular reference to the bountiful crops and rich farmlands of the Tullys' Riverlands, and we see the courtyards of Riverrun "teem[ing] with… cows, sheep, and chickens" in ACOK Catelyn V.
The song continues with a first kiss "by the cowshed door" (recalling that we're told that Petyr's estate has "a sheepfold"):

He kissed her by the cowshed door
She said "I've not been kissed before"
And the mockingbird went cuckoo and the donkey went hee-haw

Petyr was, of course, Lysa's first kiss, and probably Catelyn's as well, as well as Lysa's first fuck (regarding which, rest assured that the song gets deep into sexual double-entendre soon enough):

[O]ver there, beneath that bower, she and Lysa had played at kissing with Petyr.
She had not thought of that in years. How young they all had been—she no older than Sansa, Lysa younger than Arya, and Petyr younger still, yet eager. The girls had traded him between them, serious and giggling by turns. It came back to her so vividly she could almost feel his sweaty fingers on her shoulders and taste the mint on his breath. There was always mint growing in the godswood, and Petyr had liked to chew it. He had been such a bold little boy, always in trouble. "He tried to put his tongue in my mouth," Catelyn had confessed to her sister afterward, when they were alone. "He did with me too," Lysa had whispered, shy and breathless. "I liked it." (AGOT Catelyn XI)
"Petyr's breath is always fresh … he was the first man I ever kissed, you know." -Lysa (ASOS Sansa VI)

Next we see the maiden tease the eager "lovesick youth", as Cat ostensibly teased Petyr:

He said "My love I'll swear to you"
She said "I'll smack you if you do"
And the mockingbird went cuckoo and the donkey went hee-haw
Nellie Bly, Nellie Bly, said "Oh how you tease me"
"I'm so shy, I'm so shy, when you start to squeeze me"
He said "Come tell me pretty miss"
"Where did you learn to squeeze and kiss"
And the mockingbird went cuckoo and the donkey went hee-haw

I'd heard the name "Nellie Bly" before in the version of Frankie & Johnny recorded by the legendary father of country music, [Jimmie Rodgers], so hearing it again made me look it up. It turns out the name in both songs was borrowed from [a world-famous American journalist]. (Recall that GRRM went to school for journalism.)
The real Nellie Bly first became famous for writing an expose of conditions in a lunatic asylum for women in New York City. Her fame redoubled after she traveled around the world in 1889. She went on to write pulp serial novels and — notably, given Petyr's apparent designs on Sansa — to wed a much older millionaire man named . . . (wait for it) . . . "Seaman".
(Obviously "Seaman" resonates with the idea that Petyr is ironborn, with the sea in his eyes, and with the sperm-whale like "blowhole" on Petyr's lands, which recalls Theon's foregrounded semen from ACOK Theon I. It likewise suggests a reading of the song per which an older "Seaman" is seducing the "Nellie Bly". Could this presage Quellon seducing original Alayne, who I happen to believe has very intrepid genes herself?)
Anyway, back in the song, things take a "dark" turn:

She said "I love the twilight," down on the farm
Said he, "The dark is my light," down on the farm

My original Hoare-ish Littlefinger series highlighted various ways in which Petyr Baelish is Satan/Lucifedemon-coded, so the lovesick boy saying "The dark is my light" absolutely leaps out to me.
Especially because the couplet it's part of smells like it may well have informed a certain infamous exchange:

"Are you the Sword of the Morning now?"
"No. Men call me Darkstar, and I am of the night." (AFFC The Queenmaker)

Consider that the Sword of the Morning wields dawn, which colloquially coincides with (the maiden's preferred) morning "twilight", while we are clearly supposed to suspect that "Darkstar" (who is "of the night" a la the lovesick boy) — who is for some reason "the most dangerous man in Dorne" and who apparently resembles a "Dragonlord" — was sired by Aerys during his 270 visit to Dorne, with Aerys cuckolding, presumably, a man of House Dayne. (AFFC The Princess in the Tower; The Queenmaker) Note the double-entendre of laying pipe here — life-giving, fertilizing pipe, no less:

In 270 AC, during a visit to Sunspear, he told the Princess of Dorne that he would "make the Dornish deserts bloom" by digging a great underground canal beneath the mountains to bring water down from the rainwood. (TWOIAF)

There's a clear symmetry between the notion that Aeyrs cuckolded a Dayne to produce Darkstar and the idea that the noted Aerys-supporter and loyalist Quellon Greyjoy cuckolded a war hero small lord on the Fingers to produce Littlefinger. Doubly so if Littlefinger's mother was (as I have speculated elsewhere) the daughter of Duncan "the Small" Targaryen, Prince of Dragonflies.
If that couplet (in a song that otherwise smells Littlefingerian) reminds us of Darkstar, isn't it curious that the basic structure of Darkstar's implied origin (in the cuckolding of a small lord by a far greater lord) may (also/instead?) apply to Littlefinger's origin?
Back to The Mocking Bird Went Cuckoo. The next line reads like a reference to Lysa's opinion of Petyr:

Said she "You seem to big and brave and mighty strong to me."

Compare with Lysa's very personal opinion of Petyr:

"He may not look as tall or strong as some, but he is worth more than all of them." (ASOS Sansa VI)

The song's next line is wild given Petyr and Lysa's history with moon tea (a tea brewed with certain plants not used in ordinary tea) and especially my conviction that [Petyr dosed Sansa with moon tea] during their voyage on the Merling King so as to make sure she was not pregnant with Tyrion's child:

Said he "Yes, I had onions for my tea."

(By the way, onions in ASOIAF are of course all about Davos. And who do I think Davos is? A possible Hoare-son or Quellon-son, and the Sailor's Wife's sailor, i.e. a sailor who sired a child and abandoned the mother, as, perhaps, Quellon sired Petyr on original-Alayne before leaving her to raise him on the Smallest Finger. Surely coincidence . . . unless this strange, weird old song has been informing George's Song since the mid-1990s.)
The lyrics continue with more Catelyn-esque teasing:

He said "I love you, yes I do"
She said to him "Oh yeah, says you?"
And the mockingbird went cuckoo and the donkey went hee-haw
He said "You're sweet beyond belief!"
Said she "You said it! OK, chief!"
And the mockingbird went cuckoo and the donkey went hee-haw

The lovesick boy is then encouraged to "walk 'round the houses"—

Nellie Bly, Nellie Bly, said "Walk 'round the houses"

—which 'just so happens' to recall rather closely Petyr and Sansa's sight-seeing tour of his lands, when "Petyr walked with her around his holdings", which include not just houses, but a symbolic sperm cannon and a reminder that foreigners sometimes land on these shores:

When the rains let up, Petyr walked with her around his holdings, which took less than half a day. He owned a lot of rocks, just as he had said. There was one place where the tide came jetting up out of a blowhole to shoot thirty feet into the air, and another where someone had chiseled the seven-pointed star of the new gods upon a boulder. Petyr said that marked one of the places the Andals had landed, when they came across the sea to wrest the Vale from the First Men.
Farther inland a dozen families lived in huts of piled stone beside a peat bog.

The song then references farm work and (via double-entendre) sex:

"Just while I, just while I go and milk the cowses"

Milk cows are, of course, linked to wet nursing and babies. And remember: It's cowbirds who make like cuckoos and cuckold mockingbirds.
The double-entendre gradually becomes obvious:

As they sat 'neath the stars above
She says to him "Oh, what is love?
And the mockingbird went hee-haw and the donkey went cuckoo [note the reversal!]
Well she sat there and milked the cow [lol]
"I'll do my bit" said he, "and how!" [lmao]
And the mockingbird went cuckoo and the donkey went hee-haw
He found an old three-legged stool
And sat right down to milk the bull [come on!]
And the mockingbird went cuckoo and the donkey went hee-haw

A milked bull? Quellon's son Victarion is linkened to a bull. Was Victarion's sire "milked" of his "seed" by Alayne Baelish? Did Quellon not only marry a woman of House Stonetree, but bone a woman wed to a man whose sigil was a "stone head"?
Regarding that "three-legged stool", recall that the dragon must have three heads, that a cuckolder turns a partnership into a three-legged affair, so to speak, and that a man with a large penis (see: "Littlefinger"?) is sometimes said to have [a third leg].
From there the song grows only more suspicious as potential inspiration, as it makes explicit reference to concealed paternity, and implicitly to an improper sexual relationship involving a "father" (which see Littlefinger and "Alayne"):

Nellie Bly, Nellie Bly went all in a lather
Began to cry, shouting "Why, that's the cow's father!"
He turned white and looked surprised
Then to the bull apologized
And the mockingbird went cuckoo and the donkey went hee-haw

The closing line about apologizing to the bull resonates with Petyr's dealings with Hoster, and perhaps with cuckoldry as well, as a trespass against patriarchal rights of possession over a woman.
The foregoing represents the seemingly better known Gracie Fields version. [The Two Gilberts version] is mostly the same, save for a few passages in the middle.
Sidebar: Regarding "The Two Gilberts", there 'just so happens' to be exactly two Gilberts in the ASOIAF canon.
One of ASOIAF's two Gilberts 'just so happens' to be one of the legendary scions of legendary sperm cannon and possibly Quellon Greyjoy analogue Garth Greenhand, Gilbert of the Vines, who 'just so happens' to be responsible for all that good Arbor wine Petyr loves so.
The other Gilbert is Gilbert Farring, who Stannis tells us "holds Storm's End for me". (ASOS Davos IV) Repeating that: ASOIAF'S second Gilbert "holds" something that belongs to Stannis in lieu of Stannis holding it himself. Almost like he's cuckolding him.
There are two other Farrings (like Gilbert) in the canon. One is Godry, "the Giantslayer", which sounds like something one might nickname a guy who cuckolded a guy with the Titan of Braavos on his shield. The other is Annara Farring. She was Lord Frey's seventh wife, and guess what she 'just so happens' to be known for? If you said "cuckolding her lordly husband", congratulations. And guess how we're told that? Via, of all things under the sun, a milk cow analogy:

[Black Walder had] had Edwyn's wife too, that was common knowledge, Fair Walda had been known to slip into his bed from time to time, and some even said he'd known the seventh Lady Frey [Annara Farring] a deal better than he should have. Small wonder he refused to marry. Why buy a cow when there were udders all around begging to be milked? (ASOS Epilogue)

(It was at this point that I went from "Maybe George has heard this song" to "George is 100% familiar with this song.")
End Sidebar
Right after the line about the onion tea, The Two Gilberts version sees the lovesick boy promise riches and wealth, recalling Petyr's lifelong interest in making money:

He said "I'll buy you furs and gems"
"And all the pretty thees[?] and thems[?]"
And the mockingbird went cuckoo and the donkey went hee-haw

CONTINUED & CONCLUDED IN OLDEST REPLY, BELOW or HERE

Avis de PC FLASH :
Quelle avenir avec l'IA ?L'IA accapare toute l'attention, mais il y a beaucoup d'autres domaines de la science informatique qui progressent rapidement et pourraient également changer le monde. L'émergence de ChatGPT et d'autres technologies d'IA a suscité des inquiétudes et des questions, mais il ne faut pas oublier les autres aspects de l'informatique. L'informatique quantique parmi ces domaines, occupe une place importante. Les ordinateurs quantiques exploitent les propriétés de la matière à l'échelle de l'infiniment petit et peuvent résoudre un grand nombre d'opérations par seconde. Ils ont des cas d'utilisation variés dans des secteurs tels que la santé, les transports, les télécommunications, la cryptographie et les applications dédiées à l'IA. De nombreux acteurs, des États aux grandes entreprises technologiques en passant par les startups, sont engagés dans la course pour construire l'ordinateur quantique du futur. L'algorithmie est également en plein essor. Les algorithmes de recherche, de recommandation, de réputation, etc., sont devenus omniprésents dans nos vies, influençant nos opinions et nos interactions. Ils sont utilisés pour déterminer les actualités que nous voyons, les personnes que nous rencontrons et les groupes auxquels nous appartenons. L'algorithmie progresse rapidement avec l'aide de l'IA pour concevoir et maintenir ces programmes. La cybersécurité est un autre domaine qui bénéficie de ressources financières et humaines importantes. Elle est étroitement liée à l'algorithmie, à l'informatique quantique et à l'IA. La protection des objets connectés, la vie privée des citoyens et l'efficacité des chiffrements sont des enjeux majeurs dans ce domaine. Les infrastructures et les matériels informatiques jouent un rôle essentiel dans le développement de tous ces domaines. La maintenance et l'évolution des systèmes d'exploitation, des protocoles de communication, des câbles sous-marins, des antennes 4G et 5G, ainsi que la miniaturisation et l'amélioration des performances des puces et des appareils sont cruciales pour permettre le traitement et l'acheminement de l'information. Enfin, le domaine de l'interaction homme-machine joue un rôle clé. Il combine des sciences dites "dures" comme la neurologie et l'informatique, avec des sciences humaines telles que la linguistique, l'anthropologie et la philosophie. Il explore la cohabitation entre les humains et les machines, notamment à travers des applications telles que les agents conversationnels (chatbots) et la réalité virtuelle. Ce domaine évolue également rapidement et est étroitement lié aux autres aspects de l'informatique. Pour conclure, en dehors de l'IA, de nombreux domaines de la science informatique avancent rapidement et méritent notre attention. pour plus d'information : www.pc-flash.fr

Bonsoir mesdames et messieurs, j'ai besoin de vous.. J'ai une situation relativement compliquée avec mon ex, une fille que j'aime beaucoup et au coeur d'une discussion dans la quelle je me demandais, et lui posais la question de
"Je ne comprend pas se "peut etre" que tu me dis lorsque je te demande si on se retrouvera, si tout se qui se passe dans le présent avec moi, ne signifie rien pour toi"
Suite à quoi je reçois de sa part
"Parce que j’ai toujours un chouilla de sentiments pour toi et je sais pas quoi en faire. Est-ce que je les cultives pour peut-être un avenir que je ne suis pas sûr de vouloir ou est-ce que je tourne juste la page et je laisse mes sentiments s’en aller"
Je ne sais pas quoi répondre, ni quoi faire.. Honnêtement je suis triste, je l'ai perdue il y'a 2 mois, on c'est vu beaucoup de fois, beaucoup de dispute, énormément de gens me disent de laisser du temps, elle aussi me le disait, mais je n'y arrive pas du tout.. contre mon gré je suis tomber dans une profonde jalousie, dépendance affective aussi je pense.. En effet, lors d'un post précédent, j'ai partager et expliquer tout de notre histoire commune..
Malheureusement je me suis fais tromper de façon assez dure.. ça a contribuer à me rendre très jaloux, possessif et dépendant.. Je ne suis pas comme ça à la base, plutôt sûre de moi, pas prise de tête, tchatcheur et extravertis, me voilà assez peu ouvert depuis tout ça, renfermer sur moi même et chagriner.. Sachez que malgré ça, je suis peut être un idiot c'est bien possible, mais j'aime cette personne, elle m'a apporté énormément de positif avant ces tristes événements.. Je voudrais des conseils vis à vis de se qu'elle a dit, ou des conseils pour moi, pour me sentir mieux, pour vraiment me sentir mieux..
Depuis notre rupture voilà quand même le positif que j'ai eu dans ma vie, afin que peut être vous m'aidiez encore plus, et aussi me faire un point de situation pour moi même, me faisant comprendre un peu mieux que j'avance..
J'ai retrouver une formation que je commence dans 2 mois
J'ai commencer le fitness
Mes amis me soutiennent beaucoup
Je les vois souvent et je me sent de mieux en mieux
Des personnes souhaite me voir, comme par exemple un ami qui me propose de faire orga avec lui pour son festival..
Voilà messieurs dames.. merci pour votre attention
Je vous embrasse

This post is the last post in a series looking at the massive amount of 'rhyming' recursivity I believe exists between (a) the homecoming of Petyr Baelish to the Fingers and (b) the homecoming of Theon Greyjoy to Pyke.
While this series/post can be read simply as a study 'for its own sake' of the curious recursion between these storylines, it is my belief that the 'rhyming' explored here between the stories of Petyr and Theon may exist (at least in part) to foreshadow that, like Theon, Petyr Littlefinger, is (among other things) a scion of ironborn kings, because Petyr is Hoare-ish: I.e. because Petyr's blood is (in some part) the blood of the ironborn kings of House Hoare of Orkmont and, later, Harrenhal.
This post is also post 25 of 25 in my broader series on the topic of a Hoare-ish Littlefinger, which is indexed [HERE].
Even if I'm wrong about Littlefinger's lineage, the 'rhyming' recursivity between the homecomings of Theon and Petyr detailed in this series remains, and certainly merits attention.
NOTE: In what follows, all uncited quotes are from ASOS Sansa VI, which describes Petyr's homecoming to his "Drearfort" tower of the 'Smallest Finger', or ACOK Theon I, which describes Theon's homecoming to "drear" Pyke.
As in past posts, I sometimes use "→" as shorthand for "'prefigures' and/or 'informs' and/or 'is reworked by' and/or 'finds a recursive rhyme in'.
As in: ACOK Theon I → ASOS Sansa VI.
This post picks up straight-away from where Part 9 left off. You can read Part 9 [HERE].
If you want to begin at the beginning, Part 1 is [HERE].

Aeron & Oswell

After Theon's homecoming chapter opens with Theon thinking "There was no safe anchorage at Pyke", which is copied nearly verbatim during Petyr's homecoming with Sansa, we see Theon anticipating his first glimpse of Pyke castle, and read this sentence:

Theon drew the hood of his cloak up against the spray, and looked for home.

That line proves to be a key part of a pun-tastic 'rhyme' between (a) Theon coming ashore from the Myraham and meeting Aeron and (b) Sansa coming ashore from the Merling King with the aid of Oswell.
I'll explain.
Note first that Oswell, who is…

…tall and gangling, with long white hair and a great hooked nose, with eyes shaded by a cowl [like a monk's cowl!]… (ACOK Theon V)

—clearly 'rhymes' with Aeron, an ascetic priest (see Oswell's monk-ish cowl) who is…

Tall and thin, with… a beak of a nose… [and] ropes of dried seaweed were braided through his waist-long black hair and untrimmed beard.

They're set up as yin and yang: Tall and similarly built with notable noses and long hair… but one has "long white hair", the other "long black hair", and Aeron has an "untrimmed beard" while Oswell is clean-shaven.
Aeron's beard is not simply a beard, though, but a beard with seaweed in it, which 'rhymes' with Oswell being not simply clean-shaven, but clean-shaven in a sea-faring way, as his "windburnt face"—

She studied the old man's lined windburnt face, hook nose, white hair, and huge knuckly hands. (ASOS Sansa VI)

—prefigures the "wind-chafed skin" of Aeron's niece Asha, which is tagged as typical of the sea-faring ironborn—

Ironborn, he knew at a glance; lean and long-legged, with… wind-chafed skin, strong sure hands….

—as are her notably "strong sure hands", which similarly 'rhyme' with Oswell's notably "huge knuckly hands".
SIDEBAR: As for Aeron's robes here being "green and grey" ("and blue"), this underlines that Petyr's oft-mentioned "grey-green" eyes are like the sea, which (as I've mentioned in previous posts) suggests per Archmaester Haereg's maxim—

"You may dress an ironman in silks and velvets, teach him to read and write and give him books, instruct him in chivalry and courtesy and the mysteries of the Faith… but when you look into his eyes, the sea will still be there, cold and grey and cruel." (TWOIAF)

—that Littlefinger is, at least in part, an ironman.
END SIDEBAR
The first thing we're told about Aeron after Theon realizes who he is is that "he washed up safe on shore"—

A memory prodded at Theon. In one of his rare curt letters, Lord Balon had written of his youngest brother going down in a storm, and turning holy when he washed up safe on shore. "Uncle Aeron?" he said doubtfully.

—which prefigures Oswell splashing his way ashore at the Smallest Finger:

Oswell and Lothor splashed their way ashore, as did Littlefinger himself.

(If Oswell is Aeron-ish, surely Petyr making like Oswell and splashing about in the surf here could foreshadow that he is Hoare-ish. And perhaps some kind of religious figure as well.)

Drawn Up Hoods

With that Oswell/Aeron 'rhyme' in mind, consider again that, as Theon approaches castle Pyke on the Myraham…

Theon drew the hood of his cloak up against the spray, and looked for home.

Sound familiar? That's because it's reworked when Sansa is rowed ashore by the "gangling", Aeron-esque Oswell:

Lothor and old Oswell rowed them ashore. Sansa huddled in the bow under her cloak with the hood drawn up against the wind….

When Sansa gets to shore, "two old men" help to make sure she doesn't get even a little bit wet—

The two old men waded out up to their thighs to lift Sansa from the boat so she would not get her skirts wet.

—which was, of course, exactly the thing Theon was trying to avoid back in ACOK when he "drew the hood of his cloak up against the spray", as Sansa drew hers "up against the wind" when Oswell rowed her in.

Gangplank → Gangling.

GRRM is just warming up. When Theon reaches Lordsport and disembarks from the Myraham, he, too, avoids getting wet. At least initially. Where Sansa uses "gangling" Oswell to come ashore, Theon uses… a "gangplank":

Without waiting for a reply [from Myraham's captain], he strode down the gangplank. "Innkeeper," he barked. "I require a horse".

Kneeling Servants

The innkeeper never gets Theon his horse, of course (of course), because Aeron shows up. And what does gangling white-haired Oswell's black-haired physical mirror Aeron do? He makes Theon get wet after all.

"Kneel."
The ground was all stones[!] and mud. "Uncle, I—"
"Kneel. Or are you too proud now, a lordling of the green lands come among us?"
Theon knelt. He had a purpose here, and might need Aeron's help to achieve it. A crown was worth a little mud and horseshit on his breeches, he supposed.
"Bow your head." Lifting the skin, his uncle pulled the cork and directed a thin stream of seawater down upon Theon's head. It drenched his hair and ran over his forehead into his eyes. Sheets washed down his cheeks, and a finger crept under his cloak and doublet and down his back, a cold rivulet along his spine. The salt made his eyes burn, until it was all he could do not to cry out. He could taste the ocean on his lips. "Let Theon your servant be born again from the sea, as you were," Aeron Greyjoy intoned. "Bless him with salt, bless him with stone, bless him with steel."

Note that Theon kneeling on "stones and mud… and horseshit" before a priest with "seaweed" in his beard is reworked even as Oswell rows Sansa ashore and she huddles in her cloak like Theon, when the Baelish household kneels on rocks covered by nasty seaweed and Sansa dodges sheepshit:

Lothor and old Oswell rowed them ashore. Sansa huddled in the bow under her cloak with the hood drawn up against the wind, wondering what awaited her. Servants emerged from the tower to meet them…. When they recognized Lord Petyr they knelt on the rocks.
[Petyr] led them up the strand over rocks slick with rotting seaweed. … Sansa had to step carefully; there were pellets [i.e. sheepshit] everywhere.

Blessings

Meanwhile, Aeron giving Theon his holy "bless[ing]" is reworked just before Sansa is rowed ashore, when Petyr asks for Sansa's "blessing" after he tells her they're not going to Winterfell and that he's going to wed Lysa:

"So silent, my lady?" said Petyr. "I was certain you would wish to give me your blessing. …"
"I . . . I pray you will have long years together, and many children, and be very happy in one another.

Sansa's reluctant acquiescence — both to giving the blessing and to going ashore and going along with Petyr's plan, which she had not anticipated — echoes Theon's reluctant acquiescence to both Aeron's blessing and Balon's plan of invasion, which he hadn't anticipated.
I suspect Littefinger was fed the line, "So silent, my lady?" before asking for Sansa's blessing as a nod to several pertinent silences in ACOK Theon I. First, the "sullen silence" of the Myraham's captain when he reluctantly acquiesces to Theon taking his would-be salt wife daughter below deck to get a blowjob; second, the "gloom of silence" between Theon and Aeron as they make the final approach to Pyke, post-blessing; and finally, Theon marking the absence of Euron's 'lady', Silence, as he sails into Lordsport:

Theon searched for his uncle Euron's Silence.

Truly, all things come round again.

Getting Wet & Staying Dry 1

But what about Aeron getting Theon pointedly wet? Aeron not only making Theon kneel but getting him wet and then riding with him to Pyke, is reworked (and reversed) not just by Oswell and Lothor rowing Sansa ashore — note the "rode" → "rowed" wordplay:

They [Aeron and Theon] rode in a gloom of silence.
Lothor and old Oswell rowed them ashore.

— and not just by Sansa being carried ashore and kept pointedly dry by two old men who were, seconds earlier, kneeling reverently on the seashore, but also by Aeron-ish Oswell helping Sansa "up" onto The Merling King from his rowboat while assuring her he won't let her fall into the sea, which he makes sure she doesn't:

The rower shipped the oars and helped Sansa to her feet. "Up now. Go on, girl, I got you." Sansa thanked him for his kindness, but received no answer but a grunt. It was much easier going up the rope ladder than it had been coming down the cliff. The oarsman Oswell followed close behind her… (ASOS Sansa V)

So: Where Oswell-ish Aeron forces Theon to kneel and then wets him down with seawater, ceremonially "drowning" him after he comes down the "gangplank", the "gangling" Aeron-ish Oswell helps Sansa "to her feet" and then "up" while promising not to let her fall in the sea, where she could drown.

Getting Wet & Staying Dry 2

Aeron forcing Theon to kneel and getting him wet before he "rode" with him to Pyke is also reworked/reversed inside Petyr's tower, when Sansa's 'other' rower Lothor protects Sansa from Marillion's rape attempt— from being (like Theon) forced to get "wet", so to speak:

"My blood is stirred. And yours, I know … there's no wench half so lusty as one bastard born. Are you wet for me?"
"I'm a maiden," she protested.
"Truly? Oh, Alayne, Alayne, my fair maid, give me the gift of your innocence.

The wetness motif is played up again:

"He put a hand on her breast, and squeezed. "Let's get you out of these wet clothes. You wouldn't want them ripped, I know. Come, sweet lady, heed your heart—"

He wants to "get [her] out of [her] wet clothes" so he can get her "wet", so to speak. But where Aeron forced Theon to "kneel" and get wet in language that suddenly reads as quite rapey and spine-chilling—

Sheets washed down his cheeks [which cheeks?], and a finger[!] crept under his cloak and doublet and down his back, a cold rivulet along his spine."

—before he "rode" with him to castle Pyke, Lothor Brune, who "rowed" Sansa ashore, keeps her safe and 'dry':

Sansa heard the soft sound of steel on leather. "Singer," a rough voice said, "best go, if you want to sing again." The light was dim, but she saw a faint glimmer of a blade.
The singer saw it too. "Find your own wench—" The knife flashed, and he cried out. "You cut me!"
"I'll do worse, if you don't go."
And quick as that, Marillion was gone. The other remained, looming over Sansa in the darkness. "Lord Petyr said watch out for you." It was Lothor Brune's voice, she realized.

Dagmer Cleftjaw → Lothor Brune

And what do you know? Oswell's rowing partner Lothor Brune is also prefigured by Theon's homecoming. Not by Aeron, but by Dagmer Cleftjaw, who Theon thinks of as he approaches Lordsport on the Myraham. In fact, there's a huge 'rhyme' between (a) Dagmer Cleftjaw and his "gut-churning scar", on the one hand, and (b) the beginning of ASOS Sansa VI, which describes Lothor Brune and Sansa's upset stomach (i.e. her churning guts) and seemingly permanently scarred psyche, on the other. I'll try to lay out now.
Consider first that as Theon approaches Lordsport on the Myraham, he goes below deck, where he thinks about Dagmer Cleftjaw (along with the sour-like-Aeron Sylas Sourmouth, who was discussed in Part 8):

As the Myraham made her way landward, Theon paced the deck restlessly, scanning the shore. He had not thought to find Lord Balon himself at quayside, but surely his father would have sent someone to meet him. Sylas Sourmouth the steward, Lord Botley, perhaps even Dagmer Cleftjaw. It would be good to look on Dagmer's hideous old face again.

We meet Dagmer in ACOK Theon III,

He smiled himself to show how it was done. It made for a hideous sight. Under a snowy white mane of hair, Dagmer Cleftjaw had the most gut-churning scar Theon had ever seen, the legacy of the longaxe that had near killed him as a boy. The blow had splintered his jaw, shattered his front teeth, and left him four lips where other men had but two. A shaggy beard covered his cheeks and neck, but the hair would not grow over the scar, so a shiny seam of puckered, twisted flesh divided his face like a crevasse through a snowfield "We could hear them singing," the old warrior said. "It was a good song, and they sang it bravely."
…Dagmer grinned more often and more broadly than Lord Balon ever had.
Ugly as it was, that smile brought back a hundred memories. Theon had seen it often as a boy, when he'd jumped a horse over a mossy wall, or flung an axe and split a target square. [More fond memories of Dagmer.]

We later learn that Dagmer is "fearsome" and a "fierce fighter" as well, despite being marked as aged by his "white mane of hair". (ADWD The King's Prize)
Dagmer's ship is named Foamdrinker, a double-entendre about ale-drinking, as he likes drinking, as well as reaving songs — especially the one a singer wrote about him:

He knew that would give Dagmer pause. A singer had made a song about the axe that cracked his jaw in half, and the old man loved to hear it. Whenever he was in his cups he would call for a reaving song, something loud and stormy that told of dead heroes and deeds of wild valor. (ACOK Theon III)

Balon puts Dagmer in Theon's reaving detachment. Theon foolishly resents this, not accepting that he is inexperienced and needs and could benefit enormously from a seasoned number two with whom he has a good relationship:

"You are to harry the Stony Shore, raiding the fishing villages and sinking any ships you chance to meet. … Aeron will accompany you, and Dagmer Cleftjaw."
…Theon felt as if he'd been slapped. He was being sent to do reaver's work, burning fishermen out of their hovels and raping their ugly daughters, and yet it seemed Lord Balon did not trust him sufficiently to do even that much. Bad enough to have to suffer the Damphair's scowls and chidings. With Dagmer Cleftjaw along as well, his command would be purely nominal. (ACOK Theon II)

Balon gives Theon Dagmer to help him, but Theon can only see it as an affront, so he tries to sideline him:

Dagmer Cleftjaw stood by the high carved prow of his longship, Foamdrinker. Theon had assigned him the task of guarding the ships; otherwise men would have called it Dagmer's victory, not his. A more prickly man might have taken that for a slight, but the Cleftjaw had only laughed. (ACOK Theon III)

That Splintery Ladder Again & Lothor's Hand Up

Now, remembering that we're introduced to Dagmer Cleftjaw while Theon is still aship en route to Pyke, consider again the first paragraph of Sansa VI, plus a bit more (which of course takes place while Petyr and Sansa are still aship en route to Petyr's Drearfort):

The ladder to the forecastle was steep and splintery, so Sansa accepted a hand up from Lothor Brune. Ser Lothor, she had to remind herself; the man had been knighted for his valor in the Battle of the Blackwater. Though no proper knight would wear those patched brown breeches and scuffed boots, nor that cracked and water-stained leather jerkin. A square-faced stocky man with a squashed nose and a mat of nappy grey hair, Brune spoke seldom. He is stronger than he looks, though. She could tell by the ease with which he lifted her, as if she weighed nothing at all. …
She had seldom ventured out on deck herself. Her little cabin was dank and cold, but Sansa had been sick for most of the voyage . . . sick with terror, sick with fever, or seasick . . . she could keep nothing down, and even sleep came hard. Whenever she closed her eyes she saw Joffrey… dying….
…Even this close to shore, the rolling of the ship made her tummy queasy.…
[Petyr] put a sympathetic arm about her shoulders. "Are you quite well? You look so pale."
"It's only my tummy. The seasickness."

We're subsequently reminded of Brune's "squashed nose" and "mat of nappy grey hair", and told of his "square jaw" and more:

With his squashed nose, square jaw, and nap of woolly grey hair, Brune could not be called comely, but he was not ugly either. … Sober, he was a quiet man, but a strong one. (AFFC Alayne II)

Recall too that Brune saves Sansa from Marillion, who tries to use her as Theon used the captain's daughter.
Having surveyed the field of (word)play, we can now see the 'rhyming':

• Where Theon goes below deck as he approaches Lordsport and thinks about Dagmer, whose jaw is (verbatim) "splintered", Sansa, with Brune's help, climbs up to the deck using a (verbatim) "splintered" ladder as she approaches the Drearfort.
  
• Where Theon spurns the 'hand up' Dagmer and his splintered jaw could have given him, "Sansa accept[s] a hand up from Lothor Brune" and climbs the "splintered" ladder.
  
• Where Theon think of the Cleftjaw, who has a "gut-churning scar", Sansa thinks about her literally churning guts — her upset "tummy".
  
• Where Theon thinks that Cleftjaw's "gut-churning scar" resulted from his being "near[ly] killed as a boy", Sansa's churning guts are related to the evident psychic scar she's suffered, which causes her to see a boy killed over and over again.
  
• Dagmer's "shattered" teeth and "splintered" jaw (and Dagmar being sent to "Torrhen's Square") → Brune's "squashed nose" and "square jaw"
  
• Where Dagmer is ironborn, and had his jaw "cracked… in half", Brune wears a "cracked and water-stained [as if from the sea]" jerkin.
  
• Dagmer's "snowy mane of white hair" → Brune's "mat of nappy grey hair"/"nap of woolly grey hair"
  
• Despite their 'old hair', Dagmer is "fierce" and "fearsome", Brune "strong".
  
• Where Dagmer's smile is "ugly" but nonetheless fills Theon with warm memories (defying its appearance), Brune, who "could not be called comely, but… was not ugly either", is "stronger than he looks".
  
• Where Dagmer "covered his cheeks and neck" with a beard but can't grow a 'proper' one due to his scar, which appears as a "seam", Brune doesn't look like a "proper knight" in his "patched… breeches" and "scuffed boots". (Note the sewing language — "seam" → "patched" — and the lexical similarity: "cheeks" → "breeches".)
  
• Both men seem to have a penchant for drink (per the implications of Sansa commenting on Brune's nature "when sober") and a foregrounded relationship with singers. (Where Dagmer loves singers and songs, Brune is in conflict with Marillion — although the deeds of "Lothor Apple-Eater" are likely sung of, like Dagmer's exploits.)
  

Thus just as the Aeron of Theon's homcoming 'rhymes' with the Oswell of Petyr's homecoming, so is Theon's Dagmer Cleftjaw reworked in the person of Petyr's Lothor Brune.
And thus everything about Petyr's homecoming continues to remind us of Theon's homecoming, which makes sense… if Petyr is likewise a scion of ironborn royalty (e.g. if he's Hoare-ish).

The End, and The Distinct Possibility That The Rhyme Between Petyr's and Theon's Homecomings Isn't (Just) About Petyr Being Hoare-ish, After All

That's it. That's all I got regarding the recursively 'rhyming' homecomings of Theon and Petyr. For me, the insane scope and depth of the 'rhyming' between Petyr's homecoming and the homcoming of a scion of ironborn kings is entirely consistent with my broader hypothesis: that the blood of ironborn kings likewise flows in the veins of Petyr Littlefinger — namely "the black blood" of House Hoare of Orkmont.
And yet . . .
It remains that notwithstanding that my Hoare-ish Littlefinger posts connected virtually everything we're told about House Hoare and its various historical kings with things we're told about Petyr Baelish, this (sub)series has detailed recursion not between Petyr and the Hoares, but between Petyr and Theon Greyjoy, who is like the Hoares in that his blood is that of ironborn kings, but who is, nonetheless, a Greyjoy.
It also remains that Theon is the grandson of Quellon Greyjoy, and that [as I show here] — or just scroll down, I'll reproduce that post in the comments — Quellon Greyjoy as described in both TWOIAF and in ASOIAF is nothing if not incredibly Hoare-esque, and not just because his policies and biography in TWOIAF 'rhyme' with the policies and biographies of various Hoare kings, but because ASOIAF proper subtly suggests he was something of a 'whore' in that AFFC makes it abundantly clear that Quellon was a prolific sperm cannon by repeating over and over that he sired nine sons we know of (on three different wives).
Recall, too, that we saw in [Part 2 of the original 'Littlefinger is Hoare-ish' series] that Petyr is in certain striking respects similar to Balon, to Euron, to Aeron, to Asha, and even to Victarion.
This all gives rise to the question: Does all the 'rhyming' between the homecomings of Theon Greyjoy and Petyr Baelish as detailed in this series 'merely' (further) hint that Petyr is (literally) Hoare-ish, and hence that he is like Theon in that he, too, is the scion of ironborn kings?
Or do all the Petyr-Greyjoy connections, coupled with Quellon's foregrounded fecundity and the presence of a barely concealed metaphor for an ocean-based sperm (whale) cannon on Petyr's estate (alongside a reminder of invaders from the sea)—

There was one place where the tide came jetting up out of a blowhole to shoot thirty feet into the air, and another where someone had chiseled the seven-pointed star of the new gods upon a boulder. Petyr said that marked one of the places the Andals had landed, when they came across the sea to wrest the Vale from the First Men.

—hint that at some point during his travels, Quellon Greyjoy bedded Petyr's mother Alayne (or perhaps Petyr's father's mother), cuckolding her husband and impregnating her with Petyr (or Lord Baelish)?
Note that Quellon was a direct, analogous contemporary to Petyr's 'father': Both are said to have fought for the Targaryens in the War of the Ninepenny Kings.

The Mockingbird & The Cuckolding Cowbird

Here we must consider that Petyr's sigil is the mockingbird, and that certain species of mockingbirds (see https://en.wikipedia.org/wiki/Long-tailed_mockingbird and https://en.wikipedia.org/wiki/Chilean_mockingbird and https://en.wikipedia.org/wiki/White-banded_mockingbird and https://en.wikipedia.org/wiki/Northern_mockingbird and https://en.wikipedia.org/wiki/Chalk-browed_mockingbird) are well-known as hosts for the [brood parasitism] of certain [cowbirds]. That is, it is well-known that mockingbirds frequently care for the eggs of cowbirds and feed the hatched chicks of cowbirds as if they were their own offspring.
In short, mockingbirds accept being cuckolded.
Recall here that the men of Pyke greeted Theon with "bovine [as in cow, as in the cowbirds that cuckold mockingbirds] eyes", and that the o.g. brood parasites are cuckoo birds, from whence we derive our term "cuckolding".
Recall, too, that the Greyjoy banner over Pyke weirdly takes on the appearance of a bird during Theon's homecoming, which I've just spent 10 posts comparing to Petyr's homecoming:

Above the Sea Tower snapped his father's banner. The Myraham was too far off for Theon to see more than the cloth itself, but he knew the device it bore: the golden kraken of House Greyjoy, arms writhing and reaching against a black field. The banner streamed from an iron mast, shivering and twisting as the wind gusted, like a bird struggling to take flight.

Thus the possibility that Petyr's nominal "father" Lord Baelish (or Petyr's nominal paternal "grandfather") was cuckolded by Quellon Greyjoy, the Hoare-esque sperm cannon from the land of cowbird-evoking "bovine eyes", whose sigil is likened to a bird, is right there in his mockingbird sigil.
Indeed, I very much wonder whether we're not told all about the super-pollinator Garth Greenhand in part as a 'rhyming' hint that Quellon Greyjoy was a super-pollinator who spread his "seed" amongst the ladies of what the ironborn call the "green lands".

The Mocking Bird Went Cuckoo

The notion that Petyr's mockingbird sigil may nod to Petyr's supposed father (or supposed paternal grandfather) getting cuckolded by Quellon Greyjoy reminds me of a song brought to my attention by MaxPayload: The Mocking Bird Went Cuckoo was recorded in the 1930s by at least two acts, including the British movie star [Gracie Fields] — the highest paid film actress in the world c. 1937 — and an act called "The Two Gilberts".
To say the lyrics of the song remind me of Littlefinger's story is if anything an understatement, beginning with the opening image of "a lovesick youth and maiden":

A lovesick youth and maiden (down on the farm)
With hearts so heavy laden (down on the farm)
They held each other's hands and looked into each other's eye
And started to tell each other lies

To say the least, Littlefinger is closely identified with being a lovesick youth and with lying (including about his sexploits with the sisters Tully). And notably, he and Sansa practically begin their relationship by agreeing to lie about her being his daughter. (Sansa's heart is notably 'heavy laden' when this happens upon arrival at Littlefinger's tower — and sheep farm.)
Regarding the "down on the farm" setting, ASOIAF makes regular reference to the bountiful crops and rich farmlands of the Tullys' Riverlands, and we see the courtyards of Riverrun "teem[ing] with… cows, sheep, and chickens" in ACOK Catelyn V.
The song continues with a first kiss "by the cowshed door" (recalling that we're told that Petyr's estate has "a sheepfold"):

He kissed her by the cowshed door
She said "I've not been kissed before"
And the mockingbird went cuckoo and the donkey went hee-haw

Petyr was, of course, Lysa's first kiss, and probably Catelyn's as well, as well as Lysa's first fuck (regarding which, rest assured that the song gets deep into sexual double-entendre soon enough):

[O]ver there, beneath that bower, she and Lysa had played at kissing with Petyr.
She had not thought of that in years. How young they all had been—she no older than Sansa, Lysa younger than Arya, and Petyr younger still, yet eager. The girls had traded him between them, serious and giggling by turns. It came back to her so vividly she could almost feel his sweaty fingers on her shoulders and taste the mint on his breath. There was always mint growing in the godswood, and Petyr had liked to chew it. He had been such a bold little boy, always in trouble. "He tried to put his tongue in my mouth," Catelyn had confessed to her sister afterward, when they were alone. "He did with me too," Lysa had whispered, shy and breathless. "I liked it." (AGOT Catelyn XI)
"Petyr's breath is always fresh … he was the first man I ever kissed, you know." -Lysa (ASOS Sansa VI)

Next we see the maiden tease the eager "lovesick youth", as Cat ostensibly teased Petyr:

He said "My love I'll swear to you"
She said "I'll smack you if you do"
And the mockingbird went cuckoo and the donkey went hee-haw
Nellie Bly, Nellie Bly, said "Oh how you tease me"
"I'm so shy, I'm so shy, when you start to squeeze me"
He said "Come tell me pretty miss"
"Where did you learn to squeeze and kiss"
And the mockingbird went cuckoo and the donkey went hee-haw

I'd heard the name "Nellie Bly" before in the version of Frankie & Johnny recorded by the legendary father of country music, [Jimmie Rodgers], so hearing it again made me look it up. It turns out the name in both songs was borrowed from [a world-famous American journalist]. (Recall that GRRM went to school for journalism.)
The real Nellie Bly first became famous for writing an expose of conditions in a lunatic asylum for women in New York City. Her fame redoubled after she traveled around the world in 1889. She went on to write pulp serial novels and — notably, given Petyr's apparent designs on Sansa — to wed a much older millionaire man named . . . (wait for it) . . . "Seaman".
(Obviously "Seaman" resonates with the idea that Petyr is ironborn, with the sea in his eyes, and with the sperm-whale like "blowhole" on Petyr's lands, which recalls Theon's foregrounded semen from ACOK Theon I. It likewise suggests a reading of the song per which an older "Seaman" is seducing the "Nellie Bly". Could this presage Quellon seducing original-Alayne, who I happen to believe has very intrepid genes herself?)
Anyway, back in the song, things take a "dark" turn:

She said "I love the twilight," down on the farm
Said he, "The dark is my light," down on the farm

My original Hoare-ish Littlefinger series highlighted various ways in which Petyr Baelish is Satan/Lucifedemon-coded, so the lovesick boy saying "The dark is my light" absolutely leaps out to me.
Especially because the couplet it's part of smells like it may well have informed a certain infamous exchange:

"Are you the Sword of the Morning now?"
"No. Men call me Darkstar, and I am of the night." (AFFC The Queenmaker)

Consider that the Sword of the Morning wields dawn, which colloquially coincides with (the maiden's preferred) morning "twilight", while we are clearly supposed to suspect that "Darkstar" (who is "of the night" a la the lovesick boy) — who is for some reason "the most dangerous man in Dorne" and who apparently resembles a "Dragonlord" — was sired by Aerys during his 270 visit to Dorne, with Aerys cuckolding, presumably, a man of House Dayne. (AFFC The Princess in the Tower; The Queenmaker) Note the double-entendre of laying pipe here — life-giving, fertilizing pipe, no less:

In 270 AC, during a visit to Sunspear, he told the Princess of Dorne that he would "make the Dornish deserts bloom" by digging a great underground canal beneath the mountains to bring water down from the rainwood. (TWOIAF)

There's a clear symmetry between the notion that Aeyrs cuckolded a Dayne to produce Darkstar and the idea that the noted Aerys-supporter and loyalist Quellon Greyjoy cuckolded a war hero small lord on the Fingers to produce Littlefinger. Doubly so if Littlefinger's mother was (as I have speculated elsewhere) the daughter of Duncan "the Small" Targaryen, Prince of Dragonflies.
If that couplet (in a song that otherwise smells Littlefingerian) reminds us of Darkstar, isn't it curious that the basic structure of Darkstar's implied origin (in the cuckolding of a small lord by a far greater lord) may (also/instead?) apply to Littlefinger's origin?
Back to The Mocking Bird Went Cuckoo. The next line reads like a reference to Lysa's opinion of Petyr:

Said she "You seem to big and brave and mighty strong to me."

Compare with Lysa's very personal opinion of Petyr:

"He may not look as tall or strong as some, but he is worth more than all of them." (ASOS Sansa VI)

The song's next line is wild given Petyr and Lysa's history with moon tea (a tea brewed with certain plants not used in ordinary tea) and especially my conviction that [Petyr dosed Sansa with moon tea] during their voyage on the Merling King so as to make sure she was not pregnant with Tyrion's child:

Said he "Yes, I had onions for my tea."

(By the way, onions in ASOIAF are of course all about Davos. And who do I think Davos is? A possible Hoare-son or Quellon-son, and the Sailor's Wife's sailor, i.e. a sailor who sired a child and abandoned the mother, as, perhaps, Quellon sired Petyr on Alayne before leaving her to raise him on the Smallest Finger. Surely coincidence . . . unless this strange, weird old song has been informing George's Song since the mid-1990s.)
The lyrics continue with more Catelyn-esque teasing:

He said "I love you, yes I do"
She said to him "Oh yeah, says you?"
And the mockingbird went cuckoo and the donkey went hee-haw
He said "You're sweet beyond belief!"
Said she "You said it! OK, chief!"
And the mockingbird went cuckoo and the donkey went hee-haw

The lovesick boy is then encouraged to "walk 'round the houses"—

Nellie Bly, Nellie Bly, said "Walk 'round the houses"

—which 'just so happens' to recall rather closely Petyr and Sansa's sight-seeing tour of his lands, when "Petyr walked with her around his holdings", which include not just houses, but a symbolic sperm cannon and a reminder that foreigners sometimes land on these shores:

When the rains let up, Petyr walked with her around his holdings, which took less than half a day. He owned a lot of rocks, just as he had said. There was one place where the tide came jetting up out of a blowhole to shoot thirty feet into the air, and another where someone had chiseled the seven-pointed star of the new gods upon a boulder. Petyr said that marked one of the places the Andals had landed, when they came across the sea to wrest the Vale from the First Men.
Farther inland a dozen families lived in huts of piled stone beside a peat bog.

The song then references farm work and (via double-entendre) sex:

"Just while I, just while I go and milk the cowses"

Milk cows are, of course, linked to wet nursing and babies. And remember: It's cowbirds who make like cuckoos and cuckold mockingbirds.
The double-entendre gradually becomes obvious:

As they sat 'neath the stars above
She says to him "Oh, what is love?
And the mockingbird went hee-haw and the donkey went cuckoo [note the reversal!]
Well she sat there and milked the cow [lol]
"I'll do my bit" said he, "and how!" [lmao]
And the mockingbird went cuckoo and the donkey went hee-haw
He found an old three-legged stool
And sat right down to milk the bull [come on!]
And the mockingbird went cuckoo and the donkey went hee-haw

A milked bull? Quellon's son Victarion is linkened to a bull. Was Victarion's sire "milked" of his "seed" by Alayne Baelish? Did Quellon not only marry a woman of House Stonetree, but bone a woman wed to a man whose sigil was a "stone head"?
Regarding that "three-legged stool", recall that the dragon must have three heads, that a cuckolder turns a partnership into a three-legged affair, so to speak, and that a man with a large penis (see: "Littlefinger"?) is sometimes said to have [a third leg].
From there the song grows only more suspicious as potential inspiration, as it makes explicit reference to concealed paternity, and implicitly to an improper sexual relationship involving a "father" (which see Littlefinger and "Alayne"):

Nellie Bly, Nellie Bly went all in a lather
Began to cry, shouting "Why, that's the cow's father!"
He turned white and looked surprised
Then to the bull apologized
And the mockingbird went cuckoo and the donkey went hee-haw

The closing line about apologizing to the bull resonates with Petyr's dealings with Hoster, and perhaps with cuckoldry as well, as a trespass against patriarchal rights of possession over a woman.
The foregoing represents the seemingly better known Gracie Fields version. The Two Gilberts version is mostly the same, save for a few passages in the middle.
Sidebar: Regarding "The Two Gilberts", there 'just so happens' to be exactly two Gilberts in the ASOIAF canon.
One of ASOIAF's two Gilberts 'just so happens' to be one of the legendary scions of legendary sperm cannon and possibly Quellon Greyjoy analogue Garth Greenhand, Gilbert of the Vines, who 'just so happens' to be responsible for all that good Arbor wine Petyr loves so.
The other Gilbert is Gilbert Farring, who Stannis tells us "holds Storm's End for me". (ASOS Davos IV) Repeating that: ASOIAF'S second Gilbert "holds" something that belongs to Stannis in lieu of Stannis holding it himself. Almost like he's cuckolding him.
There are two other Farrings (like Gilbert) in the canon. One is Godry, "the Giantslayer", which sounds like something one might nickname a guy who cuckolded a guy with the Titan of Braavos on his shield. The other is Annara Farring. She was Lord Frey's seventh wife, and guess what she 'just so happens' to be known for? If you said "cuckolding her lordly husband", congratulations. And guess how we're told that? Via, of all things under the sun, a milk cow analogy:

[Black Walder had] had Edwyn's wife too, that was common knowledge, Fair Walda had been known to slip into his bed from time to time, and some even said he'd known the seventh Lady Frey [Annara Farring] a deal better than he should have. Small wonder he refused to marry. Why buy a cow when there were udders all around begging to be milked? (ASOS Epilogue)

(It was at this point that I went from "Maybe George has heard this song" to "George is 100% familiar with this song.")
End Sidebar
Right after the line about the onion tea, The Two Gilberts version sees the lovesick boy promise riches and wealth, recalling Petyr's lifelong interest in making money:

He said "I'll buy you furs and gems"
"And all the pretty thees[?] and thems[?]"
And the mockingbird went cuckoo and the donkey went hee-haw

CONTINUED & CONCLUDED IN OLDEST REPLY, BELOW or HERE

Il y a un peu + d'un mois, mon téléphone à cessé de fonctionner. Puisqu'il est toujours sous garantie j'ai très vite commencé les démarches pour me le faire réparer et la demande a été prise en compte le 24 avril.
Une fois envoyé j'ai recu de quoi suivre l'envoi téléphone par Chronopost, et il est indiqué que le produit est arrivé chez la compagnie de réparation tiers le 12 mai.
Entre temps je suis tombé sur des informations légales sur les produits sous garanties https://www.economie.gouv.fdgccrf/Publications/Vie-pratique/Fiches-pratiques/Les-garanties-legales
et la partie "Mise en œuvre de la garantie de conformité" indique que "La mise en conformité du bien s’effectue au maximum dans un délai de 30 jours suivant la demande du consommateur. Le consommateur peut obtenir la résolution du contrat ou sa réfaction (réduction du prix du bien) si le professionnel refuse la mise en conformité, si le défaut est si grave qu’il le justifie ou si le délai de la solution choisie excède 1 mois à partir de la demande ; ou qu’aucune modalité de mise en conformité n’est possible."
Celà veut dire que je peux réclamer un remboursement à partir de 30 jours après que l'on ai pris en compte la demande? Ou bien dois-je compter à partir du moment ou le produit est arrivé chez le réparateur?
Puis dans l'éventualité ou je suis remboursé, puis-je récupérer le produit? (J'imagine que oui puisqu'il m'appartient?)

Bonjour,
Nous avons fait une visite pour un appartement. Sur la fiche du bien, il était à 75m2 et 139k euros. L'agent immobilier nous a fait la visite et nous a dit que la surface est de 78 m2! (Tant mieux). Après avoir fait le calcul, il était quand-même un peu cher pour le quartier donc 1780 sur m2. (prix moyen 1600 par m2, pour les appartements plutot 1500). On s'est dit qu'il est refait à neuf et qu'il a un balcon. Bref. Elle nous a rassuré que le bien était initialement à 160.000 euros et que les propriétaires l'avaient déjà vendu 2 fois mais à cause de la banque, les prêts n'étaient pas accordés...bon! De ce fait, le prix a baissé à 139.000 et que les propriétaires sont ok pour le laisser jusqu'à 135k - le prix de la dernière "vente". Nous avons fait une offre à 130k. Les propriétaires ont dit 134k et finalement on est tombé d'accord pour 133k pour un appartement à 78m2. Le soir meme, j'ai demandé plusieurs informations à l'agent ainsi que la fiche du bien (je ne l'avais plus) + loi carrez.
Je tombe sur 75m2 sur loi Carrez... J'appelle l'agent, je lui explique que c'est bizarre et que la différence de surface meme si 3m2, ca fait quand-même une différence de aprox 6000 euros...(133.000 euros / 78 = 1705 euros par m2. Donc 3 x 1705 = 5115 euros). Elle me refuse d'emblée une nouvelle proposition car soit disant les vendeurs vont jamais accepté de baisser encore le prix. De plus, elle dit que c'était à moi de faire attention car au début sur l'annonce c'était bien noté 75m2, peu importe ce qu'elle nous a dit! Et que le 78m2 c'est ses notes à elle et que l'annonce était claire à 75m2. En tous,cas, elle m'a trop mal parlé en disant que jamais de sa vie ne lui a arrivé de négocier sur 3m2. Je ne sais pas quoi faire...je me dit que c'est peut-être moi qui exagère. Est-ce que vous pensez qu'il faudra essayer renégocier le truc? 5000euros c'est pas rien quand-même... Et de plus c'est pas les 3 m2 qui compte forcément mais surtout que c'est son erreur et qu'elle ne l'accepte pas... A mon avis le propriétaire n'a absolument aucune idée du fait que l'agent nous a dit une surface erronée...et c'est pour ça qu'elle a pété un câble.
Qu'en pensez-vous ? Merci

Je devais avoir 11 ou 12 ans quand le phénomène le plus inexplicable de ma vie est arrivé. Je dors toujours la porte de ma chambre fermée, mais ce matin d'été là quand je me suis réveillé à cause de la lumière du soleil, elle était bien ouverte. Je ne me pose pas vraiment de question, essayant de me rendormir car il était vraiment tôt. Il ne devait y avoir dans la maison que ma mère dans une chambre adjacente à la mienne et mon petit frère âgé de 3-4 ans dans une autre chambre, toutes les 2 à l'étage. Mon père était déjà parti travaillé depuis quelques heures donc nous étions en toute logique 3 dans la maison. Ma chambre se situe au bout du couloir de l'étage, et ma porte ouverte me donner donc la vue sur tout le couloir ainsi qu'une petite partie des escaliers. Ce n'est que quelques minutes après m'être fait réveillé par cette lumière matinale provenant du rez de chaussée et atteignant le couloir de l'étage que j'entendis en toute conscience quelqu'un monter dans les escaliers à petits pas. Un son à peine audible qui faisait penser à un chat dans un premier temps, rien d'anormal, il y en a bien un dans la maison. On aurait dit qu'il jouait dans les escaliers. Puis quelques instants après, les bruits dans les escaliers devinrent plus lourds, comme ci il s'agissait d'un enfant maintenant qui montait puis descendait les escaliers pendant de longues secondes. Les pas étaient de plus en plus insistant comme ci cette chose encore inexplicable était de plus en plus lourde. A force, on pouvait penser qu'il s'agissait d'un homme. Rationnellement je me disais qu'il s'agissait de mon père qui était peut-être revenu du travail plus tôt que prévu mais pourquoi rester dans les escaliers pendant 1 minute sans jamais accéder à l'étage ? Je sentais que quelque chose n'était pas normal, paranormal je ne sais pas, mais ces bruits de pas étaient devenus tellement fort que je commençais vraiment à me poser de sérieuses questions.. Un voleur ? Il courait maintenant dans les escaliers montant et descendant faisant un vacarne à glacer le sang. J'étais pétrifié dans mon lit et ma mère qui dormait jusque là a simplement crié mon nom et la chose qui se trouvait dans les escaliers s'est brusquement arrêtée alors que je sentais qu'elle était toute proche d'atteindre le couloir et que je puisse enfin voir de quoi il s'agissait. Dans un dernier élan, j'entendis les bruits de pas partir en courant dans les escaliers vers le rez de chaussée puis plus rien. J'étais tétanisé, je n'arrivais même plus à parler pour dire que ce n'était pas moi jusqu'au moment où j'ai pris mon courage à 2 mains, je me suis levé de mon lit pour rejoindre ma mère qui dormait la porte de la chambre fermée pour lui dire que ce n'était pas moi dans les escaliers. Sur le coup elle ne m'avait pas cru. Ce n'est que quand elle s'est levée que j'ai pu lui expliquer l'histoire traumatisante et marquante à laquelle j'ai assisté qu'elle a finit par me croire. Rien n'a été cambriolé ce matin là, personne n'est sorti de la maison, je n'ai plus entendu un seul bruit provenant du rez de chaussée alors que tous mes sens étaient aux aguets et mon frère était trop petit pour que ce soit lui. Quant à mon père, il était bien au travail. Chaque année je reparle de cette histoire et chaque année on se pose tout un tas de question avec ma mère qui n'avait pas mesurer l'ampleur de cette "anomalie" ce matin là. Aucune trace n'a été laissée, la porte d'entrée était toujours fermée, les volets tous fermés (la lumière provenait des carreaux à côté de la porte d'entrée), impossible que quiconque puisse être rentré ou encore moins sortie sans faire de bruit. Est-ce que cette chose était encore là quand nous nous sommes levés ? Pourquoi je n'ai pas vu d'ombre dans le couloir de l'étage alors que la lumière du soleil m'ayant réveillé venait de derrière cette chose ? Tant de questions encore aujourd'hui inexpliquées, et quand l'homme n'arrive pas à expliquer rationnellement quelque chose, alors on fait toujours référence au paranormal ou à la religion.

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‘L'amour chrétien s'étend à l'universalité des hommes sous la sourde pression du négatif, et c'est fidèle à sa foi que Hegel a insisté si fortement sur ce moteur puissant de la dialectique que constitue la négation. Mais combien d'exégètes ont mesuré qu'en faisant de la négation le principe de sa dialectique, Hegel, en homme délicat, leur parlait d'amour ?
‘Selon l'un de ces coups de génie qui, en une seule remarque, tracent une diagonale entre des faits dispersés jusqu'à leur mobile le plus secret, Althusser a eu l'idée de citer en plein milieu de son commentaire de Hegel, le texte de Freud La Dénégation. Sa sagacité étonne d'autant plus que ce texte n'était pas encore traduit, et qu'à cette époque les psychanalystes français, peu nombreux, étaient loin d'en comprendre tant (si l'on se fie à leurs écrits). Réfléchissant à la fonction de la négation dans les conceptualisations de Hegel, et à la place qu'elle occupe dans la réalisation de la « connaissance absolue », Althusser écrit : « Les prolongements de l'intuition hégélienne sur la positivité du négatif sont incalculables. Notons en passant que la dialectique freudienne s'éclaire par cette idée que le contenu nié est porté dans sa négation même, ce qui permet de comprendre l'inconscient à la fois comme une réalité et cependant comme une réalité refusée [...] La réflexion hégélienne éclaire de haut le débat, en montrant que la négation, le refus, le refoulement ne sont pas le pur néant, des états négatifs purs dont on ne peut rien dire, mais qu'ils ont un contenu, et que la forme de la suppression affecte seulement l'en-soi de l'inconscient, non le contenu même qui subsiste comme nié dans le refus et le refoulement. »
‘Trait de génie, car si la structure se présente avec des contenus variables (plutôt que vides), cette mobilité ne dépend que du seul invariant de la négation, qui n'est pas elle-même une pure donnée (comme l'affirme explicitement Hegel) puisque sa vérité s'impose au titre du refoulement de la signification phallique. De la vérité, le sujet n'a sans doute qu'un usage circonstanciel et entièrement conditionné par les nécessités du refoulement (dont elle est l'affect). Si l'on peut cependant isoler une Vérité majuscule, c'est bien celle de la négation, sans laquelle le sujet n'existe pas, avec laquelle il se confond dans la clarté énigmatique de la négation du néant. Comme l'écrit Althusser : « Le scandale de Hegel est dans ce paradoxe qui blesse toute la tradition philosophique : au lieu d'identifier l'être et le vrai, il énonce que le néant est la substance du vrai. » La négation présente la vérité du sujet, car, sans elle, « rien » ne permettrait de parler d'un sujet, qui apprend sans la comprendre la nouvelle de son existence, lorsqu'il nie son identification à un phallus qui le nie.
‘Loin d'être une donnée brute, comme l'affirme la philosophie, la négation est ce travail de Thanatos dans Éros, qui, lui aussi, ne serait qu'une autre donnée brute, si l'on ne le situait en fonction de l'interdit porté sur l'identification au phallus maternel. Cette réduction drastique donne ainsi un seul sens à la négation, celui de l'interdit de l'inceste : elle constitue l'index grammatical du nom du père. Loin de proposer une interprétation sauvage, cette lecture rend intelligible la négation hégélienne : sa poussée réalise une histoire, qui s'accomplit au nom de ce père divin reconnu à sa place par Hegel, philosophe chrétien. Dans ce rapport oblique au père, l'homme s'engage en sourd et en aveugle, assuré seulement du néant qu'il fuit. Trop assuré pourtant, car ce néant n'est que l'un des noms de son amour, et il se trouve ainsi dans ce rapport perverti à sa propre existence, où sa chair elle-même supporte le poids de la négation.
‘De ce rapport « père-verti » de l'homme au négatif qui le porte, Althusser possède une intuition aiguë : « Le troisième terme hégélien est mal élevé, il ne sait pas partir, cette mauvaise éducation est le moteur de la dialectique hégélienne : l'homme est un animal perverti que la nature ne parvient pas à résorber, un enfant qui établit sa loi et fait de sa perversion un universel en l'imposant. Avant d'être la mesure, c'est la démesure de toute chose, et son entêtement transforme la démesure en mesure. La vérité est un enfant terrible. »’
Gérard Pommier, La mélancolie : Vie et œuvre d'Althusser, in Flammarion, 2009 (1998)

La lame de mulching, également appelée lame mulcheuse, présente des caractéristiques spécifiques qui la distinguent des lames de tondeuses conventionnelles. Voici quelques-unes des caractéristiques courantes des lames de mulching :

1. Forme spéciale : Les lames de mulching ont généralement une forme spécifique pour faciliter le processus de mulching. Elles peuvent avoir des dents, des ailettes ou des encoches le long de leur bord. Ces caractéristiques aident à hacher l'herbe en fines particules pendant la tonte.
   
2. Rebords relevés : Certaines lames de mulching ont des rebords relevés sur les côtés. Ces rebords aident à maintenir l'herbe coupée sous la tondeuse pendant qu'elle est hachée en petites particules. Cela permet de garder les particules d'herbe en circulation et de favoriser une meilleure distribution sur la pelouse.
   
3. Matériau durable : Les lames de mulching sont généralement fabriquées à partir d'un matériau durable et résistant, tel que l'acier trempé ou un alliage spécial. Cela garantit une coupe efficace et prolonge la durée de vie de la lame.
   
4. Équilibrage spécifique : Les lames de mulching peuvent être équilibrées de manière différente par rapport aux lames conventionnelles. Cela peut réduire les vibrations et assurer une coupe plus lisse et uniforme.
   
5. Compatibilité avec la tondeuse : Les lames de mulching sont disponibles dans différents diamètres et avec des adaptateurs spécifiques pour s'adapter à différents modèles de tondeuses. Il est essentiel de vérifier la compatibilité de la lame avec votre tondeuse avant de l'acheter.
   

Il convient de noter que les caractéristiques exactes des lames de mulching peuvent varier en fonction du fabricant et du modèle spécifique de la tondeuse. Lorsque vous recherchez une lame de mulching, assurez-vous de consulter les spécifications du fabricant pour vous assurer qu'elle correspond à vos besoins et à votre tondeuse.

Il y a un peu + d'un mois, mon téléphone à cessé de fonctionner. Puisqu'il est toujours sous garantie j'ai très vite commencé les démarches pour me le faire réparer et la demande a été prise en compte le 24 avril.
Une fois envoyé j'ai recu de quoi suivre l'envoi téléphone par Chronopost, et il est indiqué que le produit est arrivé chez la compagnie de réparation tiers le 12 mai.
Entre temps je suis tombé sur des informations légales sur les produits sous garanties https://www.economie.gouv.fdgccrf/Publications/Vie-pratique/Fiches-pratiques/Les-garanties-legales et la partie "Mise en œuvre de la garantie de conformité" indique que "La mise en conformité du bien s’effectue au maximum dans un délai de 30 jours suivant la demande du consommateur. Le consommateur peut obtenir la résolution du contrat ou sa réfaction (réduction du prix du bien) si le professionnel refuse la mise en conformité, si le défaut est si grave qu’il le justifie ou si le délai de la solution choisie excède 1 mois à partir de la demande ; ou qu’aucune modalité de mise en conformité n’est possible."
Celà veut dire que je peux réclamer un remboursement à partir de 30 jours après que l'on ai pris en compte la demande? Ou bien dois-je compter à partir du moment ou le produit est arrivé chez le réparateur?
Puis dans l'éventualité ou je suis remboursé, puis-je récupérer le produit? (J'imagine que oui puisqu'il m'appartient?)
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Merci!